highlyeccentric: I've been searching for a sexual identity, and now you've named it for me: I'm a what. (Sexual what)
I have just finished reading, in audiobook format, Richard Glover's The Land Before Avocado, a witty and generally warm-hearted look at the cultural history of Australia in the 60s and 70s - with tentacles extending a decade or so either side.

I need to cogitate on it some more before reviewing properly, and I may need to get a library hard copy to pin down citations. One story which really stuck with me, and which was very difficult to dig up as, it turns out, the names in the newspaper report were pseudonymous: two gay men, dubbed John and Lindsay in the Age newspaper report, who were effectively sentenced to transportation to South Australia, for having freely confessed to the crime of, as it stood in 1975, buggery.

There's some details on the case in ALGA report, starting page 10. As a result of an anonymous tip-off, which they attributed to a friend jealous over one of the pair, the two were visted by police. Erroneously believing that homosexual relationships were legal behind closed doors, the two candidly described their household to police. According to the transcript of the radio interview which Glover replicates, the magistrate harrassed their lawyer throughout - but rather than a jail term, he sentenced them to move to South Australia, where homosexual relations in private WERE legal at that time.

There's so much more that I would like to know about this case than either Glover or the AGLA report tell me. For instance: did they plead guilty, or did their lawyer attempt to argue they were innocent on account of not knowing that their acts (in private) were illegal? If, as the radio show says, the magistrate harangued their lawyer, demanding to know how he could do anything but give them a jail term, what changed his mind? And why have I never heard of these blokes? Wikipedia has no info. The AGLA report is remarkably slim. Glover seems to have done his own primary source work, not drawn on eastablished gay historians (because he does cite key secondary sources). He reports that he looked for the two men in SA archives and found nothing - although perhaps that was because the names printed in the Age were pseudonyms.

Another (un)fun fact: it is still possible to be charged with buggery in the state of NSW. Because there was no specific crime for sexual assault upon another male, only different sorts of buggery and indecent acts, prior to 1984... well, that's the charge they have to use for historic offences. Some poking around on caselaw.nsw.gov.au for judgements which are part of the public record leads me to believe that many of these are now run as judge alone trials (see MacIver, sentenced by N Williams DCJ), and Anning, sentenced by S Norrish SC DCJ). Both of those I just linked to, and the severity appeal judgements in Pritchard thread a fascinating legal tightrope between the law as it was (no reference to consent), current sentencing rules (especially re minors, there are complex privisions in the Sentencing Act for historical offences against minors), and shifting community standards. I note, upon digging into these, that Pritchard included both buggery as assault upon men (over 18), AND bestiality, which really does drag out that historical muddying of the waters.

At any rate, I think judge alone trials - unless the accused is found unfit to stand trial and it goes to special hearing rather than full trial - can only happen at the request of the accused. One can see why one might opt for such a hearing, for historic cases of this sort. But goodness, it must get muddy when they adhere to their right to a jury. I would... really like to read some incisive queer legal studies work on this, but have no idea where to start looking.




Currently Reading:
Fiction: Lara Elena Donnely, Amberlough. Sort of space-age-ish but sort of 1940s-ish detective noir. Narrated by Mary Robinette Kowal, and I'm enjoying it, but it's a genre I don't often do by audio so it's a bit odd.
Non-fiction: Marion Turner's "Chaucer: A European Life". I have learned all about the wool staple, and also that Chaucer's "littel lewys" was not living with him at the time he wrote the treatise on the Astrolabe. Nor did Chaucer see much of his wife (a courtier herself), or his daughter, at this time. It just... I dunno, adds an interesting texture to the biography that I hadn't picked up on myself.
Magazine etc: Still puttering through the Lapham's issue on Friendship. I'm also most of the way through a special issue of Post45 journal, on heteropessimism.

Recently finished:
Actually fairly recent:

The October Man (Rivers of London, #7.5)The October Man by Ben Aaronovitch

My rating: 4 of 5 stars


I really liked this. Is it the case that my fresh nostalgia for the wine-growing bits of Potato Europe overrides my frustration with copaganda? Possibly.

I really appreciated the narrator framing of one character's account of a past sexual assault, both for its realism (I mean, I'm not a cop, but it struck me as accurate for many authority figures: sometimes people need to talk, and you're better off calmly listening than giving a reactive response to the Tragic Content) and the way it deftly functioned as a built-in content note.


What Abigail Did That Summer : A Rivers Of London NovellaWhat Abigail Did That Summer : A Rivers Of London Novella by Ben Aaronovitch

My rating: 4 of 5 stars


I was told I should try this if the copaganda level of the Peter POV is bugging me, and indeed, it was refreshing to see a POV that actually understands the police are not Friends. Except Abigail DOES mostly think of Peter and Nightingale as friends, or family; the tension there was nicely played out.

I really appreciated the interlace of multiple foil characters in this one. Abigail-Paul-Simon-[spoiler].


Amongst Our Weapons (Rivers of London, #9)Amongst Our Weapons by Ben Aaronovitch

My rating: 4 of 5 stars


0.25% of credibilty restored on account of the wry "I wouldn't just invite the police into my home, and I AM the police" line. Also, I am easily lured by historic aeroplane content.


Winter's Gifts (Rivers of London, #9.5; Kimberley Reynolds)Winter's Gifts by Ben Aaronovitch

My rating: 4 of 5 stars


Well that handled several things better than NUMEROUS urban(/rural) fantasy / supernatural books I've read set in the US. I really like Kimberley's POV, especially re her religious background, and I particularly appreciated where the "vengeful(?) native spirits" plotline went.


Semi-recent, ie, this year:

This first one, I present notes from March, as I have failed to re-read:

Before We Were Trans: A New History of GenderBefore We Were Trans: A New History of Gender by Kit Heyam

My rating: 3 of 5 stars


Insta review notes, to be fleshed out later. I used an audio book so I’ll need a library copy to properly review.

Overall: medium good to great. Many YES this, but without hard copy or e copy I haven’t taken screenshots. I like the overall structure - thematic rather than historical or regional.
Particular issues: super hisss about the use of “The Lauras”; epilogue a massive fail with police analogy and a long run of sympathy for queer police instead of articulating the difference between history as a discipline and policing as an institution. Not ENOUGH European “spiritually agender” examples, not enough poking at the PNF’s land acquisition. No non-white Xn examples i can recall although I’ll have to double check. Coverage of Hijra pretty good but too nonbinary-invested over transfemme.

DID give me a number of examples I’d never heard of including transfemme ones.

Excellent coverage of internment camp drag / theatre / gender fluidity.
Excellent nuance on Roberta Cowell.

Rating might go up to 4 when I revisit, but not down. Audiobook technically smooth, some mispronunciations.


Son of SinSon of Sin by Omar Sakr

My rating: 3 of 5 stars


I enjoyed this very much for its sheer Sydney-ness. However, what had been a tight narrative through to the protag's finishing high school just... unspooled. There was no clear plot arc OR the kind of crafted commentary arc one might expect from a memoir.

It felt like this should have been either a memoir, or cut further loose from the author's own experience. Maybe I'm in an odd position, having followed him online and read his non-fiction and poetry for some years without knowing him in person - an odd parasocial relationship from which to read barely-fiction. Some scenes stick with me months later (and facts! I did not know that urinary positions were so hotly debated among Muslim men. My key takeaway from that is that men's bathrooms should have more stalls, not just for the benefit of trans men but for the benefit of those who follow the Prophet's example in not peeing standing up). And yet I was dissatisfied with the novel overall.



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Significantly Backdated (Dec 21):

A Marvellous Light (The Last Binding, #1)A Marvellous Light by Freya Marske

My rating: 4 of 5 stars


If you gave me this book sight unseen and told me I knew the author I would guess Freya wrote it. I enjoyed it and will read more, but I did come away feeling like I was going to like the author's subsequent work, once the meticulous groundwork had been done, much more. Which is probably a net win: this is a Book 1 that makes me think Book 2 will be better, not a victim of Second Book Syndrome.

CleannessCleanness by Garth Greenwell

My rating: 4 of 5 stars


Oof. I think the reason I rated this 4 and not 5 is that it felt a little repetitive after What Belongs To You. Perhaps a little too polished, as well.

Gospodar, the chapter included in the anthology Kink which occasioned so much outrage: I loved it. I remember phrases from it still, two years later. I'm not sure that it would have the same nuanced effect extracted as it does in context, however. I can't remember WHAT was in the preceding chapter, but I remember being glad, as I read the chapter in question, that I had the preceding chapter or two and indeed the previous book as context.


Unmaking Mimesis: Essays on Feminism and TheatreUnmaking Mimesis: Essays on Feminism and Theatre by Elin Diamond

My rating: 3 of 5 stars


Honestly surprised how much of this I remember years later. It was dry reading, full of both theory and texts I wasn't familiar with, but it grapples with a core tension that I am very interested in: when is realistic representation of women's pain Good (TM) and when is it not?



View all my reviews

Online Fiction:
  • L Chan, The Death Haiku of the Azure Five. This was very good, but I swear I only counted four haiku, and it's driving me batty.
  • AS Bayatt, Dolls Eyes, reprinted in Electric Lit
  • Azareen van der Vliet Oolomi, Adopt a cat for the global collapse, in Electric Lit


  • Recently Added To The TBR:
  • Ernest Hemmingway, For Whom The Bell Tolls. I have mostly known of Hemmingway as a laughingstock, the epitome of dudebro lit. I actually encountered something which described the plot of this book, today, and now I wish to read it.
  • Felicia Davin, The Scandalous Letters of V and J. Probably the opposite of Hemmingway in all ways.
  • Lucy Grealy, The Autobiography of a Face. Found via the same link tree that lead me to the Hemmingway, oddly enough.
  • Gillian Rose, Love's Work: A Reckoning With Life. I think I saw this as a sort of disrecommendation, as a book which deals with love and sex without grappling head on with desire as a thing women actually feel. But I liked the look of the book and hence it is on my TBR now anyway.
  • Mike Brown, How I Killed Pluto and why it had it coming. A++ title there, sir.





