highlyeccentric: Joie du livre - young girl with book (Joie du livre)
Apparently, I have not made one of these posts since June least year. I don’t know how 10 months have passed, I feel like I only recently finished The Woman In White.

I spent a lot of yesterday reading about 1970s far-left Japanese insurgent groups. I had no idea they even existed )

Currently Reading:
Fiction
  • Gregory McGuire, Wicked. Someone told me that this book was “not as good” as the musical, and I’ve definitely heard people say it’s Worse In The Queer Way. I am baffled. The ableism as applies to Nessa Rose is still there, but honestly, far less simplistic.
  • Edmund White, The Beautiful Room Is Empty. The front cover of this second-hand copy fell off shortly after I got it, and then the book (I’d guess 90s paperback?) fell behind the bed and the back cover has taken some weird damp damage as well. I have a new copy on the way, because… well, because.

  • Non-Fiction
  • Will Tosh, Straight Acting: The Many Queer Lives of William Shakespeare, in fits and starts
  • Richard Firth Green, A Crisis of Truth. I’ve had the USyd copy out for nearly a year now, revisiting (in fits and starts) legal details I did not particularly care about or didn’t internalise at any point 2008-2022, but the vague memories of which impede and frustrate my encounters with modern legal history. I have tried, on and off, since at least 2011, to buy a second-hand copy, and it has never been worth the $50 AUD + shipping given I had access to university copies. But I found a NEW copy for $40-ish dollars and domestic shipping, from an Aus/NZ online-only bookstore. I think it might be print-on-demand? Everything looks exactly the same (cover, pagination, publication details page) except for the tiny note on the final verso which, instead of “printed in the united states”, has the details of “Ingram Content Group Australia”.


  • And part-read on the backburner: (selected)
  • Bruce Pascoe, Dark Emu
  • Bessel Van der Kolk, The Body Keeps the Score
  • Hannah Fry, The Indisputable Existence of Santa Claus. Fun Christmas-themed maths/logic exercises.
  • and, for some reason, Enid Blyton More Adventures on Willow Tree Farm. I ploughed through both Cherry Tree and Willow Tree farms in audiobook then stalled out on this one. Unsure if its not for me or if I just lost whatever “inner seven year old is running the show” mood I was in; unsure whether to abandon it or file it for a future mood.


  • Recently Read:

    The Secret Barrister: Stories of the Law and How It's BrokenThe Secret Barrister: Stories of the Law and How It's Broken by The Secret Barrister

    My rating: 5 of 5 stars


    This was fascinating, and written with remarkable humour and wit for what is actually angry and depressing material.

    Also I learned how the Magistrates Court works in the UK and who presides over them, and I am ... wow. What IS really striking is that the Secret Barrister doesn't seem to be aware that it's not just the Americans who don't do the "lay magistrate" thing - down here in Aus we started with those, thanks to colonialism, and decided to get rid of them!

    Conversely, the Secret Barrister also doesn't seem to be aware of the aspects of the UK (/Eng-Wales) system which closely related jurisdictions in fact envy! "The UK has much greater availability of legal aid" is something I've heard plenty of commentators upon how NSW works remark upon.


    Restless Dolly MaunderRestless Dolly Maunder by Kate Grenville

    My rating: 5 of 5 stars


    I wonder what it says about me that read The Secret River, and came away with a fascination with the history of the Hawkesbuy but no real desire to keep reading Kate Grenville until this came across my path. And I loved it, and admired it much, much more than the literary-lush narrative style she wins awards for.

    This is sparse - clearly fiction, in the way it invents incidents and individual conversations and scenes for a woman whom Grenville did not know well while she was alive - but sparse, hewing close to the documented outline of her grandmother's life. At times I could actually identify the context-providing sources that she would have needed to cite, if this was a biography.

    And Dolly Maunder is such a well-drawn character, while growing progressively less and less likeable as she gets older. I liked the *book* more and more the less likeable she became. The points where the narrative dwelt sympathetically on her - when, for instance, she thinks over how she and her husband have been compatible and successful business partners despite their loveless marriage, she's still not a person that *I* would like (or who would like me, at all).

    It's also striking - given I then went on to read "One Life", which was written earlier than this one - how *unlikeable* Grenville's mother appears in this book, too. One sympathises with her, bounced from school to school and town to town and too aware that her mother does not love her: but it's hard to like her. In "One Life", she is likeable and Dolly is not; in "Restless Dolly Maunder" it's hard to like either of them, but one is invited to sympathise with Dolly's awareness of her own inability to bond with her daughter as much as with the daughter.



    One Life: My Mother's StoryOne Life: My Mother's Story by Kate Grenville

    My rating: 4 of 5 stars


    Should this be shelved with fiction or biography? Restless Dolly Maunder is clearly fiction, but there has been fictionalising here, too - the scripting of scenes and conversations, at minimum.

    The life of Isabella/Nance, who trained as a pharmacist in the years of the Great Depression - one of the few jobs, her mother was told, where a woman could keep working after marriage or even children (although, in Nance's several attempts to set up her own business, to support her family while her husband first pursued radical politics then the law, it became clear that being legally able to own and run a business did not overcome the practical barriers) - is in many ways more interesting to me than that of Dolly, but I believe I preferred Dolly's novel to this, perhaps because Restless Dolly Maunder stood just a little further over the fiction line.




    I Can't Remember The Title But The Cover Is BlueI Can't Remember The Title But The Cover Is Blue by Elias Greig

    My rating: 5 of 5 stars


    This was extremely funny - little dialogue style "Me: ... Customer [Characteristic]: ..." scenes, brought to life by excellent caricatures.




    CheckersCheckers by John Marsden

    My rating: 4 of 5 stars


    Found this in a box at home. I never ended up with a copy of So Much To Tell You but I had this.

    Honestly not his greatest work - although good work on realistially and empathetically characterising an assortment of kids in inpatient psych. I'd completely forgotten there was a gay character here.

    What brings it up from 3 starts to 4 is the sheer audacity of writing a Teenagers In Psych Ward novel which is also a mystery/thriller about, of all the fucking things, _insider trading_. It works though!



    Backdated: The next bunch of books in my record after Detransition Baby and Stephanie Alexander’s Home are a bunch of Chaucer and/or 18th c texts, and then an eight-book re-read of Tamora Pierce’s Song of the Lioness series and then Protector of the Small. This was, as you might guess, deep in the “this egg is now scrambled” phase. I… have a few actually load-bearing thoughts on Alana, which I ought to write up one day (in conversation with PTerry, and probably also Silence and also Butler and also fucking Pierre Bourdieu).

    But I will also say that something which I struggle with - I remember turning this over and over in my head in my late teens and early twenties - is that… not only am I not like Alana, it’s a total toss-up whether Alana would like me. Kel, on the other hand? It’s pretty clear I have little in common with Kel, and I doubt she’d think I was ideal company - but I remember thinking somewhere in my late teens or early twenties “but I am, or I think I should be, someone Kel would respect”, which is a wholly different question.

    Some short fiction, read at some point
  • Cislyn Smith, Tides that Bind, which is about Scylla and Charibdys.
  • Abra Staffin-Wiebe, Becks Pest Control and the Case of the Drag Show Downer. This was published in 2022, back when drag + kids was Topical, scary, but still more of a harbinger than the “just one part of all the Doom” situation we have now.
  • Michelle Lyn King, One-Hundred Percent Humidity, which Electric Lit pubished with the compelling tagline “The only thing more humiliating than virginity is sex”.
  • Guan Un, Re: Your Stone , in which Sisyphus encountered corporate email.


  • Recently Added To My To-Read List:
    Fiction:
  • Leanna Renee Hieber, Strangely Beautiful, which looks like a fun lil steampunk adventure
  • Victor Heringer, trans James Young, The Love of Singular Men. If I’m on a gay lit dive, I definitely don’t read enough in translation, and this looks like my kind of thing.
  • Steve MinOn, First name, second name. Aus lit, Chinese myth/cosmology and immigrant intergenerational heritage, queer author, porous boundary between fiction and autobiography. Seems like fun to me.

  • Non-fiction
  • Moudhy Al-Rashid, Between Two Rivers: Ancient Mesopotamia and the Birth of History
  • Billy-Ray Belcourt, A history of my brief body
  • Esther Cuenca Liberman, The making of urban customary law in medieval Europe
  • highlyeccentric: A woman in an A-line dress, balancing a book on her head, in front of bookshelves (Make reading sexy)
    In the past two days I’ve listened to almost all of the audiobook of Felix Salmon’s The Phoenix Economy. I have some niche critiques of it - the chapter “Workspace” could really have done with the distinction between space and place which is pretty widely made in humanities circles, but which originates with human geography. Given the overlaps between geography and economics, I would have expected Salmon either to be able to deploy an accessible version in his discussion, or not explicitly state it but write in a way that means I could see the ghost of that theoretical frame. But neither are true.

    In one of the later chapters, Salmon quotes someone - Keynes, I think? - who was being grilled about his proposition for massive rebuilding and revitalisation programs for every major civic centre in the UK, in the aftermath of World War Two. But where will the money come from, journalists asked? Can we afford all this? Sayeth the economist: “if we can physically do it, we can afford it.”

    One of the recurring motifs of my political consciousness - at least insofar as I have kept track of economics - is the refrain that the federal budget is not a household budget, and government debt cannot be looked at the same way is individual or household debt. The link I just gave is to a Conversation article from 2014, but Australian politicians have been keen to crow about budget surpluses for my entire adult life, and hence I’ve been aware of this talking point (said, frustratedly, usually by persons further left of either major party) for much longer than a decade. The topic flared up again in 2020, too.

    Lately, though, I’ve been listening to Greg Jericho’s podcast Dollars and Sense: Somewhere in there I think he made the point that there is good debt at an individual or household level, actually. Education debt: many of us have HECS debts because we believe education is worth it and/or that it will increase our later earnings (we have become much more critical of educational debt when the combination of price hikes, changes to indexing and repayment, lower-than-expected earnings and much much higher housing prices mean the educational debt is no longer resulting in net comfort for the majority of millennials).

    The other line Jericho quotes a lot is Julia Gillard’s ”budgets are about choices”. We should care less about whether the current federal budget forecast that the country will be 9 billion dollars in surplus five years from now, and more about what is and isn’t funded in that. We could have made the choice on budget night - or any time before - and we still could make the choice any time now to lift jobseeker payments out of abysmal poverty (up to, say, the Henderson poverty line). That we do not is a choice.

    It struck me that Jericho’s use of “Budgets are about choices” is the closest I’ve seen anyone get to pointing out that - especially when you’re in surplus, national budgets are actually quite a lot like household budgets. If I earn, say, $70,000 per year, and I have a plan to save $9,000 over five years, that sounds pretty good, right? That surplus will provide me with wiggle room for unexpected negative changes in circumstances, or be saved for the future. But if I save that $9,000 while my children are going hungry, then that is not good money management, it’s terrible priorities. (70,000 is slightly above the median individual income for Sydney. Someone with one adult income and two or three dependents would struggle to save on that income, but could probably feed and house themselves and their family.)

    But if I earned $107,000 per year, and I had a plan to save $90,000 over five years - that’s house deposit money we’re talking about: as long as my hypothetical children are fed and their needs met, that’s good money management, right? Well, sure, but if I and my hypothetical children are fed and renting, but my mother or grandmother is homeless, then no, that’s not good money management, that’s terrible priorities. Now, in a household budget situation exactly WHAT I could or ought to offer my relative would depend on a great many factors, but I feel reasonably certain in saying I ought to do SOMETHING at the expense of my $90,000 five year savings plan. If instead of a household operating in the tens of thousands, I’m a nation operating in the billions… uh.

    I guess I’m mostly confused that no one uses the household budget analogy to justify spending - only ever to justify NOT spending money in the national budget.





    Currently Reading:
    Fiction:
    Jordy Rosenberg, Confessions of the Fox. I might not be quite ready for a Novel About A Trans Man Literature Prof.
    Maurice LeBlanc, Arsène Lupin, Gentleman Cambrioleur (in English, via Phoebe Reads a Mystery). My hope had once been to read it in simultaneous audio and text in French, but I needed a new chores book and the English version was right there.
    Non-fiction:
    Lea Devun, The Shape of Sex: Nonbinary Gender from Genesis to the Renaissance, in fits and starts
    Bessel van der Kolk, The Body Keeps the Score, also in fits and starts
    Monisha Rajesh, Around the World in Eighty Trains - a good “keep in the work go-bag” choice
    Felix Salmon, The Phoenix Economy - in audiobook, with about an hour left
    Shon Faye, The Transgender Issue - in audiobook, and honestly I might DNF it. It’s depressing reading and not telling me anything I don’t know

    Read Recently:

    The Woman in WhiteThe Woman in White by Wilkie Collins

    My rating: 4 of 5 stars


    It took me literal years to get through this, but in this last attack upon it (starting a few months ago), I loved it. The careful engagement with various aspects of women's precarity really is striking.

    It also struck me, back when I FIRST started reading it, that Walter is, essentially, the male counterpart to the governess in the Turn of the Screw, or to Jane Eyre. I don't know quite what to do with that insight, but a while back I read an interesting paper on sibling performance in the work of Wilkie Collins. It stressed the general sibling-like relationship between Walter and Marian (that is, in their chosen sibling-hood, each exhibits some masculine and some feminine traits and positions toward the other). Reading Walter as, essentially, a male governess-figure both highlights how his character is not constructed as either a romantic hero or a bildungsroman protagonist - and also underlines the class commonality between him and Marian. Laura, by contrast, is Walter's love interest and Marian's foil, but very much less compelling a character.

    PiranesiPiranesi by Susanna Clarke

    My rating: 4 of 5 stars


    This was much less mind-bending and complex than I had been lead to expect! I liked it, but nothing about it boggled me. In fact, if I had been told it was a book about the trauma of portal travel, I would have read it before now!

    The Mystery of the Exploding Teeth and Other Curiosities from the History of MedicineThe Mystery of the Exploding Teeth and Other Curiosities from the History of Medicine by Thomas Morris

    My rating: 3 of 5 stars


    Solid Dad Book right here.

    Backdated Reviews (2021-22)

    Detransition, BabyDetransition, Baby by Torrey Peters

    My rating: 3 of 5 stars


    What I learned from this book is that I do not like books or TV shows about circles of Women Existing In New York.

    I gather that if you do like books about circles of Women Existing In New York it's great for that.

    I have some other personal bugbears, but I shan't air them here.


    HomeHome by Stephanie Alexander

    My rating: 4 of 5 stars


    Got an excellent recipe for "popcorn lamb" out of this.


    Murder UndergroundMurder Underground by Mavis Doriel Hay

    My rating: 4 of 5 stars


    I do like these BL Crime Classics. This one I thought at the time would be a bit meh - initially the characters didn't grab me - but not only did I end up enjoying the mystery plot, I find myself thinking about some of the characters off and on years later.

    Short Fiction:
    Addison Evans, An Itemised List of Charitable Contributions (Wyldblood Press)
    Amy Barnes, On rainy nights I smell shoe leather (Scrawl Place) - the conceit / premise of this one tickled me, although I wonder if the author intended when writing that there would be an image that gave it away before you get past the first paragraph.
    Shannon Savas, The Loneliness of the Long-Distance Woman. I don’t know why I like this one but I do.

    Recent additions to the TBR
    Fiction: Brood, by Jackie Polzin, which appears to be a novel about someone raising chickens
    Non-fiction: Patrick Leigh Fermor’s A Time of Gifts, which appears to be a memoir about walking from the Netherlands to Constantinople
    highlyeccentric: Sign on Little Queen St - One Way both directions (Default)
    I recently discovered a podcast called "The Philosophy of Sex", hosted by someone who gives few googleable details about herself, named Caroline. I listened to her interview with Bri Lee and also with Damon Young. I have not read either Lee or Young's books, but I have read their shorter writing and media work, etc. I did not cringe at Caroline's handling of EITHER the criminal-(carceral)-justice focus of Bri Lee OR the queer-kink focus Damon Young has. And, more importantly - given I have cringed at both Lee and Young at different times for wildly different reasons - Caroline's interviewing showed off the best of both of them, or at least the features I consider the most interesting.

    Hence, I began with interest her podcast interview with Avgi Saketopoulou, entitled "Sexuality Beyond Consent", concerning the book of that name, full title "Sexuality Beyond Consent: Risk, Race, Traumatophilia"

    By traumatophilia, Saketopoulou means the process by which small and large traumas shape our erotic interests. About ten minutes in, I added her book to my tbr. About 40 minutes in, i removed it with strong "I might if it was necessary for academic research but I'm not paid for this anymore" prejudice".

    I must stress: until that point, an awful lot of what Saketopoulou had to say resonated with me. She's a therapist: she talks eloquently about how trauma is rarely ever "cured" but can be treated (a phrase she quoted from one of her colleagues: "ghosts become ancestors"). She's interested in taboo, and in the complexity of boundaries. The podcaster, Caroline, was starting to ask her about her idea of "limit consent", shortly before I noped out; certainly Saketopoulou made an eloquent summary of what I find to be Katherine Angel's most compelling point, re the limits of affirmative consent discussed some time ago on here, best chapter reproduced online at Granta.

    "Sometimes," says Saketopoulou in this podcast, "We can't know what we want until it is already happening." Note: she does use the positive of want, not the negative; I had to re-listen to check.

    For example, says Saketopoulou, this happens in the therapeutic relationship. I am now paraphrasing, but so far quite closely. You can't treat a patient without medical consent to treatment. But consider [paraphrase grows less literal, I am too repelled to reproduce this faithfully] a patient who came to Saketoupoulou, and who by the end of their first meeting was extremely convinced she could benefit from the therapy Saketoupoulou offers. But she was not willing to pay the stipulated fee. She could AFFORD it, Seketoupoulou specifies; but did not wish to pay it. Yet she did not walk out, demanding more time and attention.

    So far, so ... actually completely within predictable professional norms, I'd have thought? Not so, Saketoupoulou. Saketoupoulou specifies that the client had not asked her fee, in initial contact. And then moves on to talking about how the client wanted Saketoupoulou to acknowledge that Saketoupoulou had "screwed" her.

    ... I'm sorry. I can afford no patience for someone who blames the client not asking, rather than saying "my bad, I should've posted my fees online" or "wow, I really didn't train my receptionist properly". You DID screw this client, lady. Granted, you might still encounter that sort of client neediness (eg: person who hoped for fortnightly therapy and has just been told they need biweekly; person who who hoped for concessions you're not willing to give), and if you hadn't already thought about that and developed an Emotional Labour Face for enforcing those boundaries... uh... please talk to your nearest pro sex worker?

    In all seriousness, I am deleting this book from my tbr, with prejudice. The described professional scenario is not completely unrelated to sex, but its closest neighbour is abosolutely pro sex work, and I have not known many pro sex workers personally but none of those I do know nor those whose writing I have read would make this careless a conflation between their professional boundaries and the very real risk that someone might commission them to engage in acts that the client can't handle OR with respect to which the client has un-meetable emotional needs.

    Also, despite my Australian-ingrained instinct to read her name as racialised, Saketopoulou seems to be Greek, educated at the American College in Greece, and now based in the US, so... no, I don't think I will even gamble on her chances of having a good take on slaveplay (something which the podcast teased early on). I'm not saying I'd EXPECT a Greek Australian to have great takes on that (I acknowledge my prior over-generosity re CS Pacat, Lebanese-Australian) but I might be interested to read, because the way that "off-white" racialised people navigate the racial landscape is interesting... but no, I don't think Saketopoulou is the Greek I'd be looking for. If some American has a review that tackles her work from a race perspective I would read it, but I do not think I will read her book itself unless I am very bored in a library.

    This has been: a broad Listening Recommendation for the Philosophy of Sex podcast, and a "don't even bother" anti-rec for Avgi Saketoupoulou.
    highlyeccentric: I've been searching for a sexual identity, and now you've named it for me: I'm a what. (Sexual what)
    I have just finished reading, in audiobook format, Richard Glover's The Land Before Avocado, a witty and generally warm-hearted look at the cultural history of Australia in the 60s and 70s - with tentacles extending a decade or so either side.

    I need to cogitate on it some more before reviewing properly, and I may need to get a library hard copy to pin down citations. One story which really stuck with me, and which was very difficult to dig up as, it turns out, the names in the newspaper report were pseudonymous: two gay men, dubbed John and Lindsay in the Age newspaper report, who were effectively sentenced to transportation to South Australia, for having freely confessed to the crime of, as it stood in 1975, buggery.

    There's some details on the case in ALGA report, starting page 10. As a result of an anonymous tip-off, which they attributed to a friend jealous over one of the pair, the two were visted by police. Erroneously believing that homosexual relationships were legal behind closed doors, the two candidly described their household to police. According to the transcript of the radio interview which Glover replicates, the magistrate harrassed their lawyer throughout - but rather than a jail term, he sentenced them to move to South Australia, where homosexual relations in private WERE legal at that time.

    There's so much more that I would like to know about this case than either Glover or the AGLA report tell me. For instance: did they plead guilty, or did their lawyer attempt to argue they were innocent on account of not knowing that their acts (in private) were illegal? If, as the radio show says, the magistrate harangued their lawyer, demanding to know how he could do anything but give them a jail term, what changed his mind? And why have I never heard of these blokes? Wikipedia has no info. The AGLA report is remarkably slim. Glover seems to have done his own primary source work, not drawn on eastablished gay historians (because he does cite key secondary sources). He reports that he looked for the two men in SA archives and found nothing - although perhaps that was because the names printed in the Age were pseudonyms.