  • A few links!

  • Adora Svitak, How do we write about love of cock, in the aforementioned Post45 issue on heteropessimmism. Here it is! A bi woman's essay on heteropessimism and the weirdness that is being bi, being into dudes, and being surrounded by heteropessimist straight women! It's academic, rather than personal - although the bits that veer into personal, such as when she recounts reading passages from Garth Greenwell to her male lover, are Good, Actually.
  • Timmy Broderick, Evidence undermines rapid onset dysphoria claims. No new news here, but it is well written.
  • Garth Greenwell, A moral education: in praise of filth. I appreciated the nuance with which he talks about shifting ways of moralising, or de-moralising, art. I felt like several bits were grasping at something I have seen better pinned down in relation to 12th century poetry, but hey, that's standard for me.
  • Hannah Wang, The age of anesthesia, in the above mentioned post45 issue. In which Wang takes issue with various forms of cynical, fatalistic expression as modes of feminist "relatability", including but not limited to the heteropessimistic.
  • highlyeccentric: Joie du livre - young girl with book (Joie du livre)
    I have for some years now read, with fascination and frustration, a genre of essays (and occasional short story) which I short-hand under heteropessimism, although much of it is in fact so earnest (Sereisin's description of heteropessimism begins with Maggie Nelson's "heterosexuality always embarrasses me", requires a sort of ironic self-deprecation) that it might better be described as Sad Girl Content. It is the literature of shared (hetero) feminine abjection (in at least one prior post I called it the disappointment memoir mode).

    I don't quite know what to do with this fixation, as I am no longer a usefully called a woman. The only kind of woman I find myself reflexively thinking of as akin to me is bi women, and so it continues to frustrate me that bi women are utterly absent from the communal literature of feminine (women-who-date-men) abjection.

    There's a lot to commend in this recent essay by Ellie Anderson, on heteropessimism as feminist complaint. Anderson rightly takes a scalpen to Sareisin's slipshod use of "performative" to mean insincere.

    Philosopher Kathryn Norlock argues that complaints may have intrinsic value even in cases when they do not aim for a transformation of circumstances in the way Ahmed describes. Norlock suggests that complaining can be recognized as valuable in itself once we take seriously the "interaffective dimension of ethical and social life." Specifically, complaint is a plea for validation that "one's pains are not insignificant," and for the company of others who recognize one's suffering as significant. Complaint has historically been disparaged by virtue of its associations with the feminine — specifically, with the feminine desire to share one's pains rather than remain an upright individual who acts in the public sphere — as in Aristotle and Kant. Norlock argues that rejecting this masculinist value system reveals that complaining is an activity that "regulates the emotional life, articulating and discerning the causes of pains, affirming the feelings of others or oneself, or inviting disclosure and commiseration." Complaining performs key functions in our collective and individual emotional lives.


    This is true, and yet. Sara Ahmad, who Anderson cites extensively, would also direct us to attend to whose complaints are given space. Whose complaints are able to become a point of community, are allowed to make meaning. (Interestingly, the genre of heteropessimist complaint has several well-established women of colour in it - Christine Emba, for instance. Class, and access to the opinion essay industrial complex, seems a key factor.)

    Bi women are not afforded the same authority to complain. The very structure of the complaint - that dating men flays one's dignity alive, and yet, one must, or withdraw entirely - means bisexuality is impossible. Perhaps some bi women married to men (especially, I expect, those with children) do participate in this discourse, but I can't remember the last time I read an essay grappling with the realities of heterosexual partnership/marriage from a bi perspective (maybe back in the era of feminist blogs? Perhaps these essays exist, and I'm not seeing them because of the glut of "I am an invisible queer" content from bi women; but I'd expect a good essay from a bi woman about having queer experience/identity and yet being stuck in the Crane Wife/Cat Person universe to generate HUGE amounts of biphobic discourse, the kind the "invisible queer" essays regularly attest to). The women writing the heteropessimist essays don't even seem to be aware that bi women are among them! This includes both Anderson and Sareisin (nb: Sareisin has since come out as nonbinary, but was writing as a lesbian at the time).

    Sareisin rages that the heteropessimist does not meaningfully disengage from heterosexuality, Anderson argues that complaint is meaningful (but does not, I note, argue that constitues disaffiliation). Neither seem to have any sense what "disengage" or "disaffiliate" might look like. I did not get the sense, when I first read the Sareisin essay, that the author would have any time for me, a bi queer (then)woman who didn't move in lesbian circles.

    Meanwhile, for a long time, I have felt that I had more in common with ostensibly straight or bi women who were single by choice or not seeking to date anymore than I did with most lesbians. Is that not also a form of disaffilation from heterosexuality? It certainly puts those women outside of many of the privileges of heterosexuality (economic, social, etc), while not actually marking them as queer unless they also display some other marked trait.

    I don't have an answer. I don't even need to answer the question of which group of women I affiliate with, any more. And yet.




    Currently Reading:
    Fiction:
    - Omnibus of Mercedes Lackey's Mage Storms books, still. Slow going but still pleasing.
    - Ben Aaronovitch, The October Man, in audiobook. It is not read by Kobna Holdbrook-Smith, so I am sad. The voice actor DOES do a good job of "Educated German-speaker speaking English" accent, though, and it's set in wine country, and I'm sort of... whatever the opposite of homesick is. Not even homesick for Switzerland, exactly, but nostalgia-frustrated because I have some cultural context for that area of DE but didn't spend much time there. Anyway. I am soured on Peter Grant (see below), but it has been suggested that I might resent the tie-ins less. We shall see.
    - I am in fact partway through the short story The Death Haiku of the Azure Five, in Clarksworld (by L Chan) and enjoying it but I keep forgetting I'm reading it and reading some piece of news or essay or something instead.
    Lit Mag: I have, in the past month, been picking up and putting back down the Lapham's Quarterly "Friendship" issue. This is improvement upon not picking it up at all.
    Poetry: Nil, nada
    Non-fiction for personal interest:
    - I am finally making headway in Marion Turner's "Chaucer: A European Life". For a bunch of reasons, it's a perfect sort of book to keep in my go-bag for on site work at my current job, and on some remote work days I have a weird amount of standby time where it is preferred that we read books rather than be on our phones. I have learned a lot about the London wool staple!
    - Still pottering through Danny Lavery's "Something that may shock and discredit you" for the second time, reading aloud to my partner.

    There are many more things which I am nominally reading but haven't really picked up since last post.

    Recently Finished:
    Actually Recent:
    Archer: the First Nations Issue (Archer Magazine #13)Archer: the First Nations Issue by Maddee Clark

    My rating: 4 of 5 stars


    It took me a damn long time, but I finally finished this.

    Two stand-out essays:

    Q&A with SJ Norman

    Anonymous: Pronoun Trouble

    Neither makes me comfortable, and maybe I'll talk somewhere else one day about what in them hit home and what hit a nerve. Not on Goodreads, I think.




    Dead Famous: An Unexpected History of Celebrity from Bronze Age to Silver ScreenDead Famous: An Unexpected History of Celebrity from Bronze Age to Silver Screen by Greg Jenner

    My rating: 5 of 5 stars


    Things this was:
    - a fun historical romp through periods and subjects largely outside my prior interests (except for Lord Byron, bless his weird over-dramatic socks)
    - a MASTERCLASS in accessible citation. I listened in audio, and I had no idea there *were* footnotes at all, because Jenner weaves "as the such-and-such scholars say" in so well.
    - a MASTERCLASS in breaking down theoretical concepts, see above

    I also keep thinking about the section on celebrity photographs and early photographic manipulation. One actress, whose name I forget (and I can't check because I don't have hard copy) sued over manipulated images of her face over risqué nudes, and lost. I keep thinking about this in context of the current SAG strike, and AI, and being confused that no one is pitching hot take essays about the connection.



    Semi-recent, IE, this year:
    Bad Gays: A Homosexual HistoryBad Gays: A Homosexual History by Huw Lemmey

    My rating: 5 of 5 stars


    I loved the opening, framing, premise, and most of the execution of this. I enjoy the podcast, and I *particularly* appreciated the way that chapters of this sewed together what had been 2 or sometimes 3 podcast episodes to produce a chapter which had a sort of... preview and a chunky case study (Bosey and Roger Casement were a great combo).

    However, I have two complaints:

    1. the conclusion was MEH. It did not say anything the introduction didn't say and it said it more boringly. Perhaps this is a product of the public history style? But I have definitely read pop history which doesn't do that (see: Greg Jenner's Dead Famous).

    2. The final chapter, which sewed together Andrew Sullivan and Pym Fortuyn, with a contextual segue through the AIDS crisis, was a HOT MESS. It gave no specific contextual attention to AIDS or gay public health in general on the continent, aside from one note that Amsterdam had dealt pretty well because of pre-existing good links between gay community and health services over a hepatitis outbreak. In general, it was written as if the US's approach to AIDS was paradigmatic for the world, which it just wasn't. Australia in general, and Sydney specifically, was a lot closer to Amsterdam (perhaps because of better responses to earlier outbreaks? I don't know and my epidemiology history insiders are only confident to speak on AIDS>COVID trajectories). There's a lot that Pim Fortuyn and centrist-to-right US gays have in common, of course, but you can't just take New York's AIDS history and treat it as standard for the developed world. And the authors should BOTH KNOW BETTER and also have the resources to do better, because one is English and one is an American working for the Gay Museum in Berlin!

    I am still, however, very much on board with their project of "bad gay" history: the history, specifically, of how "reclaiming" gay figures from the past has fed into dubious contemporary politics. Something I feel the trans community should think more carefully about before going all in on reclamatory and redemptive premodern narratives, but I appear to be rowing my boat upstream on that count.



    View all my reviews

    GirlhoodGirlhood by Melissa Febos

    My rating: 4 of 5 stars


    This was a difficult and important read. I marked it to-read back when I was madly collecting books about the trauma of being Assigned Girl, hoping that reading enough feminist rage and trauma would anchor me in my assigned gender. By the time I got around to reading it, that was a lost cause.

    This was very much a book about early (peri-pubsecent) sexualisation, and the project of reclaiming one's sexuality from a barrage of constant sexual predation. I was about to say that "although I was in an abusive relationship, Febos' experience is wildly different to mine", but it... isn't, not entirely. The age parameters, now that I think about it, are oddly similar, but the frequency and (forgive the legalese) severity, and above all the impact upon me, are widly different. I can't even put that latter down to gender, because I know many trans men whose lives and indeed adult selves walk much closer to Febos than to me.

    I spent most of this book ping-ponging between "yoewch, to accurate", and "... wtf i thought this sort of thing was mostly a scare story they told you in school health class". Much like how I offhandedly said to a friend a while back "everyone knows Go Ask Alice was a hoax, that's not how peer pressure ACTUALLY works" and the friend went... "well i read it and it seemed pretty close to my experience. I'd call it plagiarism rather than a hoax." (the author of Go Ask Alice, in case you didn't know, was a conservative therapist working with young women).

    Things I particularly resonated with:
    - Febos' description of how her parents were not at all prepared to either help or protect her from what was going on. Same, except wildly different. Mine, for instance, were not equipped to help a kid who didn't experience sexuality as just... a natural thing that happens. Who might need to THINK, read, compare, consider, etc. I don't think they'd have coped better with Febos per se, but they were running on a script for a normative daughter halfway between us.
    - The chapter about the cuddle party, and feeling obliged to offer affection/consolation to the Sad Man. I particularly appreciated that Febos gave equal weight to discomfort with the attentions of an Enthusiastic Woman And Her Male Partner, because were it about Sad Man alone... I'd be thinking of all the weird physical dynamics which come up with people OTHER than the Sad Straight Man.

    Things I didn't but which were elucidatory: I won't go into all of them. But even though I've ditched my project work on Chaucer, I retain my fascination with Kim Zarins' "Sometimes We Tell The Truth". Her WOB's prologue gave me instant "erk". Like... okay, I get where you're going here but this feels wrong, it feels like a story they tell in health class not... a thing that actually happens. (A friend who HAD been subj to advances from older men at age 12 thought I meant I didn't think anyone was. No, I get that... happens... but something about the narration felt like an /extrapolation/ of how that might happen rather than either actually how it happens or how the young girl in q might re-tool the story later) On first read of Febos I didn't make the connection. On second read... the way Febos characterises her younger self feels like the kind of narration Zarins' WOB didn't hit; but Zaris' 17 y old Alison doesn't sound as far removed from Febos' 12 y old self as I thought. If that makes sense? Of course adult Febos isn't trying to paper over her wounds: her whole brand is Trauma Writing. But if she did... maybe it might come out closer to Zarins' Alison than I initially thought.



    All About Yves: Notes from a transitionAll About Yves: Notes from a transition by Yves Rees

    My rating: 4 of 5 stars


    Proper review coming but:
    1. Rounded up by reason if “I like to read about people like me”.
    2. However, I’m pretty sure I’d rather hear from Yves 2025 than Yves “I could never use a men’s bathroom” 2021. There’s a lot that’s gauche here, and ffs. Your trad pub memoir doesn’t count for “publish or perish”. The academic audience might not be here in 2025 but the queers will.

    ---

    23.07.23 Note from later me: I read this as audiobook, I don't have a hard copy, and I'm really not up to re-considering the Saga of Nonbinary Academic right now. Maybe another year. Maybe another decade. This memoir was immensely important to me but didn't review it at the time and I cannot now.



    Nona the Ninth (The Locked Tomb, #3)Nona the Ninth by Tamsyn Muir

    My rating: 4 of 5 stars


    THAT WAS BOTH VALIDATING (yes, i guessed who nona was) and NOT WHAT I EXPECTED AT ALL. A+, ROUND OF APPLAUSE.

    ...

    HOWEVER I would like to register a growing sense of wtf re the charactisation of the genocidal apocalypticist as Maori? It became really explicit in this book and ... no? Love the kiwi localisation, but... Uh. Weirdly I have seen no pushback, and I am not committed enough to this book or genre, nor informed enough about the NZ context specifically.

    I note my discomfort, I hope it doesn't snowball, and in the meantime I will do as I have resolved to do instead of pontificating about Books I Read For Fun: bump something else up the tbr. In this case, Alexis Wright's The Swan Book.



    Bonus: One(1) Deep Backdated Review. The next in queue is Manion's "Female Husbands", and I do not have the werewithal. But I promised a trans woman pal I'd dig out the applicable-to-her-interests bits, so I might re-read it soonish and then it can go into the recent queue again. Instead:

    False Value (Rivers of London, #8)False Value by Ben Aaronovitch

    My rating: 4 of 5 stars


    I am really souring on these books, which I don't think is necessarily a flaw in Aaronovitch's work so much as my increasing distaste for the built in copaganda of much crime fiction. I remain UGH that Peter has not left the Met.



    Online Fiction: two recent two backdated
    Recent:
    - Kehkashan Khalid, The Petticoat Government (Fantasy Magazine). Set in something approximating Mughal India, I think? It actually provided a fleshed-out sense of how female regnancy could work in highly spatially segregated societies, something I *technically know* with my research into gendered space in high and late medieval Europe, but haven't got a really graspable characterised handle on.
    - L Chan, Re/union (Clarkesworld). One daughter, of several siblings, is the only remaining family member observing the pious New Year rituals with the ancestors: who are now, for both better and worse, represented by AI simulations at a banquet table. I don't have the cultural context for this and yet it both gripped and gutted me in places.

    Backdated
    - Rob E Boley, The Assembly of Graves (Diabolical Plots). Sometimes, I read depictions of lesbian relationships, written by (apparently cis and straight, although frequently one only assumes that because Queer Authors have their ID front and foremost) Men, which seem incredibly realistic and Relatable (TM) to me. It is possible this is a sign of my Gender (TM), given I frequently have the opposite relationship with Lesbian Fictions (TM). I dunno. I do know this is a neat horror story and I did not predict the twists to it even though perhaps I should have.
    - Cheri Kamei, Blood in the Thread (Tor dot com). This is, I think, a pretty good story in its own right. Nevertheless. I said; I have said over and over and I'm sure more often than that but in keywords I can't recall to fling at site search; that I wanted a queer take on the Cat Person/Crane Wife problem. This is not what I wanted. If I wanted the abjection of the More Queer (butchness optional) partner faced with a Femme and/or Bi partner I could consume anything from The Well of Loneliness to Rent. And yet. I don't think this is a BAD short story, just. One I'm inclined to be bristly at.

    Recently Added To The TBR:
    Fiction:
    - Alis Hawkins, "A Bitter Remedy", from a series called The Oxford Mysteries. KJ Charles gave it a mixed review but I think I like the things she likes and the things she dislikes in this one would be balanced out by my love of weirdly specific academic history.
    - Patrick DeWitt, "The Librarianist". Got the rec from the twitter account "Caustic Cover Critic", who is one of my few sources of non-gay capital L Literary recommendations.
    - Bruce Pascoe, "Salt: Selected Stories and Essays". I've had Dark Emu on my kobo for ages, but first burnout happened and now my work reading needs to be hard copy. I am intruiged by the idea of mixing fiction and essay, and have earmarked this as a possible library read, esp when I run out of work-appropriate things from my already owned hard copy pile.
    - Se-hee Baek, "I want to die but I want to eat Tteokbokki". I saw a really strong rec for this as a depiction of Depression Et Al, and hey, I've never read Korean fiction before.




    Some links: past and present:

    Past: The dates on these are mid 2021, and hoo boy, let me tell you, scrolling back two years in my pinboard is, quite literally, scrolling back two years in terms of gender dysphoria and career anxiety. Still. Some stuff that, now that I look at it again, stuck with me!

    - Isabelle O'Carrol (Refinery29), ADHD and gaslighting in women. TLDR neurodivergent women (people? I suspect people) more vulnerable to manipulation.
    - Jessica J. Lee (Catapault), How seaweed shapes our past and future. I get a lot of reading recs from SE Smith on Twitter and I think this is one of them.
    - Temma Ehrenfeld (Undark), Immune System Mutiny: Mast Cells and the Mystery of Long Covid. By now, in 2023, most of the Long Covid content i see online (perhaps due to Twitter algorithm) is outright misinformation, albeit often driven by understandable trauma and self-protection. I believe I was already noticing this trend by 2021, and this particular article did not trip that alarm. I'm interested in MAST cell activation syndrome, in and of itself, because friends have it and I suspect at least one relative does, and also it's weird and I am interested in weird things.
    - Paige Turner (own blog), The healing process can be traumatic. I got bored of Paige's blog within six months of this post, but this one remains both short and true.