    Another (un)fun fact: it is still possible to be charged with buggery in the state of NSW. Because there was no specific crime for sexual assault upon another male, only different sorts of buggery and indecent acts, prior to 1984... well, that's the charge they have to use for historic offences. Some poking around on caselaw.nsw.gov.au for judgements which are part of the public record leads me to believe that many of these are now run as judge alone trials (see MacIver, sentenced by N Williams DCJ), and Anning, sentenced by S Norrish SC DCJ). Both of those I just linked to, and the severity appeal judgements in Pritchard thread a fascinating legal tightrope between the law as it was (no reference to consent), current sentencing rules (especially re minors, there are complex privisions in the Sentencing Act for historical offences against minors), and shifting community standards. I note, upon digging into these, that Pritchard included both buggery as assault upon men (over 18), AND bestiality, which really does drag out that historical muddying of the waters.

    At any rate, I think judge alone trials - unless the accused is found unfit to stand trial and it goes to special hearing rather than full trial - can only happen at the request of the accused. One can see why one might opt for such a hearing, for historic cases of this sort. But goodness, it must get muddy when they adhere to their right to a jury. I would... really like to read some incisive queer legal studies work on this, but have no idea where to start looking.




    Currently Reading:
    Fiction: Lara Elena Donnely, Amberlough. Sort of space-age-ish but sort of 1940s-ish detective noir. Narrated by Mary Robinette Kowal, and I'm enjoying it, but it's a genre I don't often do by audio so it's a bit odd.
    Non-fiction: Marion Turner's "Chaucer: A European Life". I have learned all about the wool staple, and also that Chaucer's "littel lewys" was not living with him at the time he wrote the treatise on the Astrolabe. Nor did Chaucer see much of his wife (a courtier herself), or his daughter, at this time. It just... I dunno, adds an interesting texture to the biography that I hadn't picked up on myself.
    Magazine etc: Still puttering through the Lapham's issue on Friendship. I'm also most of the way through a special issue of Post45 journal, on heteropessimism.

    Recently finished:
    Actually fairly recent:

    The October Man (Rivers of London, #7.5)The October Man by Ben Aaronovitch

    My rating: 4 of 5 stars


    I really liked this. Is it the case that my fresh nostalgia for the wine-growing bits of Potato Europe overrides my frustration with copaganda? Possibly.

    I really appreciated the narrator framing of one character's account of a past sexual assault, both for its realism (I mean, I'm not a cop, but it struck me as accurate for many authority figures: sometimes people need to talk, and you're better off calmly listening than giving a reactive response to the Tragic Content) and the way it deftly functioned as a built-in content note.


    What Abigail Did That Summer : A Rivers Of London NovellaWhat Abigail Did That Summer : A Rivers Of London Novella by Ben Aaronovitch

    My rating: 4 of 5 stars


    I was told I should try this if the copaganda level of the Peter POV is bugging me, and indeed, it was refreshing to see a POV that actually understands the police are not Friends. Except Abigail DOES mostly think of Peter and Nightingale as friends, or family; the tension there was nicely played out.

    I really appreciated the interlace of multiple foil characters in this one. Abigail-Paul-Simon-[spoiler].


    Amongst Our Weapons (Rivers of London, #9)Amongst Our Weapons by Ben Aaronovitch

    My rating: 4 of 5 stars


    0.25% of credibilty restored on account of the wry "I wouldn't just invite the police into my home, and I AM the police" line. Also, I am easily lured by historic aeroplane content.


    Winter's Gifts (Rivers of London, #9.5; Kimberley Reynolds)Winter's Gifts by Ben Aaronovitch

    My rating: 4 of 5 stars


    Well that handled several things better than NUMEROUS urban(/rural) fantasy / supernatural books I've read set in the US. I really like Kimberley's POV, especially re her religious background, and I particularly appreciated where the "vengeful(?) native spirits" plotline went.


    Semi-recent, ie, this year:

    This first one, I present notes from March, as I have failed to re-read:

    Before We Were Trans: A New History of GenderBefore We Were Trans: A New History of Gender by Kit Heyam

    My rating: 3 of 5 stars


    Insta review notes, to be fleshed out later. I used an audio book so I’ll need a library copy to properly review.

    Overall: medium good to great. Many YES this, but without hard copy or e copy I haven’t taken screenshots. I like the overall structure - thematic rather than historical or regional.
    Particular issues: super hisss about the use of “The Lauras”; epilogue a massive fail with police analogy and a long run of sympathy for queer police instead of articulating the difference between history as a discipline and policing as an institution. Not ENOUGH European “spiritually agender” examples, not enough poking at the PNF’s land acquisition. No non-white Xn examples i can recall although I’ll have to double check. Coverage of Hijra pretty good but too nonbinary-invested over transfemme.

    DID give me a number of examples I’d never heard of including transfemme ones.

    Excellent coverage of internment camp drag / theatre / gender fluidity.
    Excellent nuance on Roberta Cowell.

    Rating might go up to 4 when I revisit, but not down. Audiobook technically smooth, some mispronunciations.


    Son of SinSon of Sin by Omar Sakr

    My rating: 3 of 5 stars


    I enjoyed this very much for its sheer Sydney-ness. However, what had been a tight narrative through to the protag's finishing high school just... unspooled. There was no clear plot arc OR the kind of crafted commentary arc one might expect from a memoir.

    It felt like this should have been either a memoir, or cut further loose from the author's own experience. Maybe I'm in an odd position, having followed him online and read his non-fiction and poetry for some years without knowing him in person - an odd parasocial relationship from which to read barely-fiction. Some scenes stick with me months later (and facts! I did not know that urinary positions were so hotly debated among Muslim men. My key takeaway from that is that men's bathrooms should have more stalls, not just for the benefit of trans men but for the benefit of those who follow the Prophet's example in not peeing standing up). And yet I was dissatisfied with the novel overall.



    View all my reviews

    Significantly Backdated (Dec 21):

    A Marvellous Light (The Last Binding, #1)A Marvellous Light by Freya Marske

    My rating: 4 of 5 stars


    If you gave me this book sight unseen and told me I knew the author I would guess Freya wrote it. I enjoyed it and will read more, but I did come away feeling like I was going to like the author's subsequent work, once the meticulous groundwork had been done, much more. Which is probably a net win: this is a Book 1 that makes me think Book 2 will be better, not a victim of Second Book Syndrome.

    CleannessCleanness by Garth Greenwell

    My rating: 4 of 5 stars


    Oof. I think the reason I rated this 4 and not 5 is that it felt a little repetitive after What Belongs To You. Perhaps a little too polished, as well.

    Gospodar, the chapter included in the anthology Kink which occasioned so much outrage: I loved it. I remember phrases from it still, two years later. I'm not sure that it would have the same nuanced effect extracted as it does in context, however. I can't remember WHAT was in the preceding chapter, but I remember being glad, as I read the chapter in question, that I had the preceding chapter or two and indeed the previous book as context.


    Unmaking Mimesis: Essays on Feminism and TheatreUnmaking Mimesis: Essays on Feminism and Theatre by Elin Diamond

    My rating: 3 of 5 stars


    Honestly surprised how much of this I remember years later. It was dry reading, full of both theory and texts I wasn't familiar with, but it grapples with a core tension that I am very interested in: when is realistic representation of women's pain Good (TM) and when is it not?



    View all my reviews

    Online Fiction:
  • L Chan, The Death Haiku of the Azure Five. This was very good, but I swear I only counted four haiku, and it's driving me batty.
  • AS Bayatt, Dolls Eyes, reprinted in Electric Lit
  • Azareen van der Vliet Oolomi, Adopt a cat for the global collapse, in Electric Lit


  • Recently Added To The TBR:
  • Ernest Hemmingway, For Whom The Bell Tolls. I have mostly known of Hemmingway as a laughingstock, the epitome of dudebro lit. I actually encountered something which described the plot of this book, today, and now I wish to read it.
  • Felicia Davin, The Scandalous Letters of V and J. Probably the opposite of Hemmingway in all ways.
  • Lucy Grealy, The Autobiography of a Face. Found via the same link tree that lead me to the Hemmingway, oddly enough.
  • Gillian Rose, Love's Work: A Reckoning With Life. I think I saw this as a sort of disrecommendation, as a book which deals with love and sex without grappling head on with desire as a thing women actually feel. But I liked the look of the book and hence it is on my TBR now anyway.
  • Mike Brown, How I Killed Pluto and why it had it coming. A++ title there, sir.





  • A few links!

  • Adora Svitak, How do we write about love of cock, in the aforementioned Post45 issue on heteropessimmism. Here it is! A bi woman's essay on heteropessimism and the weirdness that is being bi, being into dudes, and being surrounded by heteropessimist straight women! It's academic, rather than personal - although the bits that veer into personal, such as when she recounts reading passages from Garth Greenwell to her male lover, are Good, Actually.
  • Timmy Broderick, Evidence undermines rapid onset dysphoria claims. No new news here, but it is well written.
  • Garth Greenwell, A moral education: in praise of filth. I appreciated the nuance with which he talks about shifting ways of moralising, or de-moralising, art. I felt like several bits were grasping at something I have seen better pinned down in relation to 12th century poetry, but hey, that's standard for me.
  • Hannah Wang, The age of anesthesia, in the above mentioned post45 issue. In which Wang takes issue with various forms of cynical, fatalistic expression as modes of feminist "relatability", including but not limited to the heteropessimistic.
  • highlyeccentric: Joie du livre - young girl with book (Joie du livre)
    I have for some years now read, with fascination and frustration, a genre of essays (and occasional short story) which I short-hand under heteropessimism, although much of it is in fact so earnest (Sereisin's description of heteropessimism begins with Maggie Nelson's "heterosexuality always embarrasses me", requires a sort of ironic self-deprecation) that it might better be described as Sad Girl Content. It is the literature of shared (hetero) feminine abjection (in at least one prior post I called it the disappointment memoir mode).

    I don't quite know what to do with this fixation, as I am no longer a usefully called a woman. The only kind of woman I find myself reflexively thinking of as akin to me is bi women, and so it continues to frustrate me that bi women are utterly absent from the communal literature of feminine (women-who-date-men) abjection.

    There's a lot to commend in this recent essay by Ellie Anderson, on heteropessimism as feminist complaint. Anderson rightly takes a scalpen to Sareisin's slipshod use of "performative" to mean insincere.

    Philosopher Kathryn Norlock argues that complaints may have intrinsic value even in cases when they do not aim for a transformation of circumstances in the way Ahmed describes. Norlock suggests that complaining can be recognized as valuable in itself once we take seriously the "interaffective dimension of ethical and social life." Specifically, complaint is a plea for validation that "one's pains are not insignificant," and for the company of others who recognize one's suffering as significant. Complaint has historically been disparaged by virtue of its associations with the feminine — specifically, with the feminine desire to share one's pains rather than remain an upright individual who acts in the public sphere — as in Aristotle and Kant. Norlock argues that rejecting this masculinist value system reveals that complaining is an activity that "regulates the emotional life, articulating and discerning the causes of pains, affirming the feelings of others or oneself, or inviting disclosure and commiseration." Complaining performs key functions in our collective and individual emotional lives.


    This is true, and yet. Sara Ahmad, who Anderson cites extensively, would also direct us to attend to whose complaints are given space. Whose complaints are able to become a point of community, are allowed to make meaning. (Interestingly, the genre of heteropessimist complaint has several well-established women of colour in it - Christine Emba, for instance. Class, and access to the opinion essay industrial complex, seems a key factor.)

    Bi women are not afforded the same authority to complain. The very structure of the complaint - that dating men flays one's dignity alive, and yet, one must, or withdraw entirely - means bisexuality is impossible. Perhaps some bi women married to men (especially, I expect, those with children) do participate in this discourse, but I can't remember the last time I read an essay grappling with the realities of heterosexual partnership/marriage from a bi perspective (maybe back in the era of feminist blogs? Perhaps these essays exist, and I'm not seeing them because of the glut of "I am an invisible queer" content from bi women; but I'd expect a good essay from a bi woman about having queer experience/identity and yet being stuck in the Crane Wife/Cat Person universe to generate HUGE amounts of biphobic discourse, the kind the "invisible queer" essays regularly attest to). The women writing the heteropessimist essays don't even seem to be aware that bi women are among them! This includes both Anderson and Sareisin (nb: Sareisin has since come out as nonbinary, but was writing as a lesbian at the time).

    Sareisin rages that the heteropessimist does not meaningfully disengage from heterosexuality, Anderson argues that complaint is meaningful (but does not, I note, argue that constitues disaffiliation). Neither seem to have any sense what "disengage" or "disaffiliate" might look like. I did not get the sense, when I first read the Sareisin essay, that the author would have any time for me, a bi queer (then)woman who didn't move in lesbian circles.

    Meanwhile, for a long time, I have felt that I had more in common with ostensibly straight or bi women who were single by choice or not seeking to date anymore than I did with most lesbians. Is that not also a form of disaffilation from heterosexuality? It certainly puts those women outside of many of the privileges of heterosexuality (economic, social, etc), while not actually marking them as queer unless they also display some other marked trait.

    I don't have an answer. I don't even need to answer the question of which group of women I affiliate with, any more. And yet.




    Currently Reading:
    Fiction:
    - Omnibus of Mercedes Lackey's Mage Storms books, still. Slow going but still pleasing.
    - Ben Aaronovitch, The October Man, in audiobook. It is not read by Kobna Holdbrook-Smith, so I am sad. The voice actor DOES do a good job of "Educated German-speaker speaking English" accent, though, and it's set in wine country, and I'm sort of... whatever the opposite of homesick is. Not even homesick for Switzerland, exactly, but nostalgia-frustrated because I have some cultural context for that area of DE but didn't spend much time there. Anyway. I am soured on Peter Grant (see below), but it has been suggested that I might resent the tie-ins less. We shall see.
    - I am in fact partway through the short story The Death Haiku of the Azure Five, in Clarksworld (by L Chan) and enjoying it but I keep forgetting I'm reading it and reading some piece of news or essay or something instead.
    Lit Mag: I have, in the past month, been picking up and putting back down the Lapham's Quarterly "Friendship" issue. This is improvement upon not picking it up at all.
    Poetry: Nil, nada
    Non-fiction for personal interest:
    - I am finally making headway in Marion Turner's "Chaucer: A European Life". For a bunch of reasons, it's a perfect sort of book to keep in my go-bag for on site work at my current job, and on some remote work days I have a weird amount of standby time where it is preferred that we read books rather than be on our phones. I have learned a lot about the London wool staple!
    - Still pottering through Danny Lavery's "Something that may shock and discredit you" for the second time, reading aloud to my partner.

    There are many more things which I am nominally reading but haven't really picked up since last post.

    Recently Finished:
    Actually Recent:
    Archer: the First Nations Issue (Archer Magazine #13)Archer: the First Nations Issue by Maddee Clark

    My rating: 4 of 5 stars


    It took me a damn long time, but I finally finished this.

    Two stand-out essays:

    Q&A with SJ Norman

    Anonymous: Pronoun Trouble

    Neither makes me comfortable, and maybe I'll talk somewhere else one day about what in them hit home and what hit a nerve. Not on Goodreads, I think.




    Dead Famous: An Unexpected History of Celebrity from Bronze Age to Silver ScreenDead Famous: An Unexpected History of Celebrity from Bronze Age to Silver Screen by Greg Jenner

    My rating: 5 of 5 stars


    Things this was:
    - a fun historical romp through periods and subjects largely outside my prior interests (except for Lord Byron, bless his weird over-dramatic socks)
    - a MASTERCLASS in accessible citation. I listened in audio, and I had no idea there *were* footnotes at all, because Jenner weaves "as the such-and-such scholars say" in so well.
    - a MASTERCLASS in breaking down theoretical concepts, see above

    I also keep thinking about the section on celebrity photographs and early photographic manipulation. One actress, whose name I forget (and I can't check because I don't have hard copy) sued over manipulated images of her face over risqué nudes, and lost. I keep thinking about this in context of the current SAG strike, and AI, and being confused that no one is pitching hot take essays about the connection.



    Semi-recent, IE, this year:
    Bad Gays: A Homosexual HistoryBad Gays: A Homosexual History by Huw Lemmey

    My rating: 5 of 5 stars


    I loved the opening, framing, premise, and most of the execution of this. I enjoy the podcast, and I *particularly* appreciated the way that chapters of this sewed together what had been 2 or sometimes 3 podcast episodes to produce a chapter which had a sort of... preview and a chunky case study (Bosey and Roger Casement were a great combo).

    However, I have two complaints:

    1. the conclusion was MEH. It did not say anything the introduction didn't say and it said it more boringly. Perhaps this is a product of the public history style? But I have definitely read pop history which doesn't do that (see: Greg Jenner's Dead Famous).

    2. The final chapter, which sewed together Andrew Sullivan and Pym Fortuyn, with a contextual segue through the AIDS crisis, was a HOT MESS. It gave no specific contextual attention to AIDS or gay public health in general on the continent, aside from one note that Amsterdam had dealt pretty well because of pre-existing good links between gay community and health services over a hepatitis outbreak. In general, it was written as if the US's approach to AIDS was paradigmatic for the world, which it just wasn't. Australia in general, and Sydney specifically, was a lot closer to Amsterdam (perhaps because of better responses to earlier outbreaks? I don't know and my epidemiology history insiders are only confident to speak on AIDS>COVID trajectories). There's a lot that Pim Fortuyn and centrist-to-right US gays have in common, of course, but you can't just take New York's AIDS history and treat it as standard for the developed world. And the authors should BOTH KNOW BETTER and also have the resources to do better, because one is English and one is an American working for the Gay Museum in Berlin!

    I am still, however, very much on board with their project of "bad gay" history: the history, specifically, of how "reclaiming" gay figures from the past has fed into dubious contemporary politics. Something I feel the trans community should think more carefully about before going all in on reclamatory and redemptive premodern narratives, but I appear to be rowing my boat upstream on that count.



    View all my reviews

    GirlhoodGirlhood by Melissa Febos

    My rating: 4 of 5 stars


    This was a difficult and important read. I marked it to-read back when I was madly collecting books about the trauma of being Assigned Girl, hoping that reading enough feminist rage and trauma would anchor me in my assigned gender. By the time I got around to reading it, that was a lost cause.

    This was very much a book about early (peri-pubsecent) sexualisation, and the project of reclaiming one's sexuality from a barrage of constant sexual predation. I was about to say that "although I was in an abusive relationship, Febos' experience is wildly different to mine", but it... isn't, not entirely. The age parameters, now that I think about it, are oddly similar, but the frequency and (forgive the legalese) severity, and above all the impact upon me, are widly different. I can't even put that latter down to gender, because I know many trans men whose lives and indeed adult selves walk much closer to Febos than to me.

    I spent most of this book ping-ponging between "yoewch, to accurate", and "... wtf i thought this sort of thing was mostly a scare story they told you in school health class". Much like how I offhandedly said to a friend a while back "everyone knows Go Ask Alice was a hoax, that's not how peer pressure ACTUALLY works" and the friend went... "well i read it and it seemed pretty close to my experience. I'd call it plagiarism rather than a hoax." (the author of Go Ask Alice, in case you didn't know, was a conservative therapist working with young women).

    Things I particularly resonated with:
    - Febos' description of how her parents were not at all prepared to either help or protect her from what was going on. Same, except wildly different. Mine, for instance, were not equipped to help a kid who didn't experience sexuality as just... a natural thing that happens. Who might need to THINK, read, compare, consider, etc. I don't think they'd have coped better with Febos per se, but they were running on a script for a normative daughter halfway between us.
    - The chapter about the cuddle party, and feeling obliged to offer affection/consolation to the Sad Man. I particularly appreciated that Febos gave equal weight to discomfort with the attentions of an Enthusiastic Woman And Her Male Partner, because were it about Sad Man alone... I'd be thinking of all the weird physical dynamics which come up with people OTHER than the Sad Straight Man.

    Things I didn't but which were elucidatory: I won't go into all of them. But even though I've ditched my project work on Chaucer, I retain my fascination with Kim Zarins' "Sometimes We Tell The Truth". Her WOB's prologue gave me instant "erk". Like... okay, I get where you're going here but this feels wrong, it feels like a story they tell in health class not... a thing that actually happens. (A friend who HAD been subj to advances from older men at age 12 thought I meant I didn't think anyone was. No, I get that... happens... but something about the narration felt like an /extrapolation/ of how that might happen rather than either actually how it happens or how the young girl in q might re-tool the story later) On first read of Febos I didn't make the connection. On second read... the way Febos characterises her younger self feels like the kind of narration Zarins' WOB didn't hit; but Zaris' 17 y old Alison doesn't sound as far removed from Febos' 12 y old self as I thought. If that makes sense? Of course adult Febos isn't trying to paper over her wounds: her whole brand is Trauma Writing. But if she did... maybe it might come out closer to Zarins' Alison than I initially thought.



    All About Yves: Notes from a transitionAll About Yves: Notes from a transition by Yves Rees

    My rating: 4 of 5 stars


    Proper review coming but:
    1. Rounded up by reason if “I like to read about people like me”.
    2. However, I’m pretty sure I’d rather hear from Yves 2025 than Yves “I could never use a men’s bathroom” 2021. There’s a lot that’s gauche here, and ffs. Your trad pub memoir doesn’t count for “publish or perish”. The academic audience might not be here in 2025 but the queers will.

    ---

    23.07.23 Note from later me: I read this as audiobook, I don't have a hard copy, and I'm really not up to re-considering the Saga of Nonbinary Academic right now. Maybe another year. Maybe another decade. This memoir was immensely important to me but didn't review it at the time and I cannot now.