    Recent: Other than ones linked earlier in this post, I give you the following:
    - The Carapan gallery of Mexican art (own blog), What is an Alebrije: TL;DR man has hallucinations in the 1930s, makes art, accidentally sets off a folk art tradition.
    - JP Brammer (own blog), Food Fight: on "ethnic" food and percieved authenticity. I love many things Brammer writes and this is a fine example.
    - Chelsea Watego (Indigenous X), Voice To Parliament: Why Mob Are Staying Silent.
    - Joseph Earp (Guardian), My mentor John Hughes taught me how to write then he plagiarised my work. Supplementary to, and bafflingly uncited in, the next link;
    - Anna Verney and Richard Cooke, Being John Hughes (The Monthly). I was fascinated and apalled and at times discomfortingly empathetic to Hughes. I, too, was a kid from the periphery of the Hunter Region, said to be brilliant and promising. But I didn't go to Newcastle for uni, and I was not said to be the Next Big Thing (even at school: partly gender, but lbr the only Next Big Things my school at large was interested in was next big evangelist, and so my male peers as scholarly high achievers were in fact less lauded than I, at least I had the humanities teaching lead on my side). I too went abroad for a PhD and came home less than I had hoped to be. But I came home crippled by all the things I could not speak to, while Johnny Boy seems to have come home and determined to... speak to everything, by plagiarism if he can get away with it. (The worst is his remixing of the Bringing Them Home report's accounts, but he also felt the need to plagiarise a relatively privileged male student? Why?? Baffling.)
    highlyeccentric: Manuscript illumination - courtiers throwing snowballs (medieval - everybody snowball)
    It's been over nine months since I made a reading post, although I did do a 2022 round-up. This is a pity, since I had some Opinions about some of the things I read in Dec 2021 and Jan 2022. But here we are. Perhaps I will make some bonus reviews in the coming months, as well as catching up with 2023 so far.

    You can find my online recs at @ highly_reckons@zirk.us, if that's of interest to you.

    As surprises no one, I've been reading a lot of trans history. I really recommend the ABC radio two-parter Crossing Time: Australia's Transgender History, which they put out for World Pride. In particular, I was fascinated by Robin Eames' discussion of Edward de Lacy Evans, a trans man who seems to have lived happily and securely with his wife until exposed by a man Eames describes as his brother-in-law - and elsewhere as the father of de Lacy Evans' wife. I checked up, it's the WIFE's brother-in-law who is implicated in both of these things.

    What Eames points out, in that interview, and this piece for The Conversation, is that *we only find out* about these trans people (mostly men) when something goes wrong, usually a personal grudge, bringing them to the attention of the law or the asylum. Broadly, this matches the pattern which Jen Manion traces in European and American transmasc legal records (as opposed to military figures or published adventures of afab sailors): a surprising degree of social security, especially through marriage and/or secure businessmanship; mobility (eg through sales careers) facilitating new starts; and a tendency to be judged by at least some community members on the standards of the gender-roles the individual performed (pub landlord, husband, flirtatious sailor, etc).

    The general tendency among historians seems to be that trans women were not afforded these same securities in the past. Jules Gil-Petersen points out that when we start to see trans women emerging in the American legal record it is as marginalised urbanites, performing insecure gendered labour (this is covered in her recent post towards a trans history of abortion) like sex work, bar service and dancing.

    Separately, I've been talking with a trans femme friend about historical transness, and my friend's perplexity over how someone like Eleanor Rykener *seems to have passed*, for most purposes, and only come to legal attention *because* of her sex work. Photographs of Magnus Hirschfield's clients look, in contemporary transfemme parlance "bricky", but also, in the historical photographic context, much like a lot of other 1920s women! I've been watching historical costuming TikTok, and *so much* of the premodern feminine silhoutte, whatever it may be at the time, is achieved by building out, not (except in very high society) cinching in. Even regency gowns had underlayers, although I'm sure that it was much easier in Victorian or early modern England to "pass" with a testosterone-dominant body. One of Manion's arguments about transmasc figures is that clothes very much maketh the man: few seem to want to make the corrolorary argument that clothes might effectively make the woman, in at least some contexts.

    Fanny and Stella were living the high life, cross-dressing for fun as well as sex, and it was their *blurring* of those lines which brought them to the attention of the law.

    Meanwhile, returning to the trans men Eames cites, and some of Manion's examples: it is often the wife's family or an ex-husband who brought the trans husband to the attention of the law or the psychiatric authority. It seems safe to conclude then that some men might have successfully passed by remaining unmarried, or by marrying widows with no relations to interfere. Jules Gil-Petersen, talking about the economic marginalisation of trans women, points out that they were not only excluded from the employment market upon transition, but also from the marriage market: but ... is that true?

    We completely take it for granted that women happily married trans men, drawing as we do on previous lesbian readings of similar relationships. Why assume no men would marry trans women prior to the age of medical transition? Queer men exist, and might have good family reasons to need to be married. Might such a man be in a better position to shield his wife from family interference than the wives of trans men were? Granted, if none of those cases *at all* came to public light, then they must at the very least have been less common than the trans husband variation. But I also note that Manion argues strongly for mobility *away* from cities to small towns enabling security for trans men: has anyone been looking in small town archives for trans women? Jules Gil-Peterson has a book forthcoming offering a long history of transmisogyny: if she's done both urban and countryside archive research, and found only urban evidence, I'm hoping she spells out where she looked and didn't find anything as well as where she did.

    Ed: it occurs to me the day after writing this out that a key difference between trans m / cis f marriages and cis m / trans f is, of course, the position of power afforded by being the husband. In many of Manion's examples, the women claim not to have known their husband's assigned sex: it's certainly plausible although any individual case might be bluffing. Hence, the cis woman has a way out which doesn't completely lose face. The hypothetical cis man marrying a stealth trans woman, however, does not have that: as husband, he's not able to say "uh, well, my spouse seemed weird about undressing and avoids sex, but she did say she was ill..." He has no way of exposing her without exposing himself, except for routes dangerous to the trans woman: abandonment (she can't come after him without exposing herself), or even murder. Hence, no legal records. This would also mean that where some of the transmasc husbands probably *did* marry their wives without giving her full prior knowledge, hoping that either she had figured it out, loved him enough to accept it, or would maintain the relationship anyway out of fear of reputational loss - the hypothetical trans woman *doesn't* have that option, or would almost never (exceptions would be: marrying a man known to be impotent or an invalid; an agreed-upon lavender marriage wherein she did not specify what made her different to other women and undesirous of sex). I still think that lavender marriage with a queer man, and perhaps marriage to a widower (no expectation of children), would be plausible, but the hypothetical trans woman has far fewer cards to play than the trans husband.




    Currently Reading:
    Fiction: The omnibus of Mercedes Lackey's "The Mage Storms" trilogy. I just started it and it's really... nice, just nice to be reading epic but soft fantasy again.
    Non-fiction:
  • Greg Jenner's "Dead Famous", in audiobook. It's fun, good background noise while doing chores and such. I love his sense of humour; and he's ALSO a masterclass in giving citations without using footnotes. I am never at sea listening to the audio: he cites key primary sources, major scholars, and even entire theoretical debates (Bhaktin came up at some point!) in fantastically accessible prose. If I were still teaching I'd get the hard copy and take photographs, particularly of the bit which did a run-down of structuralist and post-structuralist approaches to relationships between individuals and media representation, as an example for student writing: how to paraphrase for analytical use (rather than merely summarise), evalate and contextualise in natural-sounding sentences.
  • I also got a couple of chapters in to Shon Faye's The Transgender Issue, it's very good but also... kinda grim, and very contemporary-politics rather than exploratory or historical or any of the other interesting angles which keep me going through grim content.

  • Poetry: Nothing atm
    Lit Mag: I got about 1/3 of the way into the Laphams Quarterly issue on Friendship, but it's somewhere in my boxes now. Instead, I finally started the Summer 2019/2020 issue of Archer, an Indigenous guest-edited issue. Here, have a quote from an interview with SJ Norman, by editor Maddee Clark:
    I feel the Mob are generally socialised to understand ourselves as part of a lineage and in intergenerational relationship. Not in some dynastic way! I know that I am the futuredream of my ancestors, that in fact they are dreaming me right now, and I find tremendous strength in that.
    White folks like to think they are always the first to do something, though, and that erasure is one of the more toxic hang-ups of settler colonialism and of capitalism. People suffer because of it, communities suffer because of it.
    If some of the younger queer and trans artists that I know had half a clue of the rich, powerful artistic and cultural lineages they belong to, and were prepared to embrace the Elders [nb: source capitalisation] that are available to them in their imediate communities, maybe they would not feel as alone as a lot of them appear to. Maybe they wouldn't be reproducing violence and exclusion to such an extent.
    This is a syndrome that Melbourne in particular really suffers from. Sydney is a very different context where people are held in a strong weave of intergenerational support and accountability.

    I liked that, partly because I've been thinking about the differences between Melbourne and Sydney lately - how Melbourne has both the radical left and the stronger neo-nazi presence (and more academic terfs, too), whereas Sydney has a really strong strain of religious conservatism. Protestant, Catholic - even Islamic, tbh, no other city in Australia has made global headlines with the sheikh of its largest mosque comparing women to unattended meat. I've been trying to find the flip side of that, like the radical left and the neo-nazis go together (apparently Basel is the Melbourne of Switzerland in this respect, as well as in the cool riverside dining options sense). If this description is accurate, perhaps that might be it? I wonder. I wonder what Norman bases this on.

    There are other things which intruigue me about this - when is white queer engagement with our "lineage" renewal, remedying our lack, and when is it unwarranted taking up space. Sandy O'Sullivan, who is interviewed in the ABC post I linked above, was twitter tagged in some reviews/recs of it which enthused about the Edward de Lacy Evans story, and probably some others I didn't see; O'Sullivan became wildly frustrated with the enthusiasm of white queers for white queer history. (I became frustrated with the program editing: I know Sandy HAS archival examples to discuss, but all that remained in was the macro level theoretical discussion about what Sandy calls "the colonial project of gender", which is very important but not a good neat oh hey I learned a thing lemme tell you in two tweets kind of rec-highlight.) I don't know. I don't have a solution here. I'm a goddamn medievalist, I'm the opposite of a solution. (I am, at least, no longer employed to generate more European lit canon content... Which, if I generate it anyway for fun, is possibly worse.)

    Recently (well, this year) Finished:

    The Correct Order of Biscuits: And Other Meticulously Assembled Lists of Extremely Valuable NonsenseThe Correct Order of Biscuits: And Other Meticulously Assembled Lists of Extremely Valuable Nonsense by Adam Sharp

    My rating: 4 of 5 stars


    It is difficult to explain why I paid for an audiobook of what is, basically, tweet threads. But I did and I enjoyed it. Good background noise. Whole book elevated by the fact that the "About the author" is given in lists as well.


    The Brexit TapesThe Brexit Tapes by John Bull

    My rating: 3 of 5 stars


    Another book of tweet threads: co-incidental, I promise, I started The Correct Order of Biscuits long before this one and just finished them close together.

    This is funny. This is a poorly proof-read self-pub (speaker tags swap between first and last names, formatting issues with the footnotes). This is also an archive of popular tweet threads, which really needed a developmental editor to turn it into a workable book. Given it came out well after the events, it needed some re-structuring to give it a through-plot, and also knowing later developments in britpol, limiting it to a single PM doesn't... work.

    The conceit of being historical archives though is FANTASTICALLY well done, no cringe about it at all, absolutely doubled down on every humourous aspect. Ergo I did enjoy it.


    Legends & Lattes (Legends & Lattes, #1)Legends & Lattes by Travis Baldree

    My rating: 3 of 5 stars


    This was completely acceptable aeroplane audiobook content. As a novel, though, it left something to be desired, I think because I'm not into DnD. I'm familiar, but not INTO it. It felt like reading fanfiction for a fandom I'm not in - except the romance plot, while still a dominant plot, was much too chill for me to get into cross-fandom reading. It... uh... I think it relies on you having certain assumptions about what an orc is like, what this or that character type is like, that I just don't have due to not playing DnD. So I didn't viscerally appreciate the subversions, even when I knew they were there, and I noticed how thin the character work actaully was.

    Compare to T Kingfisher's White Rat books, where I can see the DnD worldbuilding but the storytelling and the characters hold up even if you don't care about that.


    DraculaDracula by Bram Stoker

    My rating: 4 of 5 stars


    This took me almost a year to finish, in the "Phoebe Reads a Mystery" audio read. I started it having not long finished The Turn of the Screw, and tried to keep up with "Dracula Daily", but the book is not chronological and I liked that structure better than the Dracular Daily structure. Then life happened, got distracted, etc. But: I did enjoy it, my genre knowledge is much enhanced, and Weird Professor van Helsing is my weird, weird fave.


    And also - not putting a goodreads review in, but I finished The Return of the King (having been working away at the entire trilogy since August) in the Andy Serkis audiobook. Loved it. Loved Andy Serkis' narration: for the most part, and especially with Gollum, it's a distinct read, not a reprise of the movies. But there were bits - the tune to The Road Goes Ever On And On; certain lines from other characters (in ROTK, it was Theoden's speech before battle) where he echoed the intonation, without imitating their voices. Perfect. Loved it.

    One (1) Bonus Backdated Review (Nov 2021, apparently):
    The Satapur Moonstone (Perveen Mistry, #2)The Satapur Moonstone by Sujata Massey

    My rating: 5 of 5 stars


    Belated, but: yes! Good! I liked this, I will read the next one. I particularly liked the plot involving an attraction *not* pursued - felt very historically grounded, and added depth and complexity to Perveen's character.

    Some Online Fiction: These I will... eh, let's say two recent two backdated?
    Recent:
  • Jonathan Louis Duckworth (Diabolical Plots): 21 Motes. Forget androids and their electronic sheep: do AI enchanced appliances feel love?
  • Amal Singh (Diabolical Plots): Tell me the meaning of bees. At first I thought this was an allegory for climate change, and then for dementia. I suspect it is not an allegory at all, but it is deeply resonant and I recommend it.

  • Backdated:
  • Megan Arkenberg (Nightmare Magazine): The Crowgirl. I do not normally read horror, let alone zombie fiction, but I was on a big Arkenberg kick in December 2021 (I recall distinctly: I listened to this one between the bus arrival in a small Swiss town and the cat boarding place opening so I could pick Mercury up, as I walked a loop around the village). I loved this.
  • Rachel K Jones (Uncanny Magazine), Six Fictions about Unicorns. Also recommended, although I don't have the same visceral memory of exactly where I was and when and how much I loved this one.


  • Recently Added To the TBR:
    Fiction: Most recent addition is "Beyond Human: Tales of the New Us", an anthology through Lower Decks Press, I believe because one of y'all on here is in it.
    Non-fiction: The two most recent additions are "The Feminist and the Sex Offender: Confronting Horrors, Ending State Violence" by Judith Levine, and "The Goldfish in the Parlour" (a book on Victorian human-animal relationships) by John Simmons. The Duality of Reader, etc.
    The list still marked "academic": Most recent appears to be Nancy Armstrong's "How Novels Think".
    Poetry: Paisley Rekdal's "Nightingale". I follow Rekdal on Twitter, I know she does Ovid adaptations, but hadn't added this to my tbr until recently.




    *bows, flourishes*

    This has been What Are You Reading Almost On A Wednesday, first time since June 2022, please clap.
    highlyeccentric: Manly cooking: Bradley James wielding a stick-mixer (Manly cooking)
    The ancestral recipe for this is the King Arthur Flour Co's recipe, with the "hot coffee + cocoa" trick borrowed from "Jan's Mud Cake" in the Penninsula Community Pre-School Cookbook 1994 (I think 1994. Maybe 1995?). I've posted it before, but hey, let's do it again. I just made a version for the Tortenessen festival in Bern, which I managed to figure out to be vegan, gf, soy-free, lentil-free, free of unspecified lethins, and nut-free. And it still tasted good!

    Accessibility and dietary notes )

    What You Need and What You Do With It )

    Suggested icing )

    This will never be the prettiest or the most impressive cake available for any given dietary exclusion, but it tastes good, and it's so simple that it does cover a whole slew of exclusions in one go. If you were allergic to maize starch, say, as well as gluten, a bit of experimenting with diy flour mixes would probably work. If it fails to rise, you end up closer to a soft chocolate slice, but it still tastes okay.

    Meanwhile, the Tortenessen was fun. I will post about my adventures signing up for "check and restock the toilets" at anarchist off-grid camp on a NOT food related post, I think. But the cake. I've never seen so many gluten-free cakes in one place. Amazing.
    highlyeccentric: A character from silentkimbly.livejournal.com, hiding under a lampshade (hiding)
    I fucked up on several axes )

    I do not have the werewithal to analyse this properly right now.

    I can report that today I:

    - sorted my budget
    - talked to Shiny
    - napped
    - made tray-bake chicken AND endive and peach and spinach salad
    - put some plants in the plant stand friend G and I assembled last weekend.
    highlyeccentric: Prize winning moody cow (Moody Cow)
    I do not have capacity to update my Goodreads rn. Haven't since December. The task gets Worse by week.

    What I am currently reading:
    - the poems and essays for the next 3 weeks of teaching
    - More about John Donne than I'd planned, for same
    - the 2021 anthology "Nonbinary Lives" ed Meg-John Barker et al.
    - Ivan E Coyote and Rae Spoon "Gender Failure"
    - re-read of Monstrous Regiment
    - The Play issue of Archer mag
    - a bunch of other stuff on hiatus

    Why YES there's at theme there why do you ask.




    Some much belated but interesting links:

  • Kirby Conrod (own blog), So you're ABD and you're beginning to suspect you have undiagnosed ADHD
  • Alexis Nowicki (Slate), "Cat Person" by Kristin Roupenian drew specific details from my life. This pales in comparison to the later Bad Art Friend debacle, but what's fascinating is that I HATED Cat Person and I found Nowicki's account of her actual experience much more compelling.
  • Ange Mlinko (LRB), Waiting for the Poetry, on Adrienne Rich.
  • Huw Lemmy (own blog), Meanlingless Sex. Has some great stuff on queer storytelling.
  • Aviva Stahl (New Inquiry), Trust in Instinct. I've still not read Conflict Is Not Abuse, but between observing the kind of people who evangelise that book, and this (and a few twitter threads) response, I am no longer interested in doing so. As well as a response to Schulmann, this has some interesting things to say about harm and shame.
  • Joe Pinkser (The Atlantic), School Days start and end too early
  • Lincoln Michael (own blog), Art should be a doorway, not a mirror. Response to the Isabell Fall fall-out, but insightful in its own right.
  • Christina Tesoro (The Toast), "Not So Bad": On Consent, Non-Consent, and Trauma.
  • Benjamin Riley (Overland), How To Come Out At The End of Queer Community. Aside from talking queer community dynamics at large, this one might be of interest to those of you who are churchgoers or involved in other religious communities - it's got a chunk talking about how MCC (Sydney's Officially Gay Church) is now attracting more "unchurched" young people than gay Xns.
  • Da'Shaun Harrison (own blog), Committing harm is not the same as being abusive.
  • Rafael Tonon (Gastro Obscura), The team resurrecting Ancient Rome's favourite condiment
  • Jessica J. Lee (Catapault), How seaweed shapes our past and future
  • Temma Ehrenfeld (Undark.org), Immune System Mutiny: Mast Cells and the Mystery of Long Covid. Might be out of date by now.
  • Kirsten Leng (Notches blog), Sexual Politics and Feminist Science: Women Sexologists in Germany 1900-1933.
  • Cathy Free (WaPo), Three women dumped their cheating boyfriend and went on a road trip together
  • Maclean's magazine (CA) 1962, How to tell the Grits from the Tories. This is marked fiction but I suspect a metadata error. It reads like moderate political satire.
  • Matthew Sherril (Outside Online), The ghost trail hunters of Mount Desert Island
  • Kyl Myers (Archer Magazine), Gender socialisation: rethinking our inherited structures. I know there's a lot of pushback at the moment to the concept of "socialisation" because somehow it's taken that if
    [transmasc / cfab / tmab / whatever term we're using to catch both trans men and enbies who were assigned-and-parented-and-may-have-continued-on-assumed-female today] talk about being socialised female/girl it must be the case that trans women and trans femmes were (assumed: successfully) socialised male/man. This... does not seem to me to be at all obvious! I have no idea why everyone assumes there must be polarity at all times! (When trans women assert they in fact internalised harmful female socialisation, eg, that femininity requires subservience, they do not usually imply that trans men 1:1 picked up the corresponding male socialisation and privileges?? I don't think??) Here endeth my necessary disclaimer for this link.
  • Craig Robertson (Places Journal), The filing cabinet and 20th century information infrastructure. This was, no joke, one of the best things I read last year.
  • highlyeccentric: Sign on Little Queen St - One Way both directions (Default)
    I got a significant chunk through this post and then pressed rong button. Eurgh. At any rate. I'm back at work as of today, and yet, I barely got the urgent emails dealt with. Not because they took 8hrs, but for lack of Cope. I did, however, revisit the conference paper I nearly finished in December, and delete a chunk of not-strictly-necessary waffle. I think I need to completely restart it, AGAIN, to fit everything in, though.