    Nona the Ninth (The Locked Tomb, #3)Nona the Ninth by Tamsyn Muir

    My rating: 4 of 5 stars


    THAT WAS BOTH VALIDATING (yes, i guessed who nona was) and NOT WHAT I EXPECTED AT ALL. A+, ROUND OF APPLAUSE.

    ...

    HOWEVER I would like to register a growing sense of wtf re the charactisation of the genocidal apocalypticist as Maori? It became really explicit in this book and ... no? Love the kiwi localisation, but... Uh. Weirdly I have seen no pushback, and I am not committed enough to this book or genre, nor informed enough about the NZ context specifically.

    I note my discomfort, I hope it doesn't snowball, and in the meantime I will do as I have resolved to do instead of pontificating about Books I Read For Fun: bump something else up the tbr. In this case, Alexis Wright's The Swan Book.



    Bonus: One(1) Deep Backdated Review. The next in queue is Manion's "Female Husbands", and I do not have the werewithal. But I promised a trans woman pal I'd dig out the applicable-to-her-interests bits, so I might re-read it soonish and then it can go into the recent queue again. Instead:

    False Value (Rivers of London, #8)False Value by Ben Aaronovitch

    My rating: 4 of 5 stars


    I am really souring on these books, which I don't think is necessarily a flaw in Aaronovitch's work so much as my increasing distaste for the built in copaganda of much crime fiction. I remain UGH that Peter has not left the Met.



    Online Fiction: two recent two backdated
    Recent:
    - Kehkashan Khalid, The Petticoat Government (Fantasy Magazine). Set in something approximating Mughal India, I think? It actually provided a fleshed-out sense of how female regnancy could work in highly spatially segregated societies, something I *technically know* with my research into gendered space in high and late medieval Europe, but haven't got a really graspable characterised handle on.
    - L Chan, Re/union (Clarkesworld). One daughter, of several siblings, is the only remaining family member observing the pious New Year rituals with the ancestors: who are now, for both better and worse, represented by AI simulations at a banquet table. I don't have the cultural context for this and yet it both gripped and gutted me in places.

    Backdated
    - Rob E Boley, The Assembly of Graves (Diabolical Plots). Sometimes, I read depictions of lesbian relationships, written by (apparently cis and straight, although frequently one only assumes that because Queer Authors have their ID front and foremost) Men, which seem incredibly realistic and Relatable (TM) to me. It is possible this is a sign of my Gender (TM), given I frequently have the opposite relationship with Lesbian Fictions (TM). I dunno. I do know this is a neat horror story and I did not predict the twists to it even though perhaps I should have.
    - Cheri Kamei, Blood in the Thread (Tor dot com). This is, I think, a pretty good story in its own right. Nevertheless. I said; I have said over and over and I'm sure more often than that but in keywords I can't recall to fling at site search; that I wanted a queer take on the Cat Person/Crane Wife problem. This is not what I wanted. If I wanted the abjection of the More Queer (butchness optional) partner faced with a Femme and/or Bi partner I could consume anything from The Well of Loneliness to Rent. And yet. I don't think this is a BAD short story, just. One I'm inclined to be bristly at.

    Recently Added To The TBR:
    Fiction:
    - Alis Hawkins, "A Bitter Remedy", from a series called The Oxford Mysteries. KJ Charles gave it a mixed review but I think I like the things she likes and the things she dislikes in this one would be balanced out by my love of weirdly specific academic history.
    - Patrick DeWitt, "The Librarianist". Got the rec from the twitter account "Caustic Cover Critic", who is one of my few sources of non-gay capital L Literary recommendations.
    - Bruce Pascoe, "Salt: Selected Stories and Essays". I've had Dark Emu on my kobo for ages, but first burnout happened and now my work reading needs to be hard copy. I am intruiged by the idea of mixing fiction and essay, and have earmarked this as a possible library read, esp when I run out of work-appropriate things from my already owned hard copy pile.
    - Se-hee Baek, "I want to die but I want to eat Tteokbokki". I saw a really strong rec for this as a depiction of Depression Et Al, and hey, I've never read Korean fiction before.




    Some links: past and present:

    Past: The dates on these are mid 2021, and hoo boy, let me tell you, scrolling back two years in my pinboard is, quite literally, scrolling back two years in terms of gender dysphoria and career anxiety. Still. Some stuff that, now that I look at it again, stuck with me!

    - Isabelle O'Carrol (Refinery29), ADHD and gaslighting in women. TLDR neurodivergent women (people? I suspect people) more vulnerable to manipulation.
    - Jessica J. Lee (Catapault), How seaweed shapes our past and future. I get a lot of reading recs from SE Smith on Twitter and I think this is one of them.
    - Temma Ehrenfeld (Undark), Immune System Mutiny: Mast Cells and the Mystery of Long Covid. By now, in 2023, most of the Long Covid content i see online (perhaps due to Twitter algorithm) is outright misinformation, albeit often driven by understandable trauma and self-protection. I believe I was already noticing this trend by 2021, and this particular article did not trip that alarm. I'm interested in MAST cell activation syndrome, in and of itself, because friends have it and I suspect at least one relative does, and also it's weird and I am interested in weird things.
    - Paige Turner (own blog), The healing process can be traumatic. I got bored of Paige's blog within six months of this post, but this one remains both short and true.

    Recent: Other than ones linked earlier in this post, I give you the following:
    - The Carapan gallery of Mexican art (own blog), What is an Alebrije: TL;DR man has hallucinations in the 1930s, makes art, accidentally sets off a folk art tradition.
    - JP Brammer (own blog), Food Fight: on "ethnic" food and percieved authenticity. I love many things Brammer writes and this is a fine example.
    - Chelsea Watego (Indigenous X), Voice To Parliament: Why Mob Are Staying Silent.
    - Joseph Earp (Guardian), My mentor John Hughes taught me how to write then he plagiarised my work. Supplementary to, and bafflingly uncited in, the next link;
    - Anna Verney and Richard Cooke, Being John Hughes (The Monthly). I was fascinated and apalled and at times discomfortingly empathetic to Hughes. I, too, was a kid from the periphery of the Hunter Region, said to be brilliant and promising. But I didn't go to Newcastle for uni, and I was not said to be the Next Big Thing (even at school: partly gender, but lbr the only Next Big Things my school at large was interested in was next big evangelist, and so my male peers as scholarly high achievers were in fact less lauded than I, at least I had the humanities teaching lead on my side). I too went abroad for a PhD and came home less than I had hoped to be. But I came home crippled by all the things I could not speak to, while Johnny Boy seems to have come home and determined to... speak to everything, by plagiarism if he can get away with it. (The worst is his remixing of the Bringing Them Home report's accounts, but he also felt the need to plagiarise a relatively privileged male student? Why?? Baffling.)
    highlyeccentric: Manuscript illumination - courtiers throwing snowballs (medieval - everybody snowball)
    It's been over nine months since I made a reading post, although I did do a 2022 round-up. This is a pity, since I had some Opinions about some of the things I read in Dec 2021 and Jan 2022. But here we are. Perhaps I will make some bonus reviews in the coming months, as well as catching up with 2023 so far.

    You can find my online recs at @ highly_reckons@zirk.us, if that's of interest to you.

    As surprises no one, I've been reading a lot of trans history. I really recommend the ABC radio two-parter Crossing Time: Australia's Transgender History, which they put out for World Pride. In particular, I was fascinated by Robin Eames' discussion of Edward de Lacy Evans, a trans man who seems to have lived happily and securely with his wife until exposed by a man Eames describes as his brother-in-law - and elsewhere as the father of de Lacy Evans' wife. I checked up, it's the WIFE's brother-in-law who is implicated in both of these things.

    What Eames points out, in that interview, and this piece for The Conversation, is that *we only find out* about these trans people (mostly men) when something goes wrong, usually a personal grudge, bringing them to the attention of the law or the asylum. Broadly, this matches the pattern which Jen Manion traces in European and American transmasc legal records (as opposed to military figures or published adventures of afab sailors): a surprising degree of social security, especially through marriage and/or secure businessmanship; mobility (eg through sales careers) facilitating new starts; and a tendency to be judged by at least some community members on the standards of the gender-roles the individual performed (pub landlord, husband, flirtatious sailor, etc).

    The general tendency among historians seems to be that trans women were not afforded these same securities in the past. Jules Gil-Petersen points out that when we start to see trans women emerging in the American legal record it is as marginalised urbanites, performing insecure gendered labour (this is covered in her recent post towards a trans history of abortion) like sex work, bar service and dancing.

    Separately, I've been talking with a trans femme friend about historical transness, and my friend's perplexity over how someone like Eleanor Rykener *seems to have passed*, for most purposes, and only come to legal attention *because* of her sex work. Photographs of Magnus Hirschfield's clients look, in contemporary transfemme parlance "bricky", but also, in the historical photographic context, much like a lot of other 1920s women! I've been watching historical costuming TikTok, and *so much* of the premodern feminine silhoutte, whatever it may be at the time, is achieved by building out, not (except in very high society) cinching in. Even regency gowns had underlayers, although I'm sure that it was much easier in Victorian or early modern England to "pass" with a testosterone-dominant body. One of Manion's arguments about transmasc figures is that clothes very much maketh the man: few seem to want to make the corrolorary argument that clothes might effectively make the woman, in at least some contexts.

    Fanny and Stella were living the high life, cross-dressing for fun as well as sex, and it was their *blurring* of those lines which brought them to the attention of the law.

    Meanwhile, returning to the trans men Eames cites, and some of Manion's examples: it is often the wife's family or an ex-husband who brought the trans husband to the attention of the law or the psychiatric authority. It seems safe to conclude then that some men might have successfully passed by remaining unmarried, or by marrying widows with no relations to interfere. Jules Gil-Petersen, talking about the economic marginalisation of trans women, points out that they were not only excluded from the employment market upon transition, but also from the marriage market: but ... is that true?

    We completely take it for granted that women happily married trans men, drawing as we do on previous lesbian readings of similar relationships. Why assume no men would marry trans women prior to the age of medical transition? Queer men exist, and might have good family reasons to need to be married. Might such a man be in a better position to shield his wife from family interference than the wives of trans men were? Granted, if none of those cases *at all* came to public light, then they must at the very least have been less common than the trans husband variation. But I also note that Manion argues strongly for mobility *away* from cities to small towns enabling security for trans men: has anyone been looking in small town archives for trans women? Jules Gil-Peterson has a book forthcoming offering a long history of transmisogyny: if she's done both urban and countryside archive research, and found only urban evidence, I'm hoping she spells out where she looked and didn't find anything as well as where she did.

    Ed: it occurs to me the day after writing this out that a key difference between trans m / cis f marriages and cis m / trans f is, of course, the position of power afforded by being the husband. In many of Manion's examples, the women claim not to have known their husband's assigned sex: it's certainly plausible although any individual case might be bluffing. Hence, the cis woman has a way out which doesn't completely lose face. The hypothetical cis man marrying a stealth trans woman, however, does not have that: as husband, he's not able to say "uh, well, my spouse seemed weird about undressing and avoids sex, but she did say she was ill..." He has no way of exposing her without exposing himself, except for routes dangerous to the trans woman: abandonment (she can't come after him without exposing herself), or even murder. Hence, no legal records. This would also mean that where some of the transmasc husbands probably *did* marry their wives without giving her full prior knowledge, hoping that either she had figured it out, loved him enough to accept it, or would maintain the relationship anyway out of fear of reputational loss - the hypothetical trans woman *doesn't* have that option, or would almost never (exceptions would be: marrying a man known to be impotent or an invalid; an agreed-upon lavender marriage wherein she did not specify what made her different to other women and undesirous of sex). I still think that lavender marriage with a queer man, and perhaps marriage to a widower (no expectation of children), would be plausible, but the hypothetical trans woman has far fewer cards to play than the trans husband.




    Currently Reading:
    Fiction: The omnibus of Mercedes Lackey's "The Mage Storms" trilogy. I just started it and it's really... nice, just nice to be reading epic but soft fantasy again.
    Non-fiction:
  • Greg Jenner's "Dead Famous", in audiobook. It's fun, good background noise while doing chores and such. I love his sense of humour; and he's ALSO a masterclass in giving citations without using footnotes. I am never at sea listening to the audio: he cites key primary sources, major scholars, and even entire theoretical debates (Bhaktin came up at some point!) in fantastically accessible prose. If I were still teaching I'd get the hard copy and take photographs, particularly of the bit which did a run-down of structuralist and post-structuralist approaches to relationships between individuals and media representation, as an example for student writing: how to paraphrase for analytical use (rather than merely summarise), evalate and contextualise in natural-sounding sentences.
  • I also got a couple of chapters in to Shon Faye's The Transgender Issue, it's very good but also... kinda grim, and very contemporary-politics rather than exploratory or historical or any of the other interesting angles which keep me going through grim content.

  • Poetry: Nothing atm
    Lit Mag: I got about 1/3 of the way into the Laphams Quarterly issue on Friendship, but it's somewhere in my boxes now. Instead, I finally started the Summer 2019/2020 issue of Archer, an Indigenous guest-edited issue. Here, have a quote from an interview with SJ Norman, by editor Maddee Clark:
    I feel the Mob are generally socialised to understand ourselves as part of a lineage and in intergenerational relationship. Not in some dynastic way! I know that I am the futuredream of my ancestors, that in fact they are dreaming me right now, and I find tremendous strength in that.
    White folks like to think they are always the first to do something, though, and that erasure is one of the more toxic hang-ups of settler colonialism and of capitalism. People suffer because of it, communities suffer because of it.
    If some of the younger queer and trans artists that I know had half a clue of the rich, powerful artistic and cultural lineages they belong to, and were prepared to embrace the Elders [nb: source capitalisation] that are available to them in their imediate communities, maybe they would not feel as alone as a lot of them appear to. Maybe they wouldn't be reproducing violence and exclusion to such an extent.
    This is a syndrome that Melbourne in particular really suffers from. Sydney is a very different context where people are held in a strong weave of intergenerational support and accountability.

    I liked that, partly because I've been thinking about the differences between Melbourne and Sydney lately - how Melbourne has both the radical left and the stronger neo-nazi presence (and more academic terfs, too), whereas Sydney has a really strong strain of religious conservatism. Protestant, Catholic - even Islamic, tbh, no other city in Australia has made global headlines with the sheikh of its largest mosque comparing women to unattended meat. I've been trying to find the flip side of that, like the radical left and the neo-nazis go together (apparently Basel is the Melbourne of Switzerland in this respect, as well as in the cool riverside dining options sense). If this description is accurate, perhaps that might be it? I wonder. I wonder what Norman bases this on.

    There are other things which intruigue me about this - when is white queer engagement with our "lineage" renewal, remedying our lack, and when is it unwarranted taking up space. Sandy O'Sullivan, who is interviewed in the ABC post I linked above, was twitter tagged in some reviews/recs of it which enthused about the Edward de Lacy Evans story, and probably some others I didn't see; O'Sullivan became wildly frustrated with the enthusiasm of white queers for white queer history. (I became frustrated with the program editing: I know Sandy HAS archival examples to discuss, but all that remained in was the macro level theoretical discussion about what Sandy calls "the colonial project of gender", which is very important but not a good neat oh hey I learned a thing lemme tell you in two tweets kind of rec-highlight.) I don't know. I don't have a solution here. I'm a goddamn medievalist, I'm the opposite of a solution. (I am, at least, no longer employed to generate more European lit canon content... Which, if I generate it anyway for fun, is possibly worse.)

    Recently (well, this year) Finished:

    The Correct Order of Biscuits: And Other Meticulously Assembled Lists of Extremely Valuable NonsenseThe Correct Order of Biscuits: And Other Meticulously Assembled Lists of Extremely Valuable Nonsense by Adam Sharp

    My rating: 4 of 5 stars


    It is difficult to explain why I paid for an audiobook of what is, basically, tweet threads. But I did and I enjoyed it. Good background noise. Whole book elevated by the fact that the "About the author" is given in lists as well.


    The Brexit TapesThe Brexit Tapes by John Bull

    My rating: 3 of 5 stars


    Another book of tweet threads: co-incidental, I promise, I started The Correct Order of Biscuits long before this one and just finished them close together.

    This is funny. This is a poorly proof-read self-pub (speaker tags swap between first and last names, formatting issues with the footnotes). This is also an archive of popular tweet threads, which really needed a developmental editor to turn it into a workable book. Given it came out well after the events, it needed some re-structuring to give it a through-plot, and also knowing later developments in britpol, limiting it to a single PM doesn't... work.

    The conceit of being historical archives though is FANTASTICALLY well done, no cringe about it at all, absolutely doubled down on every humourous aspect. Ergo I did enjoy it.


    Legends & Lattes (Legends & Lattes, #1)Legends & Lattes by Travis Baldree

    My rating: 3 of 5 stars


    This was completely acceptable aeroplane audiobook content. As a novel, though, it left something to be desired, I think because I'm not into DnD. I'm familiar, but not INTO it. It felt like reading fanfiction for a fandom I'm not in - except the romance plot, while still a dominant plot, was much too chill for me to get into cross-fandom reading. It... uh... I think it relies on you having certain assumptions about what an orc is like, what this or that character type is like, that I just don't have due to not playing DnD. So I didn't viscerally appreciate the subversions, even when I knew they were there, and I noticed how thin the character work actaully was.

    Compare to T Kingfisher's White Rat books, where I can see the DnD worldbuilding but the storytelling and the characters hold up even if you don't care about that.


    DraculaDracula by Bram Stoker

    My rating: 4 of 5 stars


    This took me almost a year to finish, in the "Phoebe Reads a Mystery" audio read. I started it having not long finished The Turn of the Screw, and tried to keep up with "Dracula Daily", but the book is not chronological and I liked that structure better than the Dracular Daily structure. Then life happened, got distracted, etc. But: I did enjoy it, my genre knowledge is much enhanced, and Weird Professor van Helsing is my weird, weird fave.


    And also - not putting a goodreads review in, but I finished The Return of the King (having been working away at the entire trilogy since August) in the Andy Serkis audiobook. Loved it. Loved Andy Serkis' narration: for the most part, and especially with Gollum, it's a distinct read, not a reprise of the movies. But there were bits - the tune to The Road Goes Ever On And On; certain lines from other characters (in ROTK, it was Theoden's speech before battle) where he echoed the intonation, without imitating their voices. Perfect. Loved it.

    One (1) Bonus Backdated Review (Nov 2021, apparently):
    The Satapur Moonstone (Perveen Mistry, #2)The Satapur Moonstone by Sujata Massey

    My rating: 5 of 5 stars


    Belated, but: yes! Good! I liked this, I will read the next one. I particularly liked the plot involving an attraction *not* pursued - felt very historically grounded, and added depth and complexity to Perveen's character.

    Some Online Fiction: These I will... eh, let's say two recent two backdated?
    Recent:
  • Jonathan Louis Duckworth (Diabolical Plots): 21 Motes. Forget androids and their electronic sheep: do AI enchanced appliances feel love?
  • Amal Singh (Diabolical Plots): Tell me the meaning of bees. At first I thought this was an allegory for climate change, and then for dementia. I suspect it is not an allegory at all, but it is deeply resonant and I recommend it.

  • Backdated:
  • Megan Arkenberg (Nightmare Magazine): The Crowgirl. I do not normally read horror, let alone zombie fiction, but I was on a big Arkenberg kick in December 2021 (I recall distinctly: I listened to this one between the bus arrival in a small Swiss town and the cat boarding place opening so I could pick Mercury up, as I walked a loop around the village). I loved this.
  • Rachel K Jones (Uncanny Magazine), Six Fictions about Unicorns. Also recommended, although I don't have the same visceral memory of exactly where I was and when and how much I loved this one.


  • Recently Added To the TBR:
    Fiction: Most recent addition is "Beyond Human: Tales of the New Us", an anthology through Lower Decks Press, I believe because one of y'all on here is in it.
    Non-fiction: The two most recent additions are "The Feminist and the Sex Offender: Confronting Horrors, Ending State Violence" by Judith Levine, and "The Goldfish in the Parlour" (a book on Victorian human-animal relationships) by John Simmons. The Duality of Reader, etc.
    The list still marked "academic": Most recent appears to be Nancy Armstrong's "How Novels Think".
    Poetry: Paisley Rekdal's "Nightingale". I follow Rekdal on Twitter, I know she does Ovid adaptations, but hadn't added this to my tbr until recently.




    *bows, flourishes*

    This has been What Are You Reading Almost On A Wednesday, first time since June 2022, please clap.
    highlyeccentric: A photo of myself, around 3, "reading" a Miffy book (Read Miffy!)
    I haven't made poetry posts for a long long time, so, in lieu of a reading-related essay highlight, have this poem:


    English
    Chen Chen

    the most beautiful pair of words in the english language is
    “eggplant parm.”
    followed by “friends forever.”
    really, a close second.
    a distant thirtieth is “research assistant.”
    of course the most beautiful single english word is
    “friend.”
    now some might say it’s “dragonfly”
    & others “devastation”
    but they would all be 122% wrong.
    meanwhile a few might say these are all just other words for
    summer. & they would be 211% right. & if we
    were to, every last anglophone, including the staunchest
    of anti-anglophiles, if we had to
    gather & heatedly
    debate the beautifulest trio of words intheenglishlanguage
    & the shortlist included such mighty contenders as
    “i love you”
    &
    “flaming hot cheetos”
    the winner would still,
    by the most mile of a mile, be
    “jesus fucking christ.”