    My minor win was fighting off the combo jetlag/despair that wanted to go to bed at 6pm, and eating dinner and sitting down to make A Post. Therefore, I shall repeat what I had drafted and keep going.




    Music:

    Most notably, I bought, with an itunes voucher I swapped my sister (she'd been given it but doesn't use itunes - crap, I just remembered I was given an AUD gift-visa card, for a modest amount, that I forgot to use, too. I can probably use it online), an album by Kate Nyx. You may recall Nyx from last Listening Post, her song 'Bean's gotta scream' feat. Winslow the Cat. These days Nyx does sort of caberet-type stuff I think? But the Sage and Silver Bullet's album is sorta Americanah. I particularly liked, for its 'huh, that's a neat literary device' value, this song using the 'curse of Eve' to refract a meditation on disordered eating:



    Other musical observations:

    1. Having finally read Niko Stratis on the queerness of Green Day, I bought and re-listened to American Idiot. I can report that I had never noticed the line about "faggot America". I had always heard /fag end/ America. I understood this to be a classed reference vis a vis the smoking habits of the "rednecks" in the next line - like, the speaker, a fag end, was cast off even by the "redneck agenda" of the next line. But no. Huh.

    2. Partner introduced me to the defunct Melbourne outfit 'The Jane Austen Argument', who are basically the Whitlams crossed with Amanda Palmer, but not, AFAIK, arseholes. Reminiscent of The Indelicates (to whom I finally forcibly exposed Partner). NB esp [personal profile] kayloulee: when seeking replacements for AP in our respective shuffles, we did not find this group but we ought to have.




    Audio Fiction:

  • Ben Aaronovitch, False Value: powered through in the last few days before flying out. Frankly disappointed with the opening dramatic-irony ploy. Remains worth it for Kobna Holdbrook-Smith's narration.
  • Rusty Quill Gaming: I'm up to episode 52, past the Inception plot ploy. I particularly enjoyed Bertie's side quest. Listened to some episodes with Shiny in Sydney - particularly Mr Ceiling, one of Shiny's favourites. I enjoyed Mr Ceiling as a character, but no single episode really stands out. I enjoy RQG because, by and large, I don't NEED to pay close attention to entire episodes ("Everything's Fine" being a startling exception).





  • Other Audio:

    I cannot possibly be comprehensive here, so, some highlights:

    Contemporary Misc:
  • How airlines quietly became banks, a YouTube piece recommended by Siderea.
  • Still plodding through the RTS / SRF news from Switzerland, supplemented with SBS German, and the occasional Radio France and Deutsch Welle learner news podcasts
  • ABC 'Conversations' with Sue Ellen Kusher, whose father was a (domestic) spy. Parents recommended it, and it is actually pretty damn fascinating.


  • Queer Misc:
  • Queersplaining - conversation episode Choose To Live with someone named Eli, whose surname either wasn't mentioned or I didn't gather it. Eli is an apostate from Islam, and the episode is about grief and trauma - due to Eli's background it was SUPER relevant to my specific brand of Queer Angst, but there's a lot of time devoted to "processing this whole pandemic thing: ugh", Unprecedented Times, and other varietes of no-specific-big-bang-moments-but-everything-sucks trauma. I wholeheartedly recommend it.
  • I continued to binge Gender Reveal right up until a few days before Xmas Eve, whereupon I abruptly switched to Ben Aaronovitch because there's only so much Gender a gal can take in December. Still excellent stuff. A sticker arrived in the mail for me, purchased by Partner (aka Shiny) and long in the mail, saying "Gender is a shitty group project", which I 100% wholeheartedly believe to be a more accurate description than either "gender is performative" or "gender is a social construct". If I had my way we'd redo gender theory from about 1995 onwards via Bourdeiu, but I do not have my way, etc.
  • QueerLit by Lena Matthias - I particularly appreciated the episode on Queer pets. TL,DR, very academic literary scholar type stuff. But good.


  • History and such:
  • The Loremen podcast as a whole. All of it. Some bits I love more than others but the standard deviation of my love for it is small. I know I listen to certain episodes and think YES, CLASSIC; but a few days later I can't separate them from the general background of excellence. Mostly 16th-19th c local history and folklore. Both hosts are comedians, many puns.
  • Forgotten Australia, The Plague Returns Part One and Part Two. Part Three pending. Michael Murray follows the bubonic plague through Sydney, 1902, with particular attention to a. the pollution of the river bays (with offal from the Glebe Island slaughterhouse, eww) and b. the staging of Ben Hur at Her Majesty's Theatre. Murray is often frustratingly apolitical, to the point of lacking *analysis*, but in this case I think his restrained quips about contemporary resonances (I thought I was so clever for thinking of a rats/RATs joke... but Murray had a three part episode devoted to it) and political buck-passing works well. And as ever his archival work is both meticulous and vivid. I'm shaky on my historiographical trends, but I'm pretty sure Murray's methods owe something to both the Annales school and the sub-Ginsberg tradition of microhistory. (Psst [personal profile] monksandbones if you're ever bored, I'd love to know your take on this podcast. Either start with the plague episodes, or if you want to steer well clear of pandemic vibes, there were some good ones on minor seafaring Drama that I noted back in 2020)


  • I... think that's it. Quite a few other things I got halfway through and vagued out, but these are the things that stuck.

    Please accept this offering of Weekend Listening Post.
    highlyeccentric: Small me, a bit less than two yrs old, standing in a bucket, and very pleased with myself (mah bukkit)
    Saved as far back as June, I think...