    Currently Reading:
    Fiction: Alexis Hall, The Affair of the Mysterious Letter. Sherlock Holmes but in a Lovecraftian sci-fi universe. Also the detective is Ms Sheherazad Haas, Watson is trans, and the entire narrator-voice vs actual-narrative-direction play is AMAZING. Watson, as narrator, is trying to keep up a facade of uptight-ness that might, just about, satisfy his religiously puritan homeland; his actual practice is far from that goal. AMAZING.
    Poetry: None, although I did read an entire short book of poems.
    Lit Mag: Lapham's Quarterly on friendship, although naturally I let it lapse.
    Non-fiction for personal interest: Jen Winston, "Greedy: Notes from a Bisexual Who Wants Too Much". So far, less statisfying than Winston's podcast appearances. Assorted others on haitus.
    For work: "The Tinker of ..." (I forget where), a later riff on The Cobbler of Canterbury, and more easily available online. I'm promised dirty jokes. So far I've found a peculiar revision of the Reeve's Tale. Also, Marion Turner's Chaucer: A European Life, which I alternately admire and deplore.

    Recently Finished, or at least, finished at some point:

    Justice Calling (The Twenty-Sided Sorceress, #1)Justice Calling by Annie Bellet

    My rating: 2 of 5 stars


    Shallow but I thought it seemed promising.

    The Jade Temptress (The Pingkang Li Mysteries, #2)The Jade Temptress by Jeannie Lin

    My rating: 5 of 5 stars


    I really loved this book. It's a salutory lesson, because I don't particularly identify with any of the characters - but the balance of characters, the historical detail, and the tight control over the mystery plot, all add up to A++.

    Capturing the Silken Thief (The Pingkang Li Mysteries #0.5)Capturing the Silken Thief by Jeannie Lin

    My rating: 3 of 5 stars


    Clearly a practice run for the Pingkang Li Mysteries; pleasing enough in its own right.

    In the Vanishers’ PalaceIn the Vanishers’ Palace by Aliette de Bodard

    My rating: 4 of 5 stars


    Huh. I was not satisfied by this novella *as a novella*. It felt too... thin. As a queer work, I... look I really have a deep curiosity about human/dragon sex, and I GUESS you don't have to satisfy me on that point. But if you're not going to satisfy me on dragon sex AND you're going to give me short-story level worldbuilding, I will... accept what I'm given and read your full-length novels, I guess!
    Murder of Crows (The Twenty-Sided Sorceress, #2)Murder of Crows by Annie Bellet

    My rating: 1 of 5 stars


    Look, I'm a white Australian, my tolerance for "white colonial author tries to wrestle with their context" is HIGH. But this exceeded it. The child murderer plot not only exeeded it but CRASHED AND BURNED IN FLAMES. (I read this in a summer when a batch of residential school atrocities in Canada were revleaned; I know that's not where this book is set, but also, I am Australian. I recognise "haunted by one's own people's atrocities" when I see it.)
    I will read no more Annie Bellet, and I have also lost a few notches of respect for Kevin Sonney on the basis of his recommendation of these books.

    That can be all for post-dated reviews, and the lesson from THIS batch is: read more non-white people if you must read genre & pulp fiction.

    Up Next: As with last time, I give up predicting what I will read next. My most recent TBR addtions and/or kobo purchases:
  • Melissa Febos, Girlhood. I think I might finally be Gender enough to read this. Maybe.
  • Rae Spoon, How to (Hide) Be(hind) Your Songs: having read Spoon & Coyote's Gender Failure, I desire more
  • Lidia Conklin Rainbow, Rainbow: Queer short fiction. I no longer remember where I got the rec
  • Tom Spanbauer, The Man Who Fell In Love With The Moon: First Nations (Turtle Island) bi+ fiction. I THINK I got this rec from Coyote and Spoon.
  • Travis Alabanza, None of the Above, queer memoir
  • Edgar Gomez, High-Risk Homosexual, also queer memoir. Thing is, I listened to Gomez on Gender Reveal (podcast) and I know the memoir is written as a gay latinx man, and they no longer consider themselves a man. I hover over the buy button, but the blurb copy deters me every time.





  • A Few Links:
  • Elizabeth Freeman (Critical Inquiry Blog), Without you I am not necessarily nothing. With Berlant's passing, the internet swirled with people who felt slighted, crushed by Berlant; people who wrote panegrics to Berlant; and everything in between. This was an in-between.
  • Lily Osler (McSweeney's), Guys, I swear I'm only transitioning so I can cheat at girl's sports. I THINK this falls on the right side of comedy, but I could be wrong.
  • 99 Percent Invisible, Always read the plaque: mapping 10,000 global markers and memorials. Neat. See also the plaque for the Wild Oat's Underdone Asparagus Boil.
  • Sarah Moon (The Rambling), A Love Letter for Anne of Green Gables.
  • James Parker (The Atlantic): Down with morning people.
  • highlyeccentric: ('Confidences' Harold)
    Oof, it has been a long time since I posted one of these. October last year! Welp. Nine whole months.

    I present to you this excellent New Yorker essay, from the editor of the Norton Book of Ghost Stories (Brad Leithauser), on The Turn of the Screw. I tried to get my students to look away from "is she mad?" and even beyond "the text invites multiple interpretations" to "the text invites any single reader to hold multiple interpreations at once - and then remember it's serial fiction in a magazine, ie, would be COMMUNALLY read". I'm not sure how well I succeeded.

    All such attempts to “solve” the book, however admiringly tendered, unwittingly work toward its diminution. Yes, if we choose to accept the reality of the ghosts, “The Turn of the Screw” presents a bracing account of rampant terror. (This is the way I first read it, in my teens.) And if we accept the governess’s madness, we have a fascinating view of a shattering mental dissolution. (That’s the way I next read it, under a professor’s instruction in college.) But “The Turn of the Screw” is greater than either of these interpretations. Its profoundest pleasure lies in the beautifully fussed over way in which James refuses to come down on either side. In its twenty-four brief chapters, the book becomes a modest monument to the bold pursuit of ambiguity. It is rigorously committed to lack of commitment. At each rereading, you have to marvel anew at how adroitly and painstakingly James plays both sides.
    ...
    “The Turn of the Screw” provides an unrivalled opportunity to read in a bifurcated fashion, to operate paragraph by paragraph on two levels. Logically, the effect of this ought to be expansive. James is trafficking in openness; readers can shift, at whim, from ghostly tale to character study.

    Yet—the book’s greatest feat, its keenest paradox—the ultimate effect is precisely the opposite of openness. “The Turn of the Screw” may be the most claustrophobic book I’ve ever read. Yes, you’re free to shift constantly from one interpretation to the next, and yet, as you progress deeper into the story, each interpretation begins to seem more horrible than the other. As the gruesomeness gathers, the beautiful country house effectively falls away, like flesh receding from the skull of a cadaver, and we’re deposited in a hellish, plantless, low landscape of bone and stone: plenty of places to run, but nowhere to hide.





    Currently Reading:
    Fiction: Alexis Hall, "The Affair of the Mysterious Letter". Which is a romp and a delight and a fantastic piece of metafictional snark - the narrator plays with retrospective narration while the author plays with his-and-the-audience's shared knowledge of Holmes and post-Holmes genre conventions. The way that Hall pulls off the 1st p narrator being a giant prude in print while making it, a, perfectly clear what is said and/or done in front of him and b, that he actually doesn't mind: beautiful.
    Non-fiction for personal interest:
    - Rae Spoon and Ivan E. Coyote, "Gender Failure". This has been on my shelf for about a year, and I've been putting it off, lest it Awaken Something In Me, etc. Too late now, and I'm loving it.
    - Twist, Barker, Vincent and Gupta (eds), "Non-Binary Lives". Featuring a contribution by none other than [personal profile] sfred. Some bits I'm like "yes, this I must find this person and read anything else they've written", and some I am not. Par for the course.
    Lit Mag: Finally started the Lapham's Quarterly "Friendship" issue
    Poetry: Nothing right now
    For work: Oh so many things, in such chaos. Notably, however, Leah DeVun's "The Shape of Sex", and Marion Turner's "Chacuer: A European Life"
    On hiatus: Most notably, "Women of a certain rage", and "The Body Keeps the Score".

    Finished, at some point, not all that recently:

    Gideon the Ninth (The Locked Tomb, #1)Gideon the Ninth by Tamsyn Muir

    My rating: 4 of 5 stars


    I had somehow picked up, from a twitter conversation that I had misinterpreted, that this was, like, dubcon lesbian Kushiel's Dart, with necromancers.

    It is not that.

    It is pretty great, though! It juuust about holds together the flimsy worldbuilding that it has at this stage, and the anachronistic narratorial voice. It has many things I like in pulp sff and/or fanfic.

    Harrow the Ninth (The Locked Tomb, #2)Harrow the Ninth by Tamsyn Muir

    My rating: 4 of 5 stars


    A solid second book. I enjoyed it at the time; however, unlike Gideon the Ninth, relatively little of the plot has stuck in my head. I do remember enjoying the elaborate switcheroos in terms of whose "side" we're on - reminds me of Sara Douglass at her best.


    Paladin's Hope (The Saint of Steel, #3)Paladin's Hope by T. Kingfisher

    My rating: 3 of 5 stars


    On the one hand: I'm delighted Ursula turned her hand to queer romance, and I have hope for more.

    On the other hand: it has a very "test case" feel about it, like the author isn't quite used to thinking outside how she is attracted to people, yet. At times it's very clear that Ursula's modus operandi involves plump women and lorge men, and it's difficult for her to convincingly write about being attracted to men who aren't lorge, or to lorge men from some position other than that of plump women.

    But I havve every confidence that the way to fixing that is, well, to write more things that aren't m/f, and I have great hopes for Judith's book.


    The Ruthless Lady's Guide to WizardryThe Ruthless Lady's Guide to Wizardry by C.M. Waggoner

    My rating: 4 of 5 stars


    I enjoyed this a lot! Delly Wells makes for a great POV narrator, a delight.


    A Wizard’s Guide to Defensive BakingA Wizard’s Guide to Defensive Baking by T. Kingfisher

    My rating: 2 of 5 stars


    I know lots of people loved this, but I just didn't. I know Ursula originally had a teen narrator, then aged her down for trad pub then up again. I'll put it bluntly: aging her up again was a mistake. She doesn't think or act like a teen protagonist. The plot is flabby, and its devices swing wildly between middle grade or even kidlit and YA level logics. The best bits are the bits that felt like they were written for 9-y-olds. Most of the book is not those bits.


    So there you go, I was unimpressed by the 2021 Lodestar winner. Grumblebum that I am.

    Other things that I've been unimpressed with since October 2021 include: Annie Bellet; Aliette de Bodard; Ben Aaronovitch; Freya Marske; Torrey Peters; Tad Williams.

    Recently added to my TBR:
    Fiction: Most recent additions are Maya Deane's "Wrath Goddess, Sing", which appears to be a trans femme revisioning of the Illiad; and the 90s lesbian fiction anthology "Leatherwomen".
    Non-fiction for personal interest: That would appear to be Alex Iantaffi's "Gender Trauma"
    Academic TBR: Kadji Amin's "Disturbing Attachments: Genet, Modern Pederasty, and Queer History". I've put this under Academic because the thorny question of how to deal with the entanglement of not only queer figures but also key queer theorists with pederasty, either in attested practice or really quite adamantly in theory keeps coming up in work contexts.
    Other: Only the stack of back issues of Meanjin and Archer and Laphams that I've accrued.




    There will be no links today, beyond what is embedded above.
    highlyeccentric: Prize winning moody cow (Moody Cow)
    I do not have capacity to update my Goodreads rn. Haven't since December. The task gets Worse by week.

    What I am currently reading:
    - the poems and essays for the next 3 weeks of teaching
    - More about John Donne than I'd planned, for same
    - the 2021 anthology "Nonbinary Lives" ed Meg-John Barker et al.
    - Ivan E Coyote and Rae Spoon "Gender Failure"
    - re-read of Monstrous Regiment
    - The Play issue of Archer mag
    - a bunch of other stuff on hiatus

    Why YES there's at theme there why do you ask.




    Some much belated but interesting links:

  • Kirby Conrod (own blog), So you're ABD and you're beginning to suspect you have undiagnosed ADHD
  • Alexis Nowicki (Slate), "Cat Person" by Kristin Roupenian drew specific details from my life. This pales in comparison to the later Bad Art Friend debacle, but what's fascinating is that I HATED Cat Person and I found Nowicki's account of her actual experience much more compelling.
  • Ange Mlinko (LRB), Waiting for the Poetry, on Adrienne Rich.
  • Huw Lemmy (own blog), Meanlingless Sex. Has some great stuff on queer storytelling.
  • Aviva Stahl (New Inquiry), Trust in Instinct. I've still not read Conflict Is Not Abuse, but between observing the kind of people who evangelise that book, and this (and a few twitter threads) response, I am no longer interested in doing so. As well as a response to Schulmann, this has some interesting things to say about harm and shame.
  • Joe Pinkser (The Atlantic), School Days start and end too early
  • Lincoln Michael (own blog), Art should be a doorway, not a mirror. Response to the Isabell Fall fall-out, but insightful in its own right.
  • Christina Tesoro (The Toast), "Not So Bad": On Consent, Non-Consent, and Trauma.
  • Benjamin Riley (Overland), How To Come Out At The End of Queer Community. Aside from talking queer community dynamics at large, this one might be of interest to those of you who are churchgoers or involved in other religious communities - it's got a chunk talking about how MCC (Sydney's Officially Gay Church) is now attracting more "unchurched" young people than gay Xns.
  • Da'Shaun Harrison (own blog), Committing harm is not the same as being abusive.
  • Rafael Tonon (Gastro Obscura), The team resurrecting Ancient Rome's favourite condiment
  • Jessica J. Lee (Catapault), How seaweed shapes our past and future
  • Temma Ehrenfeld (Undark.org), Immune System Mutiny: Mast Cells and the Mystery of Long Covid. Might be out of date by now.
  • Kirsten Leng (Notches blog), Sexual Politics and Feminist Science: Women Sexologists in Germany 1900-1933.
  • Cathy Free (WaPo), Three women dumped their cheating boyfriend and went on a road trip together
  • Maclean's magazine (CA) 1962, How to tell the Grits from the Tories. This is marked fiction but I suspect a metadata error. It reads like moderate political satire.
  • Matthew Sherril (Outside Online), The ghost trail hunters of Mount Desert Island
  • Kyl Myers (Archer Magazine), Gender socialisation: rethinking our inherited structures. I know there's a lot of pushback at the moment to the concept of "socialisation" because somehow it's taken that if
    [transmasc / cfab / tmab / whatever term we're using to catch both trans men and enbies who were assigned-and-parented-and-may-have-continued-on-assumed-female today] talk about being socialised female/girl it must be the case that trans women and trans femmes were (assumed: successfully) socialised male/man. This... does not seem to me to be at all obvious! I have no idea why everyone assumes there must be polarity at all times! (When trans women assert they in fact internalised harmful female socialisation, eg, that femininity requires subservience, they do not usually imply that trans men 1:1 picked up the corresponding male socialisation and privileges?? I don't think??) Here endeth my necessary disclaimer for this link.
  • Craig Robertson (Places Journal), The filing cabinet and 20th century information infrastructure. This was, no joke, one of the best things I read last year.
  • highlyeccentric: A woman in an A-line dress, balancing a book on her head, in front of bookshelves (Make reading sexy)
    Something that fascinates me deeply is what do we expect when we read particular books? This is most obvious in genre fiction - romance readers, for instance, expect a HEA (and seem to define that as approximating marriage as closely as possible, if not actually being marriage). HFNs remain a bone of contention in the genre.

    I think lit fiction readers have set expectations, too - one of them is that their expectation be met without being too obvious about it. But a lot of expectations are conveyed by, say, cover art. Author reputation, obviously. Who any given author appears on panels with at certain lit festivals, even.

    Somewhere back in the archive of Kevin and Ursula Eat Cheap (I didn't note the episode, because I didn't expect it to stick with me.), around the time Ursula was working 'Swordheart' up into a novel and realising she didn't actually know how to write A Romance Novel (as opposed to a novel with romance as the b-plot), she and Kevin were talking at some point about what people EXPECT of any given genre. What they read them for

    And, if Kevin and Ursula are correct... I do not read romance or mystery "right". I'm sort of in the correct ballpark for a fantasy reader - in fact, I might read romance and mystery like a fantasy reader, per their definitions (although, arguably, I read all three like a historical fiction reader.... which is odd, because I don't read much historical fiction that isn't histrom, mystery historical or historical fantasy).

    As they outlined it:

  • Romance readers read for the empathetic experience of the romance arc, ending at HEA.
  • Mystery readers read to pit their wits against the narrative, try to guess the whodunnit before the big reveal.
  • Fantasy readers, or at least those Ursula caters to, read because you open my book and you know you're going to see some shit. It needs to surprise as well as entertain you.


  • As we know, I my relationship with the empathetic arc of romance is fraught, for reasons of gender, queerness and general objection to the marriage plot. I thought that was just a Me Thing. But I also do not, by any measure, read mystery novels trying to SOLVE them!

    Romance and mystery fiction sit squarely in the same reading spot for me: I read them to be immersed in a specific niche topic. I read very little contemporary romance/erotica, and when I do I want it to be deeply immersed in either a. a queer subculture or b. one or both character's very specific lives and interests. I also don't read much mystery-thriller, the kind of mystery plots driven by 'wtf is going on in this scary contemporary world': I read things like the Phryne Fisher books, or mystery-erotica (KJ Charles' early works), or Sujata Massey, or Sulari Gentil, or... Usually historical (but a Sujata Massey I read in my teens, set in 90s Japan, in no small part concerned with flower arranging, sticks in my mind). I read not to learn about The Thing, per se, although I enjoy it when I do learn about a new thing: I mostly read to enjoy the interaction between Character and Thing, and the craft skill of the author balancing the mystery plot, the Thing, and the character arc.

    The same is largely true of my favourite romances. I read the second of Jeannie Lin's Pikang Li series - published by Harlequin, but it's very hard to say, aside from that factor, whether the romance is the A or the B plot compared to the mystery. And the star of the show is really the historical work: Tang Dynasty China, imperial capital, pleasure quarter politics. I thought the second book did a much better job of balancing these three plots than the first did, and am holding off on buying the third for a special occasion - but also scrounging around for something similar. There's Jeannie Lin's Tang Dynasty romances, which I will read, but would be surprised if I enjoy them as much as I would a historical mystery. For a start, I suspect they won't involve anyone decapitating pigs for forensic purposes.

    Anyway, per Kevin and Ursula's schema I could be reading both romances and mysteries to 'see some shit', except the shit would ideally be 'historical detail'. Or perhaps I'm reading both romances and mysteries like a historical fiction reader, and same goes for my fantasy reading - certainly, I apply the "sausage test" (how do sausages get made in this universe, and could this author set a key plot scene in a sausage-making or similarly mundane process) to both historial fiction and fantasy. Which, hah, no shit, would be why I enjoy Ursula's work but even the ones that are Peak Ursula are just a bit... not... quite.. satisfying, to me. Ursula writes like a gamer, ie, sausages not required. Although in the White Rat universe books there is suitable attention to details like 'bodies, who disposes of them?' and 'how do we treat a seriously wounded gnole, given different physiology' and even 'postpartum fistula, of course this character knows about that'. Enough to keep me happy, but not a core plot mechanic.

    My penchant for (Genre)+(Thing) explains why I enjoyed Annie Bellet's first installment in 'The Twenty-Sided Sorceress' series, which was a kobo freebie and which the author cheerfully admitted (on Productivity Alchemy) isn't all that great, she churned out the first two books fast to net what money she could and only really got into her stride for book three. Sorta Tanya Huff/Charles de Lint type urban/rural fantasy, with shapeshifters, except those shapeshifters play DnD? Yeah, I'm in.




    Currently Reading:
    Fiction: Aliette de Bodard, In the Vanisher's Palace. This is definitely in the 'you will see some shit' category of sci-fi fantasy. I'm enjoying it!
    Non-fiction for personal interest: The thing in this category turned out to be work-relevant, so, nothing? All on hiatus, anyway.
    Poetry: Nil zilch zip
    Lit Mag: Also nil, although the tbr piles up
    For work: Many. Trying to salvage my overdue library book situation, by annotating things which have lingered too long. Working through Jen Manion's Female Husbands: I don't think their choice to refer repeatedly to 'transing gender' was a good one, despite my fondness for verbs over nouns, but in most other respects I really like their approach.

    Recently finished: So many, because I've been reading rather than keeping up with t'internets.

    Paladin's Grace (The Saint of Steel, #1)Paladin's Grace by T. Kingfisher

    My rating: 4 of 5 stars


    I liked this a lot. At first I thought it was a bit flimsy, in that there was this background plot that was never resolved (but then again, I liked that: the core plot, Two People Fall In Love, and the next layer around it, Seven Paladins Try To Get Their Shit Together Post-Trauma, were just... happening in one bubble of something much bigger, involving interstate diplomacy! Individuals actually might never find out why the duke of somewhere tried to kill the prince of whatever!). But as I've read more of the White Rat books that slipped to being a Definite Strength, rather than a weakness.

    Other good things:
    - oddly specific details (in this case, perfume making)
    - handling of sexual preferences: there is a sex act which character B fantasises about, which, it turns out character A doesn't want to do (possibly because their ex was a bastard), and character B is just like... cool let's do something else! We did not get Magic Healing Not-actually-dick! Hooray!
    - everyone wallows but like, in a good way.
    - excellent supporting cast. Marguerite especially, I hope she reappears at some point.

    Paladin's Strength (The Saint of Steel, #2)Paladin's Strength by T. Kingfisher

    My rating: 4 of 5 stars


    This one is just... perfect. This whole series was predisposed to hit my buttons, because, hello, 'deity suddenly disappeared on me, how shall I conduct myself henceforth, etc': relevant to my id. This particular example, with Clara and Istvhan's WILDLY different experience of being in religious orders: YES GOOD. Also, large dangerous lady and large dangerous man, together? I know Lorge Men and fat women (some short and fat, some tall and fat, some Lorge) are What Ursula Does, but this is a fine example.

    spoiler the final scenes )


    SwordheartSwordheart by T. Kingfisher

    My rating: 4 of 5 stars


    Excellent. A straight-up romance, except involving a long-dead guy trapped in a sword. Love it.

    I also really loved the inversion of the Man In Love With Heroine's Competence vibe that Ursula does tend to favour. The heroine here is a complete scatterbrain - oddly competent, from her own unique angle, but in a baffling rather than impressive way. And yet she's not *patronised* by the hero or the narrative.

    Also, Zale, the lawyer of the White Rat? Love them. Love them lots.


    Clockwork Boys (Clocktaur War, #1)Clockwork Boys by T. Kingfisher

    My rating: 4 of 5 stars


    This was a book and I liked it. You could definitely tell where the duology arose from chopping one book in two, though; and in some ways I feel like it might have benefited from being beefed up into a trilogy.


    The Wonder Engine (Clocktaur War #2)The Wonder Engine by T. Kingfisher

    My rating: 4 of 5 stars


    Enjoyed this duology a lot! You can definitely tell, especially if, as I had, you've come off the back of two Paladin books plus Swordheart, that Ursula has a set type in romance plots and it involves Lorge Men having crises of faith and/or intense guilt. But that worked particularly well here.

    I enjoyed the gnoles a LOT. More gnoles, please. Gnole romances?

    Annoyed by some of the trailing threads - I know trailing threads is how Ursula works, but I REALLY felt like we should have found out something about the wonder engine in the end of book 1, by the time we got to the end of book 2.


    Also: Tamsyn Muir; CM Waggnoner; more Ursula; Jeannie Lin.

    Online fiction:
  • Abbey Fenbert (Catapault), Not kinky. This reads like a personal essay, but is apparently fiction. It has some pretty good Takes, and those of you who were unimpressed with Garth Greenwell and with the anthology 'Kink' would probably like it.
  • Nathalie Lima (Guernica), For a good time, call. Not easy reading, but good.
  • Megan Arkenberg (Beneath Ceaseless Skies), The oracle and the sea. I love the way Arkenberg writes character stories around the edges of some kind of bigger political or apocalyptic Event.


  • Recently added to the TBR
  • This is too new news to even be on the TBR yet, it came via book contract aquisition news: Oliver Darkshire, the guy who runs the Henry Sotherans twitter account, is writing a madcap book about antiquarian book dealing.
  • After finishing a Jeannie Lin book I scoured the internet for historical mystery and/or romance set in east asia *by writers of east asian ethnicities*. Very difficult to find, turns out the 'oriental mystery' is a subgenre in white people fiction. I have marked Laura Joh Rowland and Seishi Yokomizo.
  • Kevin Sonney was talking up Tailchaser's Song by Tad Williams in an episode of Productivity Alchemy. Apparently the anthropomorphic cats are still believably cat-like.

    This has been: weekend reading with Amy. Now, I shall go and amuse a kitten.
  • highlyeccentric: A woman in an A-line dress, balancing a book on her head, in front of bookshelves (Make reading sexy)
    It's been so long since I did a reading post that I it feels really weird to try to preface this with commentary on the best or most arresting thing I've read lately.

    Here's something that stood out to me, though: Siderea on The Problem of Morality. I had another one of those weird conversations with my parents the other day where I offhandedly said something, of an acquaintance with a strained parent relationship, "well, if I had a father who [x], I'm not sure I'd WANT to speak to him". Parents: "you can't just stop talking to people over political differences!"

    And I'm astounded, repeatedly, because... this seems like an abdication of morality, or ethics, to me. And yet, as my parents occasionally get up the gumption to needle me about, I obviously don't think people should exclude *me* because I offend their morals. I feel like there's a difference between making that since on the basis of *private morality* (how I conduct my sex or relationship life - and even then, as in the case of spousal abuse, there ARE reasons to stop talking to people over their private morality!), and over... political morality? Ethics? Something?

    Siderea doesn't get into that particular distinction, but DOES contend that the "left", broadly defined, abdicated the field of morality-as-politics in the 80s, and is now hampered by that loss. And makes this very useful (for talking with older generations, at least) distinction:

    And a good bit of that, I seem to recall, was back then it was less universal that the attraction of either party was moral positions. There were lots of people in both parties who were motivated by a purely pragmatic sense of public policy, and voted for the party or even the candidate whose policies they thought would be most effective for bringing about changes they thought were personally advantageous. For instance, one might believe a laissez-faire approach to markets was the best thing for the economic well-being of the American middle class and so vote for Republicans who advocated a hands-off policy towards the economy; or one might believe that government intervention was better for the economic well-being of the American middle class and so vote for Democrats who argued for that. Back when I was a frosh in college, that was actually a really common way young people aligned themselves politically!

    As best I can tell that's completely untenable now. It doesn't matter what you think about monetary policy, your choices are the party which believes that extrajudicial killing of peaceable innocent citizens by the police is murder and the party that does not. And, as I explained above, morality overrules other considerations, like which approach to market regulation is most efficacious for prosperity.

    The nature of the conflict we are now in is moral. And we need the conceptual tools of morality to even see it clearly, much less have any leverage on it.


    The "pragmatics" approach to voting took longer to become untenable in Aus, and now we also have the problem where BOTH major parties hold some morally abhorrent policies because it's a race to the bottom.* And with the relatively lower profile of, eg, extra-judicial police homicide (it happens, it happens primarily to Indigenous people, followed by Middle Eastern and African Australians, but it's less frequent on a sheer numbers level, shifted toward less visible modes - deaths in custody - and simply getting less traction because, on a percentage level, Australia is whiter and more complacent), and the _not quite as bad_ wealth gap, means that it's possible to still be complacent middle class (perhaps especially if, like my parents, you achieved that status over your working life: things went right and are still going right for you) and think of political choices as matters of pragmatics and priorities.

    *For that matter, I'm not convinced by Siderea's presentation of the 'extrajudicial murder of innocent citizens by the police: okay or no' as something that one US party firmly opposes and one supports. Are US democratic politicians actually putting forth platforms to end qualified immunity, or is it "fund the police more to take more anti-bias training, and ho and hum?"

    Meanwhile, I got back into work with a six-hour binge in Eighteenth Century Collections Online. I give you: one of the odder things I found, a long poem entitled "Bibliotheca, a Poem Occasioned by the Sight of A Modern Library. With Some Very Useful Episodes and Digressions", by Thomas Newcomb:



    The text is online here. It isn't very good.




    Currently Reading:
    Fiction for Fun: Greenwald's 'Cleanness', but very much on hiatus.
    Non-fiction for personal interest: 'The Body Keeps the Score', also hiatus.
    Lit Mag: Nothing right now
    Poetry: Ditto. I did very much enjoy the poem My Queer by Emma Rhodes, in Plenitude Magazine, not least because I, too, named a doll after a very beautiful little girl of my acquaintance.
    For work: Not nearly enough, but for mixed work-personal reasons I started Jen Manions "Female Husbands: A Trans History". I'm really enjoying it, although Manion's use of "to trans gender" as a verb grates, and I really don't think it was contexualised early enough, or given a strong enough justification when it was addressed.

    Recently Finished: For certain values of 'recent'.

    The Bloody Chamber and Other StoriesThe Bloody Chamber and Other Stories by Angela Carter

    My rating: 4 of 5 stars


    I liked this a lot, but I didn't find it as utterly arresting as I had expected - I think because, ultimately, I've been reading in a post-Carter world since my teens.

    I was surprised, and delighted, by the DuMaurier-esque feel of the title story. My favourites were probably the weirder ones toward the end - The Erl-King, and the triple sequence of Red Riding Hood-and-or-werewolf tales that come last, of which, the weird sexy 'The Company of Wolves' would be my favourite.

    Anne quitte son îleAnne quitte son île by L.M. Montgomery

    My rating: 4 of 5 stars


    Read this in the RadioCanada Oh!Dio audiolivre version. Loved it, as usual - although LMM sure does over-sell the ease of convincing two tomcats to cohabitate with one another!


    Indecent Exposure: Gender, Politics, and Obscene Comedy in Middle English LiteratureIndecent Exposure: Gender, Politics, and Obscene Comedy in Middle English Literature by Nicole Nolan Sidhu

    My rating: 4 of 5 stars


    Really interesting, and I'm having a productive and challenging time wrestling with the wide difference between her take on the Reeve's Tale and that of other feminist scholars.

    Comedy and the Politics of Representation: Mocking the Weak (Palgrave Studies in Comedy)Comedy and the Politics of Representation: Mocking the Weak by Helen Davies

    My rating: 4 of 5 stars


    This wasn't actually what I was after, research-wise, but had some cool stuff in it anyway, especially an essay by Kate Fox, in the form of a dialogue, on the topic of autistic stand-up comedy.

    Anne au Domaine des peupliersAnne au Domaine des peupliers by L.M. Montgomery

    My rating: 3 of 5 stars


    Another really enjoyable audiolivre from Radio Canada. And as usual when re-reading this one as an adult, I'm really uncomfortable with the number of abusive parents who feature in the "humourous" community plots. It's also notable that the abusive mother is agreed to be not a NICE person, whereas Anne ends up concluding that both the abusive fathers are decent chaps after all. :s

    Online Fiction:
  • Megan Arkenberg, In the City of Kites and Crows reprint/podcast at Glittership
  • Megan Arkenberg, All the King's Monsters, Clarkesworld, with audio.
  • Megan Arkenberg, Lessons from a clockwork queen, reprint/podcast at Glittership
  • Sarah Gailey, Tiger Lawyer gets it right, EscapePod
  • Aimee Ogden, In September, Podcastle
  • E.P. Tuazon, Barong, The Rumpus. I did not fully understand this but I liked it!
  • Bryan Washington, Foster, The New Yorker. A good cat story.
  • Erin Kate Ryan, The Girl Was Already On Fire, VQR.
  • Kavita Bedford, The Daintree.


  • Up Next: You know what this section gives me anxiety, let's cut it out entirely. No more 'up next' bits. Henceforth this section shall be...

    Recently added to the endless TBR: Tempted to break my nigh-moratorium on both modern-setting romance novels and m/f romance novels for For the Love of April French by Penny Aimes; delighted to find a nerdy travelogue by someone who isn't a white man, namely, Monisha Rajesh's Around the World in 80 Trains.




    Some links!

  • Susan Misicka, SwissInfo, I hear if it's not running: a profile of Martin Horath, who's worked on the Mt Rigi cogwheel railway for 25 years.
  • Justin Myers, British GQ, The Friend Zone has more meaning than you think.
  • Sarah Scire, Nieman Lab, Someone wrong on the internet? Correcting them publicly may make them act like a bigger jerk.
  • Carissa Harris, Aeon Mag, 800 years of rape culture. Smart public writing from feminist medieval studies.
  • Emillie Colyer, Meanjin blog, What I'm reading. I liked that she talked about the fragmentary nature of writing as an academic: "Because I’m doing a PhD, I am reading a lot of different things all at once, greedy for the thoughts of others".
  • Jonathan Parks-Rammage, Electric Lit, 7 queer books with heart-stopping twists
  • Dianna Anderson, Rewire News, Purity Culture as Rape Culture. Been following Diana for a while now, and finding their takes on evangelical culture very insightful.
  • Hilary Brenhouse, interview with Elissa Washuta, Guernica, Elissa Washuta: living inside this empire is all that I will ever have

    That's by no means everything, but I have a kitten to exorcise. Happy Sunday, folks.
  • highlyeccentric: Ariadne drawing mazes (Inception - Ariadne drawing)
    The most notable thing in my reading life this past fortnight has been the Radio Canada audio-livre of Anne... la maison au pignons verts, which is free to listen online and downloadable to the 'OHDio' app (which I recommend - pause and restart glitches a bit online). I recall the last few times I started the Anne series from the beginning (I often pick up from Anne of the Island, and in 2019 joined Mum and Ms-then-10 partway through Anne of Avonlea) I have started getting a little choked over either the death of Matthew or Anne's decision to give up her scholarship, but apparently, give it to me in French and in audiolivre format and I sob from the 'my girl, of whom I'm so proud' conversation with Matthew right through Anne giving up college and on to the end of the book.

    Mercury doesn't care at all for my feelings, and so please imagine me sobbing to French narration while sitting on the floor wiggling a chasey toy.

    Something that struck me on this read through is that 'English' as a subject of study seems to be firmly established in both secondary and tertiary education. Anne's scholarship is won in 'English and English Literature' (the French narration had English OR English literature, but I'm fairly sure they would have been one class), and there are plenty of references to literary classics (some fairly recent - The Lady of Shallot, f'r ex, is only about fifty years older than the setting, although sixty-something older than the book itself) 'prescribed' by the English curriculum. The narration frequently mentions that it's a NEW curriculum, and I kind of wonder if there might have been a big change in high school education around the 1890s in PEI. All I could find was that public education (including, I think, local tertiary education - unsure about the Catholic university in Charlottetown though) had been free since the 1850s.

    'Queens' of Anne's day (and LMM's) is Prince of Wales College, which in the 80s was combined with the 'Normal School' teacher training instittue, so as to offer both teaching certificates and something like the first year of a bachelor's degree - apparently modelled on the system of colleges in Quebec, where a collège diploma is required for entry into university. Fascinating.

    At any rate, English was definitely a subject of study at Queens (and presumably at Prince of Wales in LMM's day), and seems to have been at Redmond. I've read a fair bit about the formation of the modern 'English department' in the UK (or specifically England - there's always a caveat about Edinburgh having had a chair of Rhetoric and Literature since 1790). The story as I knew it is that UCL was the first to offer English, although it turns out that rumours of its English degrees were greatly overstated, per UCL themselves - they had a Professor of English, but BAs at the time were a broad sweep liberal arts program with various compulsory subjects, and English was only an elective until 1858, and thereafter only assessed at the interim exams; the first graduates 'in English' graduated in 1903 after a curriculum shake-up.

    Dalhousie, LMM's alma mater, have rather less historical detail available on their site, but they credit the foundation of the department to the 1865 establishment of a chair in Rhetoric. While they don't state when the first undergrads in English graduated (perhaps because I think they run a more American-like system, where majors are a thing but not the be all and end all of your degree?), they state their first MAs graduated in 1903, the same year UCL's first BAs graduated (and offering postgrad courses were part of the same shakeup at UCL). I would hazard, then, that LMM probably did not 'study literature' as per her wikipedia page, and Anne neither - likely they took a broad-swathe Liberal Arts program, which would be why there's very little mention of subject choice anywhere in the books. Although it IS notable that there's no complaining about geometry in Anne of the Island (whereas at UCL mathematics was required), so perhaps Dalhousie was even more flexible.

    I would really like to know when 'English' became a subject for secondary study, though, and how its subject goals varied across the Anglosphere. ... Fortunately I have some schemes in mind that may lead to finding this out.




    Currently Reading:
    Fiction: The Bloody Chamber and Other Stories, Angela Carter: picked this up from hiatus, again, and am enjoying it. Particularly liked 'Erl King'. Cleanness, Garth Greenwell: picked this up from hiatus, too, and while the next chapter isn't as compelling as either of the first two, I continue to enjoy his style and perspective.
    Poetry: still nothing
    Lit Mag: am making small progress with my backlog of the TLS, but not Meanjin or Archer.
    Non-fiction for personal interest: I got back to 'The Queer Child', although really by now I should consider it a work interest, and skim the bits I can't use accordingly.
    For work: Finished the intro to 'Indecent Exposure', and am looking forward to the chapter on the Reeve's Tale.

    Recently Finished:

    The Longest MemoryThe Longest Memory by Fred D'Aguiar

    My rating: 4 of 5 stars


    This was one of the assigned readings for high school exams that I was examining, and it was REALLY well chosen for that purpose. The students struggled massively with the narrator's status as a slave who had moralised against challenging his lot (in a way that, lbr, *even granted* the way the narrative unfolds, I would be leery of from a white author - but unlike many of the other short readable slavery-era novels I've encountered in this context, it's not by a white author), either because they didn't pick up the current of self-recrimination as he recounts his former beliefs or because they couldn't talk about it in English. In itself, though, it's masterfully handled, with the narration given by a later-protag who regrets earlier-protag's choices but withholds the full details of how that regret came to be.

    Then there are sections in different narrator voices and styles - poetry for the main narrator's son, diary excerpts for the oversee, newspaper clippings and letters, and so on. A really interesting mix, and yet the novel is fairly short, and the language pretty accessible (I would hesitate to set, say, The Colour Purple, to low B2 students, for the density of the dialect - although I juré'd one exam on it this year that went well).

    Paradise LostParadise Lost by John Milton

    My rating: 4 of 5 stars


    I FINALLY FINISHED PARADISE LOST. Welp. That sure was an experience.

    I forbear to try to review it, as a work in its own right. I will say that the medium by which I experienced it - Anthony Oliveira's podcast 'The Devil's Party', consisting of readings followed by 30-40 minute discussion episodes, was great. I've tried before and cannot get through it on the page (what that says about me, given I can read Middle English off the page, I do not know), and even in audio format my attention kept straying. The reading followed by the discussions, in which Anthony goes back and quotes chunks, was absolutely the necessary format (well, save for 'taking a class on it') for my little brain.

    It took NEARLY TWO YEARS. I will not be doing Paradise Regained. I would, however, very much like something similar for The Faerie Queen, early modernists, please and thank.

    Tomorrow Sex Will Be Good Again: Women and Desire in the Age of ConsentTomorrow Sex Will Be Good Again: Women and Desire in the Age of Consent by Katherine Angel

    My rating: 3 of 5 stars


    This was a deeply infuriating mix of 'things I wish I had read ten years ago' and 'wow, heteronormative, cisnormative, much?' Wild one-two of validation-invalidation.

    The best chapter by far is the last, and that would be because that's the chapter which engages in depth with queer theory - Foucault and Edelman in particular. There's a shorter version at Granta if you're interested.

    The problem with this book is it pronounces repeatedly on what 'women' are like, and while very often it says things about women that are true of me and which I have not seen articulated as such outside of weird Christian discourses (or kink discourses- but there, rarely limited to 'women'), it ... just... keeps doing the thing. With the essentialism. Angel acknowledges there are wide variances not only to individual women's makeup but to social structures bearing upon women - she makes no claim to speak for Black women, but does regularly nod to Black writers who have written on adjacent topics. Whereas for trans and queer women, and indeed queer men, she merely footnotes in the first chapter that she thinks it likely what she has to say will resonate but it's for someone else to do the work.

    ... as if trans and queer writers haven't been *doing* that work, of unpacking what it means to desire, the difference between arousal and desire, the intersection between sex and and sexual self, and so on. As if trans and queer communities haven't been forging that themselves, while the sexologists whom Angel rightly critiques have been busy measuring engorgement and the straight ladies busy telling each other that you cannot really enjoy sex with others until you know exactly what you want, somehow divorced from who you want.

    Even when Angel draws on queer theory, she doesn't... engage... with queer anything. In fact it's almost as if she doesn't engage with *gender* despite writing about the gender binary?

    She's an academic: she can do better. I'm reasonably certain that if this went to peer review someone would demand she do better, but here it is, and she hasn't.

    Anne, la maison aux pignons vertsAnne, la maison aux pignons verts by L.M. Montgomery

    My rating: 4 of 5 stars


    I read the Radio Canada audiolivre version, and I wholeheartedly recommend it. The narration pace is clear enough for my inexpert ears, and warmly read with a nice range of "voices" (none of them as farcical as the fr. audiolivres of Harry Potter, either, which is nice). I now have a whole suite of delightfully archaic vocabulary at my disposal, too: fear me.

    Online Fiction: Stephanie Burgis, 'The Wrong Foot' (Podcastle, 2014). This is very cute and yet... I was not entirely satisfied with the romantic arc. At first I thought 'missed opportunity queer', and then I thought that, queer or not, I might have preferred this story through the _other_ young woman's eyes. Why the girl trying to get out of being Cinderella, and not the girl *helping* her escape?

    Up Next: Well I'd LIKE to think I'll finish some other things, get through some more of the TBR. But we all know the audio-livre of Anne of Avonlea beckons me.




    Some links!

  • Maha Nassar (Forward.com, 2018), "From the river to the sea" doesn't mean what you think it means. There's a lot here, including a very valuable recap of Palestinian positions on statehood prior to the adoption of the two-state position by Fatah.
  • Kim Tallbear and Angela Wiley (Imaginations 10.1, 2019), "Critical Relationality: Queer, Indigenous, and Multispecies Belonging Beyond Settler Sex & Nature".. This is so good! I need to work some acknowledgement of it into my Book1 intro, I think, because it's doing work rarely done by white people, even white queer thinkers. Vis:
    The naturalization of settler monogamy depends as much upon distinguishing love from friendship and other forms of affinity as it does the pathologization of promiscuity or non-monogamy (Willey 2016, 72). The valuation of friendship as a site of intimacy, meaning-making, resource sharing, and transformation has the potential to unravel stories about the specialness of sex and to fuel our imaginations to rethink forms and structures that exceed the ideal of the settler family, which may sustain and remake us.