  • Sophia Siddiqui (Institute of Race Relations), Feminism, Biological Fundamentalism, and the attack on trans rights. As well as covering the incompatability of transphobia with feminism, it does a solid job of walking through the links between white supremacy and transphobia in far-right movements across Europe.
  • Phoebe Maltz Bovy (The Hedgehog Review), Straightness Studies: Who do we think we are?. The premise of this piece is catnip to me - I read a lot of interrogations of 'heteropessmism' around this time - but the execution disappointed and enraged me. Some parts were extremely perspicacious! (eg: If you’ve only ever experienced heterosexuality as an imposition, a request out of step with your wiring or politics or however you understand it, you may be inclined to imagine that everyone experiences it as stifling. Indeed, scholars of straightness overemphasize the aspects of heterosexuality that involve people acting against their true (queer) desires and underemphasize the part where men and women fall in love with each other or jump eagerly into bed. If the aim is to shed light on straightness itself, the bafflement of nonstraight onlookers can only go so far.) And yet much of the article seems to be devoted to trying to be... a straight Bindel? Poking fun at newfangled genders and sexualities, AND at lesbians who think straight women are 'boring'. Also, did not appear to consider that not all 'nonstraight' women onlookers are unattracted to men. Like. If her argument holds up, the ideal position from which to analyse (women's) straightness is that of a bi woman. This does not appear to have occured to her.
  • David (own substack), Good Advice, Bad Gay: On dyke bed death. I just really like how David writes about a lot of things.
  • David (own substack), David Davis 28 part 1: on cringe and David Davis 28 part 2: on ruined orgasms. The first is about Fifty Shades and responses to; the second works through Simone Ngai's theory of the gimmick, which I found difficult to process but intriguing.
  • Claire Potter (own substack), A History of the 1980s Sex Wars You Don't Know. Inteview with Lorna N. Bracewell, who identifies four, rather than two, sides to the sex wars.
  • Aminatta Forna (LitHub), Chasing a waking life: on the pains of being an insomniac. What it says on the tin.
  • Frank Bongiorno (Inside Story), On the preservation of pure learning. Despite the poncy title, a vr good incisive essay on the state of Australian higher ed in 2021.
  • Katelyn Burns (Medium), 'Trans widows' aren't trapped in loveless marriages. There was a spate of horrible, mostly UK-centred, discourse about 'trans widows', ie, cis women still married to trans women, who will often refuse to grant them either a divorce or spousal approval for a GIC. I was consistently baffled about how they claimed to be 'trapped', when absolutely none of them reported that their spouse was blocking access to divorce (in the UK you have to have mutal agreement to a no-fault divorce, at least for... five? ten? years). You can just get divorced! It's that easy!
  • Luke Pearson (NITV), What is a continuous culture, and are aboriginal cultures the oldest?. I really liked this, very incisive. The term ‘continuous culture’ should be a source of pride, but it is also a concept that needs to be unpacked. Viewed through the wrong lens it can also be seen to suggest that because we had a ‘continuous culture’ for over 60,000 years that there were no changes, no adaptations, no innovations, and was not influenced by individuals of great talent and skill. Aboriginal cultures in Australia maintained certain consistencies, but we also know that it survived through significant periods of change and needed to be able to grow and to adapt to survive and thrive in these changing environments.
  • James Shackell (Guardian Aus), Most of Australia's literary heritage is out of print. A project called Untapped is working to rectify this via e-books.
  • Daniel Davies (Avidly), The social life of the Riverside Chaucer. We had a round of this conversation about our copies of the Riverside, and those of parents/teachers/etc, a few years back which devolved into bickering about how to have had access to a parent's copy is showing off your gross class privilege. I was slightly unnerved that didn't come up at all in this essay but still. I enjoy a good noodle around people's marginalia.
  • Catherine Denial (Hybrid Pedagogy), A Pedagogy of Kindness. On a change in pedagogical approach as a result of the Digital Pedagogy Lab Institute at the University of Mary Washington.
  • Costica Bradatan (LARB), Why we fail and how. On the philosophy of failure (via Diogenes), and the failures of philosophy.
  • Paige Turner (own blog), 'Stop texting to see who your friends are' is just relationship testing.. This is both true, and... sometimes it is entirely reasonable to stop doing the initiating-lifting and see if the other party has any intention of picking up the load.
  • Ask A Manager, My office wants my pronouns but I'm still figuring it out.
  • Lauren Gutterman and Justin Bengry (Notches Blog), Her neighbour's wife: a history of lesbian desire within marriage. This is actually a youtube discussion, not sure if I included it in the listening post at the time.
  • Kai Cheng Thom (Xtra Magazine), Ask Kai: I want more sex than my partner does. How do I get my needs met without pushing her boundaries?. I just like how Kai writes about things, mostly.
  • Emily VanderWerff (Vox), How Twitter can ruin a life: Isabel Fall’s sci-fi story “I Sexually Identify as an Attack Helicopter” drew the ire of the internet. This is what happened next.. You've all read this by now, I'm sure. On a recent-re-read I was struck by how Fall states that what she wanted was the story to be recieved as by one "who knows what it is to be a woman". It just struck me that... she apparently had no idea, and nor did Neil Clarke, that what the queer readership demands is that queer and trans stories be written by someone who knows what it is to be QUEER and/or trans. (Despite the transmisogyny involved in some of the worst "this feels like it was written by...", there were initially trans women who were suspicious of and parandoid about the story, too!) Is this good? Not entirely. But also, it's a strange sad tragedy to hang one's own gender identity on whether one's story is recieved as "by a woman". That's... not... how gender works. Or how writing works.
  • Ben Purkett, interviewing Bianca Stone (Guernica), Back draft: Bianca Stone and Ruth Stone. On poetry.
  • Jonathan Zittrain (The Atlantic), The Internet Is Rotting.
  • Elise Kinsella and Andy Burns (ABC Background Briefing), Mhelody Bruno's killer was jailed for 22 months. This is the information the court never heard. CN: murder of a trans woman. I don't normally post current affairs but this was, as well as topical at the time, a fascinating deep dive into how evidence gets excluded.
  • Michael Colbert (Electric Lit), The Leftovers is teaching me who I want to be after Covid. I don't want to watch this show, or indeed any show, but I liked this response to it.
  • Julia Skinner (JStor Daily), Libraries and Pandemics, past and present. On how the 1918 flu shaped libraries (US) as centres of community care.
  • Donna Mazza (The Conversation AU), Gender-ambiguous author Eve Langley is ripe for rediscovery: a new biography illuminates her difficult life. Appears to be no relation to Doreen Langley, but fascinating.
  • highlyeccentric: Image of a black rooster with a skeptical look (gallus gallus domestics)
    Music: Since I last made a listening update, quite a bit, actually.

    Grace Petrie's Connectivity album, from which I particular enjoy this track:



    The (hopefully conscious?!) irony of following this up with 'The Last Man On Earth' is just... *chef's kiss*.

    Plus: Ryan Cassata's "Shine" and Muriel Buckley's "Driving in the Dark", both queer sort-of-country music (Cassata leaning pop, Buckley leaning into "Americana"). Both good, neither arresting.

    Also I bought and am enjoying The Who's "Who's Next" remastered edition.

    On a completely different tack, last night I discovered Winslow, a cat belonging to a singer-burlesquist named Kate Nyx. Winslow is a very good cat, and has released a track with his mama:



    Finally, this, which I am saving for when I need to teach the importance of remembering that editorial punctuation can be restricting interpretation:



    Podcasts: So many podcasts.

    Vaugely Historical:
  • My current deep binge is The Loremen, with Alasdair Becket-King (comedian who does some good one-man bits on Twitter/YouTube, really long flaming red hair; I recommend his recent sponsored skit playing Dugeons and Dragons with An Actual Dragon) and some other guy, plus guests. Each Loreman takes turns telling the other folkloric and/or just weird tales from "Days of Yore". I cannot possibly recount the fabulous things I have learned, but this morning, I ran late to meet [personal profile] shadowspar because I was distracted by the tale of Gef the Talking Mongoose, a guest episode of Manx lore in honour of Pierre Novellie, also a commedian, from the island of Man. I enjoyed the obviously-false tale of Brother Jucundus with Amy Gledhill, although I was disappointed that no one noticed his name was a complete giveaway to the falsity. And I actually count the episode on The London Monster as 18th-c cultural research.
  • Forgotten Australia on Australia's First UFO wave
  • The Slightly Foxed episode on the Weiner Holocaust Library



  • Literary/Arty/Cultural
  • The Slightly Foxed podcast: I enjoyed the episodes on Sybille Bedfod, Angela Carter, Graphic Novels, as well as the Weiner Holocaust Library episode I linked above.
  • 'Footnoting History''s episode on Ivanhoe and medievalist nostalgia
  • Gender Reveal episodes with several authors and media-makers: particularly notable were Jackie Ess (author of 'Daryl' - she talks about writing from the perspective of a cis man, the ways in which her POV character doesn't, actually, have an uncomplicated gender, writing things that trans readers might be uncomfortable with or cis readers weaponise... good stuff); Zachary Drucker, who I had only heard of before as the producer of Trans Parent and who I think I had assumed was a trans GUY (she is not), and who recently made a mini-series called "The Lady and the Dale" about a (real-life) trans woman con artist in the 70s, again, making some artistic choices other trans people might really not like; and Yeonsoo Julian Kim, who is kickstarting a game (with Choiceofgames not with choiceofgames, that was another project) called "Women Are Werewolves", in which you roleplay a nonbinary person in a family of strictly-gender-bound werewolf lineage. I loved the way Kim talks about making painful art - about using storytelling games to offer players a chance to walk through difficult, challenging, issues - either ones directly affecting them, or ones adjacent; or indeed challenges unfamiliar, as a way to develop understanding.


  • Discursive, Personal Narrative/interviews, Specific Topics:
  • A lot of other Gender Reveal Episodes. I enjoed the episode with Chase Strangio (trans lawyer for the ACLU); the guy who does Hola Papi whose name I forget right now; some general Q&A episodes (this one was particularly good and Relevant To My Interests); Carta Monir; and Callie Wright, who used to do a queer atheism podcast and now does a queer narrative-based type podcast.
  • The said Callie Wright's Queersplaining episode with Dallas Hawthorne, on the queer community attitude to masculinity (which Dallas, and apparently Callie (?) understand to be positioned as the WORST thing - something that is not rewarded but seen as outside the queer community, specifically. That's... I have been bugged by some takes on masculinity - gave up on Food4Thot, for instance, because the mix of cis men and trans people who aren't transmasc all sat around talking about how masculinity is bad and even the cis men want to disinvest from it. But I've also liked, say Dejan Jotanovic's take, which boils down to "What is non-toxic masculinty? No clue, because we don't have such a thing under the current cultural wossname". Dallas Hawthorne would NOT like that take, but might be... right, actually, that it's very reductive (and white-centred, now that I think about it). Still. Listening to a transfemme sit down and talk with a trans guy and apparently both kinda... take it as read that masculinity is shunned in the queer community sure was whiplash-inducing off the back of recent Twitter Discourses.
  • K Andersen's podcast Lost Spaces, an oral history of now-closed queer nightlife. I randomly picked an episode with the artist known variously as Regina Gently/Gentleman Reg about his career shift from bartender and indie folk artist to drag persona and dance music-maker, via the Toronto bar The Beaver. Delightful.
  • The ABC Australia podcast series "innies and outies", from which I picked and enjoyed one on Coming out in regional Australia
  • Several more episodes of Two Bi Guys, of which the recent season finale with ABilly S Jones-Hennin and Chris Hennin-Jones was a stand-out.
  • A few episodes of the BBC podcast NB: My non-binary life, which is honestly a bit shallow but also, like a message from the deep past when the BBC wasn't EXCLUSIVELY a terf-propaganda machine.
  • A couple more Productivity Alchemy - I particularly enjoyed Scalzi's most recent appearance.


  • Verbal Shitposting: I listened to a bunch of episods of "Kevin and Ursula Eat Cheap" and then abruptly hit maximum intake for that particular group/style of geeks verbally shitposting.

    Podcast Fiction:
  • I've started on Rusty Quill Gaming, having finally realised that it's not high fantasy or alt-medieval, it's alt-19th c. Enjoying it so far.
  • I listened to precisely two more episodes of the Magnus Archives, slowly edging back into series 3.
  • Fully up-to-date on Unwell, enjoying Wes' character arc very much
  • Megan Arkenberg, The Crowgirl, in Nightmare Magazine. I do not normally read horror but I REALLY like Megan Arkenberg, and it was worth it.
  • Also Megan Arkenberg, The Oracle and the Sea, Beneath Ceaseless Skies. Loved it.


  • I'm still keeping up with daily swiss news in FR/DE, supplemented by Aus news in DE and occasional German-german "langsam" news podcasts.