    Also, the description of co-writing as a Relationship will, I think, resonate for a lot of us who've done our time in fandom.
  • Elisheva Goldberg (Jewish Currents, 2020), The road to nowhere: gives case studies and a legal history of one type of "illegitimate" Palestinian town within Israel, the kind which are frequently slapped with demolition orders.
  • Dorothy M. Zellner (Jewish Currents), What We Did: How the Jewish Communist Left Failed the Palestinian Cause. Obviously polemical, but I also found this really interesting as a personal history of American Jewish newspapers through Zellner's eyes.
  • Franki Cookney (Own blog), Feelings don't exist in a vaccuum. This could double as two of my pet peeves: Problems With Polyamory Discourse and Problems With Millenial Straight Women Sex Discourse- it's actually mostly the latter, which is par for the course for Cookney, who is in fact polyamorous and bi but mostly engages with straight women centric sex writing.
  • Emily Hunsinger (The New Yorker, 2019), How to draw a horse. Apparently the difficulty of drawing horses is a meme amongst comic artists, here deployed to good memoir use.
  • Chris Baranuik (The Atlantic), Whatever happened to the phone phreaks. Analog telephone hackers, oh my! Loved this, do recommend.
  • Courtney Cook (Guardian US), Exerpt from 'The Way She Feels. This seems like a good memoir, but also, *startlingly* positive depiction of inpatient treatment and DBT therapy - I read this right off the back of having read a few #madcovid blog posts and it gave me mental whiplash.
  • Ky Merkley (Society for Classical Studies home page), In dialogue: trans studies and classics: a conversation with Vanessa Stovall and Mary Beard. This, following an indident where a trans student from Brisbane tweeted to the void that MB (not tagged) follows a lot of TERFS, and MB put said student on blast, was... disappointing to me at the time (for one thing, I drew from it the probability that MB does not read her twitter timeline; but it never actually... dug into that, while nevertheless repeating that different 'generations' use twitter differently), and is laughable given she did the same thing to another trans classicist recently who *hadn't even mentioned her by name*. But, yanno, it exists. I read it. I admire Stovall and Merkley for trying.
  • highlyeccentric: (Sydney Bridge)
    It's been a month and a bit since my last reading update, in which you may recall I mentioned a great transphobic school text debacle. That, plus moving house, plus cat acquisition, plus the three schools I did grade for in the end, has chewed up about six weeks of my life on nigh-essentials-only mode.

    I have read quite a lot of things in that time. One of the best was Jules Gill-Petersen's essay When did we become cis. I found it very validating in terms of my understanding of how gender works at large, although, paradoxically, in that understanding I would be assuming that I am, functionally, a woman and not any flavour of trans, an assumption is that is seeming increasingly precarious.

    Gill-Petersen argues that the term 'cisgender' simply does not do 'what we want it to do'. It completely fails to adequately describe any individual's gender. It does what it was coined to do, namely, to describe a *social apparatus*, but it fails utterly at the individual level.

    Some good pull-quotes:

    I was born three decades later, one the eve of transvestite and transsexual giving way to a whole new word—transgender—and yet I, like Kathryn, never had that childhood moment of letting trans words get inside me. Actually, even once I did read a lot of them in college and graduate school, they didn’t tell me a single thing about myself. So, what gives? Why don’t powerful words mean what they say, and why doesn’t their meaning tell us who we are? Is this all bad news? I don’t think so.

    -

    John Money, a psychologist at the Johns Hopkins Hospital in Baltimore, knew that finding a biological basis for sex could never be the justification for enforcing a match between anatomy and identity. Instead, he changed the terms of engagement. From now on, the issue was not if humans were biologically binary, but rather “the life adjustments of patients in our series”—how normal they felt, or how well they adapted socially.[1] With that twist, a gender identity that did not conform to a binary body could be subject to medical control because it might lead to social stigma, not because there is anything unnatural or unhealthy about it.

    [...]

    With this tectonic shift, gender became cis. And what’s “cis” about gender from then on is the way that social norms can be coercively enforced to prevent the perceived stigma of being different. In other words, gender becomes cis when it demands a match between anatomy and identity not because that is natural, but because it’s how society functions. It’s a tautology, it’s we live in a society on steroids, but it’s worked quite effectively. To put it a little more precisely: gender, as a system for categorizing and governing our bodies, identities, and social recognition, is cisgender in this specific way. Cis isn’t an identity. It’s a diagnostic, a description of a system organized to subject people to the authority of institutions: the state, medicine, law—and the university, to go back to that meeting I was conjuring earlier.


    I don't know what to do with this, because I read it and a. it's RIGHT, it's accurate; b. i feel it gives me rather more breathing room as a gender-non-conforming, genderqueer, etc, person to just... eh, roll with it. Keep ticking f on boxes, recognise that doesn't really describe much about me. And yet, for all sorts of reasons, people want to know if one is cis. And what they want to know when they ask that, unless they're a doctor, is 'do my preconceived expectations of how people assigned f at birth and still calling themselves women experience gender, perhaps adjusted for race and class and sexual orientation'. And by and large, what people who know are engaged enough in trans-affirmative politics to ask that question expect of cis women isn't indicative of me. But of course saying 'woman but don't call me cis' is the domain of transphobes at the moment!




    Currently Reading:
    Fiction:
  • Anne... la maison aux pignons verts, Radio Canada e-book. Spending more time in Avonlea than in the real world in my head as a child gave me a very peculiar dialect, and massively skewed sense of social norms: let's see what Anne-immersion for French practice gets me as an adult!
  • Cleanness, Garth Greenwell on hiatus. I read the first two stories, including the one about the hookup-site-enabled bdsm scene gone wrong that I believe was republished in Kink. Whether or not it should have been in an anthology advertised as making bdsm fiction accessible to the general public, I am neutral (it certainly seems realistic, if not A Good Example, and it's too brutal to be erotica), but damn, it was incredibly well-written. The first story, in which Our Protagonist tries to give advice to a young queer kid in love, was also good.
  • The Bloody Chamber and Other Stories, Angela Carter: also on hiatus

  • Poetry: NOTHING FOR ONCE
    Lit Mag: None, they all pile up, including the TLS
    Non-fiction for personal interest:
  • Tomorrow Sex Will Be Good Again, Katherine Angel: swinging wildly between feeling Validated, and feeling alienated and frustrated at the relentlessly heterosexual and cisgendered perspective. There's, like, one footnote acknowledging this omission and her awareness that there is likely significant overlap between what she's writing about and the experience of trans women and other queer people, but that's not for her to explore. Okay. Except there's already work out there on desire, inhibition, and expectations by a whole range of queer people! Katherine Angel is writing as a white women, but she has obviously read, and frequently makes nods to, work specifically by and about Black (straight) women - why not queer and trans women?
  • Several other things on hiatus

  • For work:
  • Mostly I'm wading through multiple editions and translations of the Roman de la Rose.
  • Nicole Sidhu, Indecent Exposure

    Recently Finished: This will be an incomplete installment, I'm afraid.

    Canterbury Tales (Usborne Classics Retold)Canterbury Tales by Susanna Davidson

    My rating: 4 of 5 stars


    HUH. Fairly good for its target market; I have a few Questions (TM) about certain choices, which you can find here: https://twitter.com/ChaucerCommode/st...




    Trans Like Me: A Journey for All of UsTrans Like Me: A Journey for All of Us by C.N. Lester

    My rating: 5 of 5 stars


    Reading this was like being wrapped in a nice blanket and offered a cup of tea and a chat. Most of its content isn't new to me, but the way it's strung together is beautifully clear, and accessible, and Lester's historical research interests mean it speaks to me in a way that many 101-level books don't. I'm filing it under academic reading as well, because I suspect I'll be coming back to Lester's revision of Serano's "subconscious sex" as "prorioceptive sex", that makes a lot of sense to me. Including, perhaps, why my own relationship with my sexed body is a bit skew-whiff from that of many cis people while lacking the sense of dissonance that many trans people have: I literally have a disorder that impairs prorioception.

    Snatched: Sex And Censorship In AustraliaSnatched: Sex And Censorship In Australia by Helen Vnuk

    My rating: 4 of 5 stars


    This was a fascinating read from the days of early-internet Australia. It's largely engaged with the ratings regime as it applies to movies and to hard copy magazines (did you know that there's content which Cosmo can legally print, but Playboy can't, because the "context" of the magazine as erotica means they can't give detailed descriptions - eg, how-to-guides -of cunnilingus or fellatio, and os on? WEIRD AND WRONG). It's a bit sad how few of Vnuk's optimistic hopes for the internet have held true, while so little has changed or indeed gotten worse in terms of distribution (the Australian pornographic movie industry collapsed, insofar as any dvds are available they're all illegal imports, etc, and now we have the Online Safety Bill, ugh).

    I could have wished for a little more engagement with radical queer anti-censorship politics, although of course Vnuk notes the biases in whose sexual media is most strictly monitored. Vnuk's own intense straightness, and that of her interviewees, shows up at times - at one point she's interviewing a woman who curates a 'porn for women' site, and the interviewee complains that all of the 'lesbian' porn she finds involves strap-ons. Vnuk finds this to be evidence of The Male Gaze. I. Uh. I don't know what was out there in video format 2003 (the Crash Pad series hadn't kicked off yet), but On Our Backs definitely existed and is not devoid of strap-ons. Even if the magazine itself didn't reach Australia, I'm willing to bed the erotica collection they put out did (as an illegal import, natch). Not to say the videos Vnuk and her interviewee had in mind weren't necessarily 'lesbian-for-male-gaze' but the strap-on isn't the thing that makes it so.

    The Reluctant FundamentalistThe Reluctant Fundamentalist by Mohsin Hamid

    My rating: 4 of 5 stars


    Read this one for high school exams, and enjoyed it more than I expected. The framing device, with the narrative to 'you', the American interlocutor, really makes it - the life story is fairly pedestrian aside from it's function in illustrating the failures of the American Dream and the process by which the protagonist came to empathise with anti-American, even extremist, politics. I was particularly irritated by the shallow and symbolic character of Erica, his white American love-object who never really loves him back.



    View all my reviews

    Online Fiction
  • No Man's Land, by Izumi Sizuki, trans. Daniel Joseph. Extract from a story called 'Women and Women', in the collection Terminal Boredom. I was both uncomfortable and sceptical with this at the start, and then as it began to reveal the unreliability of the narration I became curious if uncomfortable. I think I want to follow up the book.
  • Once and Future, by Dan Mickelthwaite, at Podcastle. Charming and a little heart-wringing.
  • Report of Dr Hollowmas on the Incident at Jackrabbit Five, by T. Kingfisher, at EscapePod. Being Ursula's work you know you're in for some good wry humour, and this is BRILLIANT. Amusing, down-in-the-grubby-details-of-life sci fi slice of life, made absolutely priceless by the format of the narrator, who is incredibly Done, futilely snarking at an archival AI. I strongly recommend this to everyone but especially [personal profile] kayloulee. Well. Everyone who hasn't had a traumatic labour experience, perhaps. The gory details are of an animal labour, per the content warning, but there are humans in Tense Delivery Situations as well.


  • Up Next: I'm really looking forward to getting back to work-related reading, but His Whiskers resents me reading books (he's okay with me reading the TLS, for some reason) or even my phone, which is... difficult.




    Some links, by no means a comprehensive accounting:

  • Sara Ahmed (TSQ 3.1-2, 2016), An Affinity of Hammers. I actually read this as a PDF from the 'transreads.org' wordpress site that's now disappeard. It's dense. It's good.
  • Laurie Penny (Longreads), Tea, Biscuits and Empire: the Long Con of Britishness. I don't normally find much in Penny's work but this is Good, Actually.
  • Justin Parkinson (BBC News Magazine 2015), Almost 300 years without a duvet. This article answered many of my doona questions, like: how come my family call doonas a 'quilt' when they are not quilted (answer: they were marketed as the 'continental quilt' in the UK and Aus in the mid-20th century), and why in the UK and Aus they at *least* go with a top sheet, and in my family - and everyone I knew growing up - they were a bed-topper, not your only blanket.
  • Robin Craig (Shado Magazine), Looking at porn: why I'm writing about taboo fetishes
  • Ashley Spencer (Insider.com), An oral history of Tom Holland's sensational 'Lip Sync Battle' performance.
  • Jill Richards (ModernsismModernity), Claude Cahun's pronouns. This isn't an essay about Cahun's life, but about the author's relationship with Cahun's life as a researcher, the author's changing gut feeling on which pronouns are best used for Cahun, and Cahun as a figure of reception, recognition and re-imagination.
  • Rachel Boddie (The Conversation Aus/NZ), Long before Billie Elish, women wore corsets for form, function and support. I've long wanted a handy go-to for 'no, corsets don't by default restrict movement' (because no one takes 'I used to wear a corset, quite a rigid one, and while restrictive it wasn't debilitating' as Valid), and here it is.
  • Carmen Maria Machado (NYT), Banning my book won't protect your child.
  • Charmaine Chua (The Disorder of Things), In non-places, no one can hear you cry. Another from that anthropological blog series on long-distance shipping. This time, through the concept of the 'non-place': : The idea of the non-place, often invoked in writing about infrastructures of transport, provides a helpful analytical framework. But it also betrays the texture of life on the container ship – a place of transit, to be sure, but unlike other spaces of transit, acts both as workplace and living quarters to sailors who spend up to seven months at a time on board.
  • Heidi S. Bond, aka Courtney Milan (Michigan Law Review, 119.6, 2021), Pride and Predators. MLR apparently has a running thing where it publishes legal appraisals of classic literature. Bond's take on Pride and Prejudice is... well, frankly, it made me appreciate P&P rather more!

    Pride and Prejudice is one of the most beloved romance novels1 of all time and needs very little introduction. For those who need a refresher on the plot, Pride and Prejudice details the community-wide damage that can be laid at the feet of serial sexual predators. It details the characteristics of predators, discusses the systemic social failures that allow predators to abuse others, and grapples with difficult questions of how communities should deal with those predators.

  • Anjali Enjeti (Electric Lit), 7 books about the partition of India and Pakistan. I've a long slow personal reading project for Partition-related fiction, and there's some interesting non-fiction here too.

    Hey, look, only 7 weeks behind in my pinboard saved links. \o/
  • highlyeccentric: I've been searching for a sexual identity, and now you've named it for me: I'm a what. (Sexual what)
    Missed a week there, due to the Great Transphobic Book Debacle. I don't have the energy to rehash it, but here's a tweet thread in french with some english images and links:



    So that's the most stand-out thing I read since I last posted: parts of Robert Jensen's The End of Patriarchy: Radical Feminism for Men. Possibly the most interesting thing is also by Jensen, this essay at 'Killing the Buddha', on his having been expelled from the presbyterian church, and his career as a 'radical christian' non-theist. That explains a LOT, including why the book reads so much like one of those 'Christian masculinity' books: it's just that it's about his conversion to (very shallowly understood) radical feminism, which is holding the place of 'godly masculinity' in his worldview. HUH. He's not even the only one- the teacher I dealt with mentioned Chris Hedges, whose name has been doing the rounds lately in connection with Palestine. He's a Middle East socio-political analyst, with some writing on techno-capitalism, who is also an ordained pastor, and who firmly believes that pornography is destroying modern masculinity.

    So, y'know, it's not that I can see no classroom use for Jensen. If I'm ever assembling an 'American Protestantism ruins everything' syllabus I'd be tempted to include extracts.




    Currently Reading:
    Fiction for fun: Angela Carter's 'The Bloody Chamber and other stories'. I'm discovering that, since I grew up with fairy-tale adaptations in part made possible by Angela Carter, I admire her lush prose and find it interesting to trace her literary/generic influences but am neither absorbed by the stories nor the adaptive choices.
    Non-fiction for interest: Still puttering through bell hooks.
    Poetry: Not much progress on Paradise Lost, and nothing new.
    Lit Mag: Behind on the TLS, and on everything else
    For work: Puttering through Helen Vnuk's 'Snatched', and Elin Diamond's 'Unmaking Mimesis'.

    Recently Finished:

    Anna Zabo, Outside the Lines: I had an itch, and this scratched it. My previous review stands.

    The Miller's Tale: Wahala Dey O!The Miller's Tale: Wahala Dey O! by Ufuoma Overo-Tarimo

    My rating: 4 of 5 stars


    The editing of this annoyed me a bit - inconsistencies, over-glossing, and the like. The play itself seemed great fun. I have Thoughts about Overo-Tarimo's understanding of Chaucer, as expressed in the paratext.



    View all my reviews

    The Canterbury Tales: A retelling by Peter Ackroyd (Penguin Classics)The Canterbury Tales: A retelling by Peter Ackroyd by Geoffrey Chaucer

    My rating: 3 of 5 stars


    There is adaptation and there is translation, and this is the worst of both worlds. With extra 'fuck' swears.



    View all my reviews

    Girl, Woman, OtherGirl, Woman, Other by Bernardine Evaristo

    My rating: 4 of 5 stars


    I found this very slow to start with, partly because I was erroneously expecting a singular plot. The other problem I had was the ironic treatment of Yaz, in the second POV section - yes, everyone in this book is treated with some irony, but Yaz felt like a stereotype of a Gen Z know-it-all, and the part about faking mental illness to get bigger dorm rooms was, well. Hiss. The second most flimsily-treated character was Morgan, the 'other' of the title list, a millenial nonbinary person. And yet: these are the things that bugged me, they are small beans compared to the breadth of story and characterisation for Afro-British women.

    I bought this for a book club, and I'm ultimately glad I didn't show up for this meeting, I don't think my experience would have been improved by dissecting it with mostly-white mostly-cis-women.


    An Unconditional Freedom (The Loyal League, #3)An Unconditional Freedom by Alyssa Cole

    My rating: 4 of 5 stars


    On the one hand: this is very good historical fiction.

    On the other hand: this would have been better AS historical fiction, rather than historical romance. There was too much else going on, crowding out the romance arc, and literary-historical-fiction would, I think, have had more room for the complex layers wherein both protags are lying to each other, and withholding from the audience at the same time.



    View all my reviews

    Online fiction:
  • Thank God Nothing Lasts Forever, Carl Lavigne. Did you order some pining and denial and messy dynamics? Because I read this last night and my soul hurts, in the same way my soul hurts from Call Me By Your Name, or from bare: A Pop Opera. The protagonist here is not being his best self, I warn you! He behaves in unethical ways toward a an out gay femme classmate! But oh. Ow.
  • It Won't Be Long, It Won't Belong, Carl Lavigne. Same protag, older. Both are excerpts from a book that's in progress but not, afaik, contracted yet. This is unfair because I require it at ONCE, to feed my hurting soul.
  • What Stays Locked, Carl Lavigne. Short, also pining, not as striking.
  • The Walking River, Carl Lavigne. VERY striking, not at all pining.


  • Up Next: I don't know but I'm not satisfied with it. My copy of CMBYN is in the UK, and I ditched my copy of 'Someday this pain will be useful to you' years ago, so how am I supposed to assuage this soul-ache of pining, exactly?!




    I haven't the werewithal to do links today. The internet, it's full of stuff. I'll post links to some of that stuff Another Day.
    highlyeccentric: A woman in a tuxedo, looking determined (tux - dressed and ready)
    I haven't got any deep insights into Literature this fortnight. All I've got is that I was deeply amused when reading Snatched, a book by Helen Vnuk on the adult publication and video industry in Australia (up to 2003). In a chapter where Vnuk interviews women running online porn sites (many of which are now defunct - pornforwomen dot com redirects to ratemycock dot com), one Australian woman who ran a bunch of these video and literotica aggregation sites aimed at women complained that, in mainstream porn, lesbian porn is unrealistic, for the male gaze, and with no idea what women like. Her evidence: she watched some, and it had two women, one wearing a strap-on, the other fellating it. No idea what women like, asserts the (presumably straight) interviewee, and this is passed on by Vnuk.

    Meanwhile, I've been reading Say Please, the Sinclair Sexsmith edited collection of lesbian bdsm stories, in which strap-ons and the fellating of feature in more than half the stories. My criticisms are a. only one femme strap-on-wearer in the entire collection, b. the wearing of a strap on dick is consistently conflated with being DOMINANT (seriously, does no one order their sub to strap up and deliver? Surely they must. But they don't ... write about it???), and c. a vanishing few of the stories involving strap-ons and dildos feature them as accessories, with quite specific traits - almost all of the stories invest deeply in the fantasy that the dildo *is* a cock. Which is a fine and good fantasy, but I would not have expected it to be so deeply standardised.

    In short, straight people have no idea what lesbians like, but if what lesbians like is what Sinclair Sexsmith likes (... they have edited Best Lesbian Erotica for time immemorial so presumably yes?) then I am a little disappointed.




    Currently Reading:
    Fiction for fun: Girl, Woman, Other - some progress. Meanwhile, 'Outside the Lines', Anna Zabo (re-read).
    Non-fiction for personal interest: Still slowly puttering through 'Feminist Theory from Margin to Centre'.
    Lit Mag: 1.5 issues behind on the TLS. Still interested, though.
    Poetry: Finally at the end of Paradise Lost bk 11.
    For Work: Started 'Wahala Dey O', a Nigerian theatrical version of the Miller's Tale. It's really cool! I'm reading MF's copy, because it's out of stock pretty much everywhere.

    Recently Finished:

    Teaching Rape in the Medieval Literature Classroom: Approaches to Difficult TextsTeaching Rape in the Medieval Literature Classroom: Approaches to Difficult Texts by Alison Gulley

    My rating: 5 of 5 stars


    THIS IS A REALLY GOOD AND VERY USEFUL BOOK, and I feel vindicated about Lancelot.


    Say PleaseSay Please by Sinclair Sexsmith

    My rating: 3 of 5 stars


    Extremely... patchy. Editing quality poor in places (some stories had exceedingly dull prose; a really basic continuity error about whether underwear was on or not, in a story by an award-winning author). A fair range of gender expressions and roles, although very very few femme tops and only ONE fem with a strap on (and zero strap-on-wearers who aren't the dominant partner). Some of the stories had really fascinating engagements with gender, but needed work to work as porn - the one that most interested me, one with a mid-scene gender-role switch, unfortunately tried to pack in SO MANY acts of sadism / masochism in one short story that it was like reading a sports report.

    Others, however, were extremely Relevant To My Interests in ways I shan't detail here.

    Online Fiction: Karen Joy Fowler (Lightspeed Magazine) Persephone of the Crows. A nifty little story, and good podcast recording.

    Up Next: Oh so many things. It's time for me to reread the entire CT's, if nothing else.




    Some links:

  • Jonathan Barnes (TLS), Review of: The Mystery of the Parsee Lawyer, by Shrabani Basu. Gives a neat little overview of the life of George Edalji, the son of a Zoarastrian convert who went on to become a country vicar in England. Edalji did not have an easy time of it, as you might imagine for a mixed-race kid in rural 19th c England.
  • Clare Harman (TLS), Notes from Neverland. Did you know JM Barrie wrote weirdly obsessive borderline erotic letters to RL Stevenson? Now you do.
  • Jane Caplan (TLS), Review of: Nazis and Nobles, by Stephen Malinowski.
  • Esther Hayes (Guernica), Lineal Gaps. A family history memoir involving two adoption stories.
  • Jules Gill-Peterson (Jewish Currents), The anti-trans-lobby's real agenda: goes through the Christian supremacist basis of current US anti-trans bills.
  • Swikriti Kattel (Archer Magazine), The need for reforming sex education: my formative years. Not an easy read but a good one.
  • Emily Hodgson Anderson (The Rambling), Shadow Work: on academic writing, and the link between writer and work, and the ways that shapes up when you *don't* share an identity axis with your topic.
  • Nina Sharma, interview with Melissa Febos (Electric Lit), It's time to reckon with everything girlhood did to us.
  • Gabriel Novo, profile of Robert Cohen (Unicorn Magazine), How building a space for bi men helped my find my own voice.
  • highlyeccentric: Joie du livre - young girl with book (Joie du livre)
    I have said, before today, that if any subcategory-gender speaks to me, it is 'bluestocking'. Not as an uncomplicated aspiration - more as half aspiration, half... limitation. That is, in doing things like polyamory, or for that matter having a sexuality at all, I feel a lot less friction about betraying Current Feminine Standards than I do feel like I am not the sort of girl who does such things. If there's a level at which Current Society norms, expects, sexuality and sexual interest from women* I went from one side of the warm zone (no personal interest, also, surrounded by Christians) to the far other side, using a three year stint of celibacy after a terrible relationship as a sort of underpass.

    At any rate, I have had trouble trying to explain to people what I mean by 'bluestocking' as a gender or sub-gender (or supra-gender: the category includes no few people who also can be reasonably described as transmasc, with due historical caution). I have since discovered that what I think of this category as containing is in fact based on 19th century use of 'bluestocking' as an insult, not in the slightest on the eighteenth century Bluestocking Circle, a group of literarily and philosophically minded gentry and noble women who had a lot in common with their contemporaries in Paris who ran 'salons'.

    It's not at all surprising that I would have imprinted on a 19th century stereotype, given my childhood reading habits, but there we are.

    * Apparently there is: reading Hill's The Sex Myth some years back was like reading a dispatch from an alien planet, except we went to the same university, the same residential college, less than half a decade apart, and what she describes as oppressive normative sexualisation I recognised as what I had categorised as a weird upper crust layer of performativity for deeply peculiar people. Spoiler: I was probably the peculiar people here.




    Currently Reading:
    Fiction for fun: Evaristo's 'Girl, Woman, Other', which I'm finding very... variable in engagement.
    Poetry: Still puttering through Paradise Lost
    Lit Mag: Nothing! I finished the Winter issue of Meanjin (2020), haven't picked up the next yet.
    Non-Fiction for personal interest: Hooks and Foucault, desultorily.
    For Work: Hines' Mock Epic from Pope to Heine. That's it, actively.

    Recently Finished:

    Swiss Democracy in a NutshellSwiss Democracy in a Nutshell by Vincent Kucholl


    Disgust in Early Modern English LiteratureDisgust in Early Modern English Literature by Natalie K. Eschenbaum

    My rating: 4 of 5 stars


    I am torn between screaming about how much I loved this book, and screaming about so much reliance on Norbert Elias (why, early modernists, why).


    Meanjin Winter 2020 (Vol. 79, Issue 2)Meanjin Winter 2020 by Jonathan Green

    My rating: 4 of 5 stars


    Pretty good, all up. Gave myself permission to skip things, for once - some fiction, and some of the reviews, mostly. Oh and an essay about the internet. I think about the internet too much already.

    Stand-outs were, I think:

    Lucy Treloar, Writing the Apocalypse
    Alexis Wright, A self-governing literature
    Michael Cathart, A tale of four ludicrous deaths
    Clare G Coleman, Hidden in Plain Sight
    Sarah Sasson, Attachment


    If Beale Street Could TalkIf Beale Street Could Talk by James Baldwin

    My rating: 5 of 5 stars


    This was on the reading list for some of the high school exams I'm jurying; I don't have to read all the books, but I picked out a few - this one was on my tbr already.

    A few things: Baldwin's prose is smooth, and somehow easy to read without being simple. I read this far more quickly than I have almost anything in the past year - certainly faster than any other new fiction. The ending is very effective. Some of the prose is a little purple, in describing the protagonists' love affair, but that works because it's narrated as hindsight - of course hindsight is purple-tinted, in this context.

    Could do without the persistent flashes of antisemitism, though.


    DNF'd: Sue Monk Kidd, 'The Secret Life of Bees'. Perhaps this one suffered for my picking it up back to back with Baldwin. I'm sorry, white lady writing family saga set in the civil rights era, your drab prose, your melodramatic plot, your poor historicism, oh, and your Relatable White Narrator all show up to your detriment. Ordering this one was a mistake - I ordered, off the list, three that were on my TBR and by African-American authors, and this one on a whim because the cover was pretty and the title seemed whimsically appealing.


    Up Next: Well, I'm putting the work on disgust, and the early modern source, aside for a few weeks, so it's back to shock and violence, hooray for me. And I have a few more of the high school list to read: The Color Purple is up first, I think, and then THUG.




    Some miscellaneous links, for your edification:

  • Rachel Charlene Lewis, interview with Forsyth Harmon (Bitch Media), With “Justine,” Forsyth Harmon Charts Teen Queerness. What's interesting about this is that it's *unspoken* - it's not about a relationship, but a fixation. And yet it hasn't been hounded out of town for being Problematic (on many levels). I ... don't think I want to read the book, but I'm glad it exists.
  • Tressie McMillan Cottom (Own blog), Sleep around before you marry an argument. This is a good article. I hated teaching thesis-first essay development (essay WRITING, yes. But thesis as the first or second step in the entire process? No, bad.)
  • Joshua Badge (Archer Magazine), At Home and Incredibly Online. What it says on the tin. Like me, Badge found Pandemic Year odd not because of remote socialising, but because everyone ELSE found remote socialising odd.
  • Chitra Banjeree Divakaruni (The Indian Express, 2018), From Darkness Into Light. This piece, written for Diwali and around the time that Divakaruni released her novel adapting the Mhabarata from Sita's perspective, has some cool and fascinating things to say about adaptation and identification.
  • Zaria Gorvett (BBC Future), The ancient fabric that no one knows how to make. On the loss, and revival, of Dhaka Muslin.
  • Kate Manne (HuffPost, 2016), Entitled Shame, Family Annihilators, and Masculinity. Mann's term 'entitled shame' is a good one and a useful one.
  • Lucia Tang (Electric Lit), The Pandemic Made Me Feel Removed from My Body—This Book Put Me Back. Clickbait title. Good article about reading Kristin Lavransdatter.
  • Patricia M. Dwyer (Lit Hub), Living in the in-between spaces of Elizabeth Bishop's life-changing poetry. This is a great intertwining of lit-crit and memoir.
  • Emily Layden (Lit Hub), The hidden cost of girlhood: what adults get wrong about adolescent disordered eating.
  • Rachel Vorona Cote, interview with Tracy Clark-Flory (Electric Lit), Tracy Clark-Flory is horny on main.
  • Emily Temple (The Italian Review), Meditation on Sale. This is a really interesting analysis, from a practicing buddhist, of the failures of pop-mindfulness. I think, even though the mindfulness course I took back in 2012 might grate on Temple as mindfulness explicitly packaged for mental health treatment, Temple's essay gets in part at why I benefited from that, but do not (despite the 'even a little helps!' from my psych) from shorter meditation tracks via app. It’s a tool, not a lifestyle. It helps you to see your mind – and by extension, the world around you – as it is. No more, no less. If you learn to watch your mind, you can see what it does, how it responds to things, the loops it creates. If you watch it enough, eventually you can create a little space where there was none before.
  • Pamela VanHaitsma (Notches), Queering romantic engagement in the postal age
  • Hopcraft, Jones and Tam (The Conversation AU), Suez Canal container ship accident is a worst-case scenario for global trade: breakdown from maritime security researchers.
  • Financial Times, The bank effect and the big boat blocking the Suez. This seems to be behind paywall, now, but it wasn't before, and it WAS very interesting: it demonstrated a hydrodynamic function called 'the bank effect', where, basically, the bow wave of a vessel turns into water moving extra fast if it can't dissipate sideways. That eventually leads to the force of the bow wave pushing the vessel hard in the opposite direction. The EverGiven lurched too close to one bank, possibly due to wind factors, and the bank effect may have been what pushed her sharply the other way, where she became stuck. The author, whose name I can't recall, works in a lab in belgium that has water tanks and toy boats for simulating just this.
  • Brian Obiri-Asare (ABC Radio National), I grew up surrounded by white people - and then I moved to Tennant Creek. On the African community in Tennant Creek.
  • highlyeccentric: Across the intercity platforms at Sydney Central Station. Sign reads 'Central' (Sydney Central)
    I hesitate to call it traumatised, because it's not quite that personal; I'm fine, my family are fine, it's the shadow of living with Unprecedented Times.

    Sounds like I'm talking about COVID-19, and maybe I will be in a few years, but right now that's a weird sort of normal. It's gone on so long and taken up far more of my life in Bern than was pandemic-free that it's just part of the furniture now. Australia's apocalypse summer, though, I flew out in the middle of it. I didn't realise how much it would haunt me. It's possible that part of the reason I've been less shaken by the pandemic, by being abroad in a pandemic, than many is that it hit just after the fire danger passed (literally: the fire crisis response headquarters in NSW was handed over to the multi-agency COVID response team, one crisis handing over to another). This Australian summer is cooler and humid in the east; Perth is having a mini-apocalypse right now, but it's not been a whole summer of it. I remember tensing myself in spring for a combined apocalypse, an Australian-intensity rerun of the western US's fire season with plague related shelter-in-place orders clashing with fire evacuations, and somehow, somehow, the apocalypse did not double down.

    Today, I looked out the window and the sky was, sort of, still grey, but the houses across from me looked to yellow. It unnerved me. 'If I was in Sydney,' I said to my Australian partner, 'I'd be saying it was bushfire weather.' It wasn't. 'A couple of times in Geneva we had Sahara dust storms,' I said. 'I don't think they come this far north.' Turns out, they do. All this afternoon Swiss twitter has been sharing pictures of the yellow-filtered sky. It's eerie, my friends say. Creepy. I remember thinking that in Geneva. In Canberra, when we had dust storms there. I'd photograph it, keen to show people the weird-ass sky.

    Despite the swiss news assuring us there is no risk to health in the cloud, the particles are too small, I couldn't convince myself to go outside. I couldn't must the 'hey isn't this weird, document it for posterity' energy. My brain was reaching for 'this is weird THIS IS APOCALYPTIC oh glod document it to try to get some sense of enormity oh glod', but of course... it's not. It's just the weather here. It's not even a climate-change driven extraordinary feature (q: why aren't there literary references to this phenomeon? Am I reading the wrong literature I've never even seen a 'lo in that year there was an orange sky' medieval chronicle type thing quoted in this context!).

    My eyes and instincts were telling me something unthinkable, dangerous, literally deadly was happening, and yet... well, it is, but not because of the sand. That's the pandemic, the background noise.

    Is this trauma? I suppose it is. The Journal of Traumatic Stress already have a COVID issue. People are talking about a generation-defining traumatic experience akin to the Great Depression. The Apocalypse Summer (what are we calling it? I've seen it called Black Summer, having outstrippped both Black Friday and Black Saturday) must surely be the same, and yet. It's disappeared into the recesses of our minds as the pandemic rolls on, and this present Australian summer has been cool and humid.

    I'm reading the Winter (Aus) issue of Meanjin. Slow, I'm behind on issues, having trouble consuming content away from the screen. I'm reading articles written in (australian) autumn, when the fires were barely passed and the pandemic just manifesting itself. I feel disoriented in time. Lucy Treloar writes of 'Writing the Apocalypse':

    I’m so angry with politicians that I take beta-blockers to calm my racing heart before going to sleep. Geoff Goldrick writes: ‘2019 may go down in history as Year Zero of the climate apocalypse. The tsunami of extreme events has been so relentless that each is quickly forgotten in favour of its successor.’

    He lists the events. I had forgotten the Menindee fish kills and the immolation of Tasmanian forests dating to the last ice age. I had forgotten.

    There are two more months of summer to go, but news broadcasts have stopped mentioning the word. Effortlessly, the boundaries of that old season blur and disappear. We have ‘bushfire season’ now. There is no ‘summerness’ this year. As a matter of course the weather report now includes fire alerts, the status of existing fires, the winds that will exacerbate them, fire probability and fire bans. Also the temperature.


    I had forgotten the first summer of 2019, too. I wasn't there, of course, but it was a constant background to my winter and spring, via the social media. The fish kills, in particular, shook me. And I had forgotten. That won't be Year Zero: Year Zero will be 2020, with the second half of the 2019-20 fires, and then floods, and then pandemic, and then storms and more pandemic. All those other horrors of 2019 will be relegated, in our story-telling brains, to 'ominous build-up'.

    I'm reading work written in Australia as I was settling in here in Bern, work that grapples with the reality of the fires and says: surely, now we must do something. Work that looks at the early stages of COVID-19 and says: our economic system is bankrupt, surely, now, we must do something. I feel cruel, like I have to let these essays down and say: oh, you sweet summer children. You underestimate our clinging to the old. You underestimate our collective ability to cope: faced with two crises at once, we can deny both.

    I'm reading essays about the bushfire crisis and I'm homesick. Homesickness smells like smoke, now. I left Australia over 12 months ago. I was only home for four months, but that was the longest time in seven years, and most of it pervaded with the smell of smoke. I miss the smell of smoke. I look outside to the sepia-toned sky, and it doesn't smell of smoke, and my hindbrain is afraid because it looks like apocalyptic danger; and yet, I miss the smell of smoke.

    I am not quite shaking, writing this. And I miss the smell of smoke.




    Currently Reading:
    Fiction for fun: Everina Maxwell's 'Winter's Orbit', which I bought even though I have a huge TBR, because I was in a Mood and wanted to binge-read. Did I succeed? No. Reading in fits and starts, still. I'm overall liking the improvements on plot and intrigue in comparison to the 'online draft' version as we are calling it now.
    Poetry: Nothing more with Paradise Lost since the Listening Post update.
    Lit Mag: As you may have gathered, Winter 2020 Meanjin.
    Non Fiction for Personal Interest: A great many things at once. Tillie Walden's 'Spinning', still. bell hooks and foucault, both of which I dipped into for the book proposal but am determined to actually read properly this time.
    For work: Also a great many things. Annotating the Jost collection 'Chaucer's Humor', which continues to be stodgy but useful. 'Feminist Theatrical Revisions of Classic Works', in fits and starts. Angie Abdou's A Canterbury Trail, which I am starting to realise will not actually involve a story-telling competition, and thus is less useful than I had hoped.

    Recently Finished: ABSOLUTELY NOTHING hard copy since last update. Ooops.

    Online Fiction:
  • Re-read The Archivist by Eris Young (Selkie Magazine). Read it aloud to my partner this morning, which I really enjoyed. One day I should read them a story that doesn't involve violence and emotional manipulation, but today is not that day.
  • Sunny Moraine (Lightspeed Magazine), Note to Self: in the form of an unpublished essay with marginal notes to self, concerning the 'quantum mirror'.


  • Up Next: The work related TBR continues to be far bigger than i can feasibly read, despite having taken a 'Reading Week' this week. Ugh.




    Some links:

  • Carolyn Holbrook (Australian Policy and History), Managing the Federation During a Pandemic: Spanish Influenza and COVID-19. How the premier of WA got locked out of his own state in 1919.
  • Amal Awad (Meanjin Winter 2020), Sage Tea, Spices and Spaces: short memoir piece on cookery and heritage.
  • Lisa Morrow (Meanjin Winter 2020), Unpacking home: thoughts of a displaced traveller. I see my future in this and I'm not sure I like it.
  • Ginger Gorman (Meanjin Winter 2020), Breaking the Compassion Drought. Two things here: when Gorman started talking about 'radical empathy' and its long history I was Extremely Me and astonished to find her sources only went back as far as the 1950s, and not to 'caritas' via medieval mysticism. Honestly. And more significantly, Gorman's Troll Hunting has been on my radar for a long time; I have thought of it as a good thing based on what I heard of it, but it is VERY hard to have confidence in her perspective about change through radical empathy in this year of 'ffs don't platform Nazis'.
  • Angela Smith (Meanjin Winter 2020), Shattering the neoliberal fairytale. I liked the structure of this - Smith was in Paris in January for the taxi strike - but her confidence that the initial injection of Aus govt financial support for individuals in the early COVID phase presaged a rethink of the capitalist system... oh sweet summer child.
  • Sophie Cunningham (Meanjin Winter 2020), If you choose to stay we may not be able to save you. Again, the ... forward-lookingness if not exactly optimism. Cunningham felt, with fire season at her back, that there was finally urgency for action on climate change. That seems to have slid off the agenda, and the people who ought to be holding both parties to account in Aus are all busy trying to hold them to account over welfare issues, Australians stranded abroad, police violence, and and and and.
  • Lucy Treloar (Meanjin Winter 2020), Writing the apocalypse. This essay poses a fascinating question: when will we start to see climate change in realist fiction? Treloar argues that incorporating environmental destruction and awareness thereof into realist fiction gets you shunted to the genre of 'cli-fi', but at some point that has to give way. I'm going to quote, again. It's SUCH a good essay:
    Of course realist fiction, any fiction, has always depicted a curated reality: the cast of characters culled to avoid confusion, conversations condensed, action compressed, and the plot shaped around thematic or genre concerns. They present a constructed ‘seeming’ truth with a satisfying plot arc, which in the confines of the text the reader accepts as reality. In some ways novels are strong. They can hold worlds, universes, multitudes of feeling, thinking, understanding, wondering. But throw a diamond on a beach and fail to answer the question it raises and the novel’s foundations tremble. It’s not so much a loose end as a loose start. An uncanny weather event or a strange sight—a toxic algal bloom, a drowned landscape, or thousands of cuttlefish washed onto a shore—present a similar problem. Mention them and they catch the readers’ attention and threaten to pull the novel out of shape. It is the particularity of an event that presents problems. How then do you depict climate change when its effects are so variously weird?

  • Joanna Hershon (Guernica), Family Man. 'I never knew my uncle. But it's the absence of inquiry that feels most disquieting.'
  • Caitlin Welsh (Mashable), How online advice columns teach us to tell our own stories. Hey, I resemble that remark. Before online advice, I had Margaret Clark's 'Secret Girls Stuff' books.
  • Olivier Pauchard (SwissInfo), Salt: A Raw Material. This isn't an article so much as a... webbook? Idek, it doesn't work well on mobile though. This thingy, whatever it is, is an introduction to the Swiss salt industry. I have now learned there is part of the old 'Via Salina' which ran from Arc-en-Senans in France to Bern, for the transport of French Jura salt, still paved and hikeable near Yverdon Les Bains. I desire to go at once. There's also a Swiss Salt Museum, which I would go to asap if all museums weren't closed.
  • Kirsta A Murchison (History Today), Medieval Minims: The hidden meaning of a medieval pen-twister. Yes good.
  • highlyeccentric: Crocodile in a blanket: can't eat, theses will eat me (Can't sleep theses will eat me)
    The most exciting thing I read this week was two paragraphs I wrote this afternoon. It's been a long time since I felt this excited about my own writing, good work me. I've been working on framing my erstwhile PhD, which is not about queer people and nor is it necessarily a queer reading of... as one done with queer theory and from a queer position, and finally, by a queer person. I wrote the two scary paragraphs about I, A Known Bisexual, Have A Vested (And Vexed) Interest In The 'Men And Women: Friends?' Question today, and I feel really good about it.

    Currently Reading: Oooh, too many things, as usual. Up to 10 in the goodreads list.
    Fiction: Jeannie Lin's 'The Lotus Palace', which is a delight, and I would love to binge-read it, but *waves hands*.
    Poetry: Further progress with Paradise Lost. FINALLY finished bk 9.
    Lit Mag: Up to the Autumn Meanjin. Only three beind!
    Non-Fiction for Personal Interest: I'm reading, in fits and starts, Tillie Walden's graphic memoir about figure skating. It's lovely, but a physically heavy book so I don't carry it around much!
    For work: Both Foucault's History of Sexuality and bell hooks' Feminist Theory: From Margin To Center have come off the personal-tbr and been fished around in for the book intro; I plan to keep going with both. Also working through a book on feminist theatrical revisions of classic texts, and reading a weird Canadian skiing retelling of the Canterbury Tales.

    Recently Finished:

    Before Emotion: The Language of Feeling, 400-1800Before Emotion: The Language of Feeling, 400-1800 by Juanita Ruys

    My rating: 4 of 5 stars


    For an academic review. Short version: very good at what it does, which is an analysis of the terms affectus, affectio and affection over the stated period. Not what the title suggests it is, in that it doesn't deal with *other* emotion words, least of all sensory ones.

    Between Medieval Men: Male Friendship and Desire in Early Medieval English LiteratureBetween Medieval Men: Male Friendship and Desire in Early Medieval English Literature by David Clark

    My rating: 4 of 5 stars


    I have a very odd history with this book! I think I have dipped into it for cites before, but only now read the intro properly. And more importantly, until recently I had it confused with... I don't know what book. But one published before this one. I remember being warned about *someone* over-determining homosexuality into Old English and Norse heroic masculinites, circa 2007/8 (the book may have been older than that), and when i returned to my MPhil as a now queer scholar I just assumed this must have been the book in question (which had come out in 2009). It does not do that! Nor does Frantzen, the only other logical contender - in fact if anything Frantzen UNDER-determines sexual possibilities in favour of weird noble homoerotic but not sexual bonding, something that makes much more sense now he's taken a turn toward the alt-right. Read David Clark, not Frantzen, if you are looking for early medieval homosociality.

    ANYWAY. One day I will actually read all of this book cover-to-cover but for now I have read the intro and Ch1, and found them Good, Actually.

    Online Fiction:
  • Salah Abdoh (Guernica), Exerpt from Out of Mesopotamia. Striking - fiction set in Iran during the American invasion.
  • P.H. Lee (Lightspeed Magazine), Ann-of-Rags. Nice creepy fairy-tale stuff. Excellent podcast.


  • Up Next:

    Next priority, as soon as I get the book proposal off my desk, is to read down the current reads and then the work TBR. So who knows what will come up first?




    Some links:

  • Bellcourt, Dust and Gabriel (The New Inquiry), Top or bottom: how do we desire. This is a critical theory informed take on the 'top shortage' amongst gay men. They argue this is an abdication of responsibility for desire, and some... other things that are both foreign to me and sort of... adjacent, in a way, to my experience as a woman often read by both men and women as a prospective top. I do rather want to know if all the authors are writing AS self-proclaimed bottoms, and if so, what a top's perspective might have added.
  • Allison Meier (Atlas Obscura, 2013), An overstuffed taxidermied walrus comes home. On my post-pandemic list now: visit the Horniman and its too-smooth walrus.
  • Page Turner (own blog), What is proto-abuse. The author is kidding herself if she thinks her caveats at the end will decrease potential Drama for having talked about this relationship example, but I like the thinking-through. I like the stressed point that there are behaviours which, in and of themselves, might be either the start of an abusive pattern OR a bad day's bullshit with no trajectory.
  • Luke Henriques-Gomez (Guardian AU), It was life or death: the plane hijacking refugees Australia embraced. I'm annoyed I didn't know about this before! I'm also, like Henriques-Gomes, very sad we are no longer the country who welcomed those refugees.
  • Franki Cookney (Own blog), The gayer I get, the more I like penises: on the weird heteronormativity of, yanno, not actually being attracted to men's bodies.
  • Jules Gill-Peterson (The Rambling), On wanting trans women and children. This is dense, but every bit as good as Twitter said it was.
  • highlyeccentric: A woman in a tuxedo, looking determined (tux - dressed and ready)
    Possibly the best thing I've read in the past fortnight:

    RE: Thesis defense issue (2954 words) by kalirush
    Chapters: 1/1
    Fandom: FAQ: The "Snake Fight" Portion Of Your Thesis Defense (McSweeney's Post) - Luke Burns
    Rating: Not Rated
    Warnings: No Archive Warnings Apply
    Additional Tags: Yuletide Treat, Academia, Fecklessness, Snakes, Why Did It Have To Be Snakes, Epistolary
    Summary:

    It is the Wednesday before Thanksgiving, and a student needs a snake for her defense.



    From: Petroski, Linda <petroski5@barnett.edu>
    Sent: Wednesday, November 25, 2020 9:40 AM
    To: Kahler, Robin M. <kahler22@barnett.edu>
    Cc: Lemieux, Annie <lemieux9@barnett.edu>, Zhang, Wei <zhang3676@barnett.edu>, Ortega, Richard <ortega151@barnett.edu>, Edelstein, Doron <edelstein8@barnett.edu>
    Subject: RE: Thesis defense issue

    Hello, all-

    We just realized that Robin indicated that she was using a committee-provided snake for her defense, rather than one from SMO. Could you confirm that’s the plan, and who will be providing the snake if so? We’ll also need species and measurements for the files.

    Thanks-

    Linda

    --------
    Dr. Linda Petroski
    Graduate Program Coordinator,
    Department of Psychoceramics,
    Barnett College


    Strongly recommended to anyone who has dealt with grad school in any capacity.




    Currently Reading:
    Fiction for fun: Nothing, looks like.
    Non-fiction for personal interest: Tillie Walden's graphic memoir 'Spinning', about figure skating. 'The Queer Child' is still on hiatus.
    Poetry: Still working on Paradise Lost. Thought I was on book 10, but it turns out it's only book 9.
    Lit Mag: Started the Winter Meanjin.
    For work: 'Before Emotion', which I have out for review. 'The Fabliau in English' and 'Feminist Theatrical Revisions of Classic Works', intermittently. 'A New Companion to Chaucer', on hiatus / being dipped into here and there.

    Recently Finished:

    Real Men KnitReal Men Knit by Kwana Jackson

    My rating: 2 of 5 stars


    On the good side, I really liked the protagonist of this, and the love interest: both were interesting, flawed, loveable characters who pulled me through despite... the rest being, uh, still in draft stage, it felt? Complete with some typos. Timing was off. Sudden switch between 'he'd never be interested in me' to 'let's have a fling and i'll initiate it KISS KISS' not really explained. Etc.

    The supporting cast were interesting, and I wonder if the whole thing would have done better as a larger book or a duology in family-fiction / "women's fiction" or some such, with the romance thread but without depending SO MUCH on the pacing of that.

    Also there's the odd fact that the sex scenes are pretty low detail but the internal monologue is wall to wall 'perving and hornt'. Just. I kind of prefer ways of conveying sexual attraction that aren't 'omigosh his abs' with 'also he's sweet and a family guy' as the decorative note?

    Basically, this is a surprisingly weak book in hindsight, given how quickly and with how much enjoyment I read it.


    The Good, the Bad and the Furry: Life with the World's Most Melancholy Cat and Other Whiskery FriendsThe Good, the Bad and the Furry: Life with the World's Most Melancholy Cat and Other Whiskery Friends by Tom Cox

    My rating: 4 of 5 stars


    This book would have been more Of the Zeitgeist had I read it back in 2011 when Cox's work was first recommended to me. It is certainly odd to read 'humourous tales of other people's cats' in book form in this age of #catsofinstagram. But I like it - I like the links Cox draws between the human and the feline, and his anecdotes about people and various animals. I'm not sure if I'll bother with the rest of the cat man books, though, rather than jump straight to his newer stuff.


    Gilded Cage (Lilywhite Boys #2)Gilded Cage by K.J. Charles

    My rating: 4 of 5 stars


    I loved this immensely and I have no idea why it took me this long to get to it. I think it's KJ's first het romance (under this name, perhaps she's had other pen names), and it's great. Much more ... gritty than her f/f work.
    Ed: I normally trust KJC but I am suspicious about indentured labour in late 19th c Aus. Hmm.


    Meanjin Autumn 2020 (Vol. 79, Issue 1)Meanjin Autumn 2020 by Jonathan Green

    My rating: 4 of 5 stars


    In an extremely 2020 Mood, I started the Autumn (Aus) issue mid-year and finished it in January. But there was good stuff in here! (As usual, I ignored Shannon Burns. I read pretty much everything else in Meanjin, including things written by certain Vice-Chancellors, but I am done with Burns. Their continued publishing of his bad takes, knowing they can then run counter-takes, is... a reason I seriously reconsider my subscription every so often.)

    Timmah Balls' essay Why Write was brilliant.
    Jono Revanche, Age, Class, Politics: do recommend.
    Liz Duck-Chong, Crosses, Flags, Arches. A history of Ronald MacDonald. Absolutely fascinating.
    Anna Spargo Ryan, A Conspiracy of Witches: on abortion reform, and personal experience. Tough reading.
    Dzenana Vucic, Digital Intimacy and the Aestheticisation of Sound: on ASMR media
    Maxine Beneba-Clarke, On writing and risk: packs several punches, IMHO
    Steve Dow, Stream Drama: a really interesting look at the impact of streaming services on Australian TV.
    James Panichi, Blasphemy, Italian-Style: there's a profanity divide in Italy, and Panichi writes about it fascinatingly
    Lizzie O'Shea, The Secret Misfortune of the Lucky Country: on the pokie machine industry
    Megan Petrie, The Rats of the Sky: A memoir piece about travel, and pigeons
    Katerina Bryant, Old Wives Tales - on superstition as cultural heritage
    Matt Lewin, Please Shut the Door Quietly: a short memoir piece on being a music therapist in a palliative care ward



    Short fiction online:
  • John Kinsella (Meanjin Autumn 2020), Here be lions. I am normally bored by the realist fiction in Meanjin, and I've definitely been bored by Kinsella before, but I like this one quite a lot.
  • KT Bryski (Lightspeed Magazine), The Bone Stag Walks. Good story: brilliant podcast reading.


  • Up Next: I haven't got anything going on my kobo at the moment, so one of my recent purchases there. Maybe Jeannie Lin's 'The Lotus Palace', which I bought at xmas.




    Some links:

  • Bob Nicholson (HistoryToday): Did you hear the one.... On Victorian distaste for 18thc jokes.
  • Eli Davies (Guardian): To solve the problem of loneliness, society needs to look belong the nuclear family.
  • Jonathan Smilges (CFSHRC), Bad listeners. This is... dense. I didn't find it as galvanizing as the twitter recommender did; partly perhaps I don't understand it; partly perhaps as a neurodivergent woman I don't get the same leeway *in which to be* a bad listener as Smilges, who I am assuming from their name is probably read by their bosses and some students as a man, does. I cannot, for instance, POSSIBLY imagine anything but implosion of my teaching career if I told a class to 'talk amongst yourselves' and email me questions, even if I was struggling that day.
  • Anya Groner, interview with Lee Connel (Electric Lit), The party upstairs and the super who has to clean it up.
  • Livia Gershon (JStor daily), How women lost status in saloon
  • Ben Moore and Edward Narayan (Conversation AU), What does a koala's nose know. Saw a picture of a koala and noticed their odd noses for the first time. Now I know about koala noses.
  • highlyeccentric: Dessert first - pudding in a teacup (Dessert first)
    Happy seems a bit of a stretch, even for the luckiest of us in 2020. Merry, perhaps, but while you can be both merry in the immediate moment and troubled at a deeper level, merry seems to require company in a way that happiness does not. And contentment... well. For many people, I think, grief may disbar contentment, in the 'I can be happy right now but I cannot yet be content, for this loss sticks like a burr'. But I'm not sure that is a universal of grief. I hope not.

    I, mind you, don't really understand grief. Not the way most people mean it. I am lucky that my parents and siblings are okay, and have been okay all my life. The deaths of my grandmothers were not *nothing* to me, but they did not have the gutting impact that many people's grandparent-deaths do. My grandfather is dying, now - was not predicted to last the night on the 25th but clung, painfully, on. He may be dead by now; given I am neither as close to him as his older grandchildren are, nor pragmatically able to come home for the funeral, I won't be told as rapidly as I was for my maternal grandmother (when I did fly home, and declared thereafter that short of my actual parents, anyone else can die without me: I told you I don't really understand grief). I am clearly experiencing *an* emotion, but it is closer to concern than grief: I am not close to my grandfather but I loved and respected him, and I am both very glad he is lucky enough to die at home (not COVID), and deeply regretful that that his lifelong trait of being tough as shoe leather is leading him to a hard-fought end instead of a quiet restful passing. I am concerned about my father (and, more distantly - or through him - his family), upon whom will fall not only his own grief but various family stressors.

    But I know that, when he goes, I will be ... memorially sad? I will not be grief-struck, as so many are this year. I will feel awkward, because I will want to talk about it, but I will repeatedly find how my feelings don't match up to the normal template of 'how one feels when one's grandparents die': in fact, I will probably not feel anything particularly legible to others. I know that the social rituals of bereavement are supposed to cover for that - and no doubt when a close to home grief DOES come to me I will be grateful for that- but I always feel like I should be covering for the deception, like "oh no, I'm FINE", and then I feel disloyal to the deceased. (Oddly, my maternal grandmother, who few of us actually *liked*, was easier. I could point to that and say: "I didn't like her, but she was important.")

    This was not how this post was meant to go. What I meant to say was, December is weird. I have seasonal depression. And regular depression. And a coupla neurodivergences that, as I age, mean I'm always closer to burning out than I'd like to be. December feels HEAVY. I can't actually separate my notgrief from the general heaviness that is December.

    In an extremely typical December sequence for me, I have had this post by Tom Cox in my electronic tbr sicne Dec 13, and only finally read it today, on the 27th:

    I’m always amazed at the speed of the transfer between the falling gold of late October and the light-sucked days of December and most of November, which is the time when you remember, once again, that autumn is nearly all hype and can barely claim to be a season at all. Now is the time of year I have been least successfully constructed for, as a human body and mind, and I learn to accept that fact more with each passing year. I have sometimes wondered if I can trick November and December into hating me slightly less but it is not possible. Mostly positive stuff has happened to me in the last five weeks, I’m elated to be away from the damp house I was living in before, and feeling fully healthy for the first time since the height of summer, but the fact still remains that it’s early winter, everything is dying, people are trying to force you to be happy about a capitalist plot to eat more animals and spend more money on worthless plastic crap, there’s nobody to legally dance with and the sun is just a fleeting rumour. It’s similar every year, even ones when a pandemic doesn’t all but obliterate your social life. The difference is that I know myself now and no longer beat myself up for feeling different to the people who tell me I am not allowed to feel this way. From the moment Winter Solstice occurs, I can feel the big strong arms of nature pick me up and turn me back in the right direction. The change is slow but always palpable. As for the few days leading up to it: they are reliably total bastards.
    - Thoughts from early winter on a moor


    I have seen extracts from this post every few days (I follow Tom on instagram, one of his cats on twitter, and several of his fans on twitter) since the 13th and felt validated, but not actually read it until today. And lo, I feel validated.

    Related, possibly the most validating thing I've read this month is timeanddate's explainer, Why is the earliest sunset not on the Winter Solstice? Oddly I knew this was true of sunSET, but somehow presumed that that was a consequence of sunRISE being an anchor. Wrong! Sunrise doesn't start getting earlier until the New Year, and therefore I feel justified in sleeping in foreeeever.

    Ahem. This is a book post, I believe.




    Currently Reading:
    Fiction for Fun: "Real Men Knit", bought with a kobo voucher from my brother. Actually I started reading it mainly for a bookphoto attempt, which didn't turn out well. I bought it, having scrambled my memory of the TBR so as to think this was a gay romance about men knitting: it is not, but it IS cosy in the essential sense, and given a lot of its negative reviews are "this was billed as a romance but it's more a cosy family novel" I think I will enjoy it a lot more than I do most contemporary het romances.
    Non-fiction for personal interest: Actively, only Tom Cox's "The Good, the Bad and the Furry". It feels weird, in this age of Twitter and Instagram, to read a book of "things some guys cats did" - I suspect Cox's shift to first countryside-based memoir and then weird fiction has something to do with the changing internet zeitgeist since 2010, when his book was published - but honestly, I really enjoy it. I enjoy Cox's wry humour, and his threading of cat related observations with deeply human ones.
    Poetry: I don't think I've actually made any more progress with Paradise Lost since last post.
    Lit Mag: Poor Autumn (Aus) Meanjin, still technically in progress.
    For work: Actively, 'Before Emotion: The Language of Feeling, 400-1800'. Desultorily, 'The Fabliau in English'.
    Recently DNF: 'Erotic Stories for Punjabi Widows'. I gave it three or four chapters, and was a little more interested when a new, older POV character turned up, but... essentially, i continue to not believe that in the 21st century, in the Sikh community in fucking LONDON. you could post an ad for a creative writing teacher and not be flooded with candidates both more and less qualified than the protagonist, who I found utterly flakey. In that flakey way that is supposed to be "relatable", not "interestingly unlikeable" or "paralysed by internal conflict" (for the later, compare Shafak's Three Daughters of Eve). And which is neither likeable nor interesting to me. I just... in a better year I might have kept going and been rewarded. In 2020, my attention span is a sparse commodity.

    Recently Finished:

    Three Daughters of EveThree Daughters of Eve by Elif Shafak

    My rating: 4 of 5 stars


    I am genuinely dithering between 3 and 4 here, but rounding up because my glod, this book as *something* that kept me actively, if VERY VERY SLOWLY, reading it for eleven whole months. I started it on 2 Feb 2020, and finished it 27 Dec 2020. At first I read slowly because most of the space was taken up by the adult-Peri plotline, which had... no... real plot... and also adult-Peri both bored and annoyed me. The past-Peri plotline had a lot to interest me, but felt at first like backstory for adult-Peri (rather than, as it turns out, for undergrad-Peri).

    I became invested in her late teens, because of course I did: bookish, socially withdrawn, invested in an intellectual rather than social self, overwrought about theism. Obviously I have a vast cultural gap between me and Peri, but her overawed Oxford undergrad self was immediately sympathetic to me. Slowly, the adult self became legible, even as nothing happened in that plot.

    Then, I began to see the foreshadowing re her Professor. I saw, ahead, either a student/teacher affair or an excruciating embarrassment, and found it difficult to read more than a few pages at a time under that anticipation *even though I admired Shafak's craft in setting it up*.

    Perhaps because it took me MONTHS, not days, to get through the middle of the book, I found the final culmination dissatisfying. I might actually have *admired*, although not necessarily enjoyed, a student/teacher affair plot better. It felt like Shafak was deliberately setting out to subvert that plotline, but I wasn't happy with what she offered in its place.

    Then there's... it's called Three Daughters of Eve. It seems like those three are Peri and her undergrad friends (I thought for a long time it would be Peri, her mother, and her daughter, but her daughter had no development whatsoever). Peri is by far the most developed character in the book, obviously. Of the Oxford trio, Shirin, the Muslim-raised nonbeliever, gets the most flesh. Mona, the devout Muslim feminist, only really gets fleshed out in a few tiny scenes where she and Shirin debate. This book leans SO HEAVILY into the ethic of indecision, not firmly committing to any side, but it's easy to see where Shafak's own loyalties lie - or at least, of two condemned types of conviction, which she finds more sympathetic.

    I think structurally the book is weakened by departing from Peri's POV right at the end, to first the Principal's then Azur's. But I do think it needed another balancing POV - and that should have been Mona's.

    That's it, that's the one book I finished this past fortnight, but my goat, I FINISHED it. Today is a red-letter day, I finished that book I was determined not to give up on and yet unable to finish.

    Up Next: Mostly, I need to WRITE, not read. But by end of year I need to triage my 'hiatus' books that are still marked 'currently reading' in goodreads, and then either farewell them or make a solid effort once my immediate deadlines are past to get through them. 'A new companion to Chaucer' and 'The queer child' I'm looking at you.




    Some links of note:

  • Tom Cox (own blog), Thoughts from early winter on a moor and 2020: a review. Another thing I need to do is overhaul my blogreader, cull things I don't read, and add things I should. Like this blog.
  • nakara kalasutra (own blog), Relationship Libertarianism. Pretty incisive.
  • Kai Cheng Thom (Xtra), People never seem to need me as much as I need them: am I an emotional vampire? Another Just A Good Advice Column example.
  • Geraldine Heng (In the Medieval Middle), Why the Hate? The Invention of Race in the European Middle Ages, and Race, Racism, and Premodern Critical Race Studies Today. Like the book, I do not find this post unnassaible: in particular, while addressing Pearce's (negative, deeply vitriolic) review essay, it does not grapple with Pearce's stance as a Jewish academic criticising Heng's treatment of Jewish history. I think it's valid in its assessment of the weaknesses of Pearce's essay, but it is a bit skew in claiming that Pearce has no standing to criticise.
  • Natasha Frost (Atlas Obscura), How the 18th-century Gay Bar Survived and Thrived In A Deadly Environment. A decent overview of 18th Molly Houses.
  • Parrish Turner, interview with Zayne Joukhadar (Electric Lit), How do we put words to the experience of gender? A good interview. Have added the book to my endless TBR.
  • Jenn Shapland (NYT), Butter, sugar and a tablespoon of grief. On holiday baking as a tie to one's ancestry. I might be wonky on the experience of grief, but I concede I have the icing-sugar covered kitchen to match this essay,
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