    This has been: a summary of much podcast consumed.
    highlyeccentric: Firefley - Kaylee - text: "shiny" (Shiny)
    It has been a LONG time since my last audio content post. I no longer remeber every single thing I've listened to. But here's some recommendations:

    Non-fiction and Topical Discussion:
  • Continuing my interest in Two Bi Guys. I particularly enjoyed Bad Bisexuals with Jacob Engelberg; Jane Ward on sex between straight men and the follow-up; and the most recent episode with A Billy S Jones-Hennin and Chris Hennin-Jones.
  • Various of Productivity Alchemy by Kevin Sonney with Ursula Vernon, although I've definitely over-binged on that one.
  • The Gender Reveal podcast, from which I particularly enjoyed (links go to transcripts due to website layout): the revised 101 episode; the Cis Day of Visibility episode with Carmen Maria Machado, in which Tuck Woodstock talks with Machado about the existential horror of "having a gendered body"; episode 96B with John Paul Brammer aka Hola!Papi; Episode 82 with Kai Cheng Thom; Episode 62 with Cyrus Dunham; episode 67 with Niko Stratis.
  • The BBC podcast My Nonbinary Life, from the distant past (2019) when the BBC didn't unilaterally loathe an undermine all trans people. Bit surface-level, but also quite fun.
  • I returned to the Slightly Foxed podcast, and was pleased in particular with the episode on picnic at hanging rock for making multiple queer boarding school recommendations, and some non-white recommendations, even if the attempt to talk about Australian gothic and colonial anxiety was a bit ham-handed. It's an improvement for Slightly Foxed to even ATTEMPT that.
  • The Ezra Klein Show interview with Amia Srinivasan, which has a silly title but a really deft take on the "must we politicise our sexuality" question.
  • The High Theory Podcast episde with Eric Wade (medievalist) on Lust
  • The Menkind Podcast, starting with the episode with some bloke named Fred Langridge, most notable for having been in a *marbles cooperative* as a child; and followed up by the episode with Jay Hulme, which I enjoyed a surprising amount given my general leeriness of devout religious queer content AND my specific (no seriously, it's faintly ridiculous but it is A Thing) backstory with sexualising gothic architecture.
  • The LGBTQ&A podcast (I think run by one of the US media franchises?), two interviews with Kate Bornstein, who I continue to adore.



  • That is not all the things I have been listening to, but you'll have to wait for another night to hear about "shitposting in podcast form" and "podcast fiction". And more non-fiction, even, I've got several less queer podcasts on the go!

    Some links!

    Nov. 7th, 2021 07:15 pm
    highlyeccentric: Teacup - text: while there's tea there's hope (while there's tea there's hope)
    I have done... assorted stuff. And meanwhile I'm trying to move my documents and so on across to my new laptop.

    Hence: LINKS.

  • Patrick Califa (Poz Magine, 1998), The Necessity of Excess. My goodness, this piece. I love so many things about it.
  • Elif Shafak, (Literary Review), review of Lila Abu-Lughod, Do Muslim Women Needs Saving.
  • Elif Shafak (Guardian UK), I used to feel my rage was righteous. But on its own, it can be toxic
  • BBC, June 2021, The couple rescuing the house they bought by accident. This amused me a lot.
  • This Twitter thread by Sasha Coward on LGBTQ+ lives/perspectives, where he talks about how having a baseline lived queer experience can make processing all sorts of things outside of "the box" a step easier.
  • Jenny Lawson (own blog), Nonbinary pronouns: it complicated, but wonderful things usually are. This is just a really very solidly good parent testimony - unlike many of the chirpy supportive ones, she talks honestly about both the challenges her child's coming out posed to her epistemology AND the practical challenges, but with the trademark self-deprecating humour that just... balances both really well.
  • Charlotte Moore (Glamour.com), How bisexual women are being failed by their partners
  • ABC radio national (June 2021), Polio was eliminated in the Asia-Pacific: then it came back. This was both a fascinating and sobering read
  • Gemma Tarlach (Atlas Obscure), The deep roots of the vegetable that took over the world. A whole article on brassica rapa!
  • Dominique K Reil (Zocalo Public Square), The historian and the murder trial. Both fascinating, and a sobering look at academic employment realities.
  • Kathryn Hymes, (The Atlantic), Your household'secret familylect
  • Hugh Ryan, (Harper's Bazaar), The Incredible True Adventure of Five Gay Activists in Search of the Black Panther Party
  • Julia Serano (own blog), Transgender people, bathrooms and sexual predators: what the data say. In case you need the cite, here it is.
  • Charmaine Chua (own blog, 2015), The Chinese logistical sublime and its wasted remains. More from that anthropological blog series on container shipping.
  • Elete N-F (Gal Dem), Queer lovers rock: the reality of nightlife for black gay women in 80s and 90s london
  • Kate Lister (inews UK), A brief history of oral sex from ancient china to DJ Khaled
  • Bobuq Sayed (Pedestrian.tv), Growing Up Non-Binary Has Taught Me How Fluid (And Damaging) Labels Can Be
  • Eve Rickert (own blog), A survivor's bill of rights. I'm still keeping half an eye on the fall-out from the Franklin Veaux debacle. Eve remains the most... forward-facing, imho, of the voices.
  • Rachel Gutman (Atlantic), I returned to the office and found a very old apple. And, eventually, ate it.
  • Kathryn Bond Stockton (QueerForty), Exerpt from "making out". I still haven't finished "The Queer Child" but now I really want to read her latest.
  • Clara Bradbury-Rice (clubdesfemmes), Lesbian Camp: But I’m a Cheerleader by Jamie Babbit
  • Some links

    Oct. 17th, 2021 06:53 pm
    highlyeccentric: Across the intercity platforms at Sydney Central Station. Sign reads 'Central' (Sydney Central)
  • [tumblr.com profile] timemachineyeah, Gen Z is awesome and generational fighting is bad, but I do sometimes talk to Gen Z folks and I’m like... oh... you cannot comprehend before the internet. "Like activists have been screaming variations on “educate yourself!” for as long as I’ve been alive and probably longer, but like... actually doing so? Used to be harder?"
  • Olga Khazan (The Atlantic), The porn crisis that isn't.
  • Jules Gill-Peterson (The Conversation US), Trans kids in the US were seeking treatment decades before today's political battles over access to health care.
  • Eve Ettinger (Catapault), Building the trans gaze for myself.
  • Mika Benesh (newvoices.org), peeling back the mythology of the Australian Jewish left. Picks apart a bunch of simplified historical narratives- the one I was most interested in was the way Benesh addresses the history of Indigenous-Jewish relations in Aus. I've been suspecting the version I got in school textbooks was wildly overstated...
  • Bethany Marcel (Midnight Breakfast), How to tell a trauma story.
  • Jenna Mahale (Bitch Media), Cute Overload: Pride, Kink, and the “Smol Bean–Industrial Complex”. As with many things at Bitch, it's a bit simplified, but I liked it at the time.
  • Lorinda Cramer (The Conversation AU), The singlet: a history of an Australian icon. Singlet > tank top. I will not be taking further questions.
  • James Factora (Slate), Out of the bars and into the... cafés?. I do not go to bars very much but I am extremely annoyed by what Factora calls "café discourse" (for one thing, most places I've lived HAVE A queer café! Sometimes it does serve alcohol, but isn't a night club. These spaces do not actually make it easy to meet people because cafés are a place you go to pay and drink coffee with your friends! Cafés in real life are not like the ones in FRIENDS!).
  • Samuel Hueneke (WaPo), The problem with a U.S.-centric understanding of Pride and LGBTQ rights: What LGBTQ liberation looked like in East and West Germany and what it teaches us
  • Jules Gill-Petersen (own blog), When did we become cis?. THIS ESSAY. !!!! In fact I'm going to stop this list here and just give you two paragraphs from Gill-Petersen to chew on:

    Here’s the thing: no one is cisgender. But not for the reasons you might think. This is a tricky thing to say, I know—just ask the internet. There is no shortage of anti-trans agitators complaining about how much it hurts their feelings to be called cis. “Stop misrecognizing me, I don’t identify as cis!” they exclaim. These so-called injured people are being disingenuous. They don’t really care about the word. The whole crux of their gender has always been that they don’t have to be conscious of having one, so they feel their power threatened. Their complaint is strategic, it’s political. And yet, there is no shortage of people calling them out as cis, either. Both can be true. The problem is that the anti-trans side of this confrontation seems to be making better use of the instability of language than the trans-affirmative side.
    Ask yourself this: how can you tell if someone is cisgender? Do you look at them? Study their gender presentation? Listen for their pronouns? Wait for them to self-ID as cis? I see this a lot at work. When “diversity” is on the table it usually means that everyone in the meeting has to go around and say their pronouns before we can begin. White ladies have to come out as cisgender. Okay, sometimes that makes me giggle. But it’s also profoundly unhelpful for a lot of other people who are non-binary, who don’t fit the recognizable figure of transness those ladies have seen on TV, or who are being misread by them anyways because of their ideas about race and class presentation. After I came out I began using they/them pronouns at work. My name hadn’t changed. And my hair is very curly, so it barely seemed to be getting longer, even after six months or a year of growth. With my brown skin and dark hair, no amount of shaving and makeup could keep a shadow from forming on my face over the course of a workday. All in all, unless I was wearing a dress, it wasn’t obvious from looking at me what I was asking from people. And so I felt all eyes on me every time I walked into a meeting. I didn’t need the people I work with to name their cisness to deal with that. The really cis thing at that meeting, after all, was the university, not the identities of the people who worked there.
  • highlyeccentric: I've been searching for a sexual identity, and now you've named it for me: I'm a what. (Sexual what)
    Two Bi Guys.

    I've been dipping in and out of this podcast in non-linear order and I'm really enjoying it.

    I think the first one I listened to was Three trans bi guys, which was just... really sweet and nice. That's all I've got on that one.

    Since then I've enjoyed the first episode, and both enjoyed and been ... productively annoyed by the season 3 launch episode. Loved the two parter with Shiri Eisner, bisexual masculinity and bisexual judaism and resistance. Jacob Engelberg was guest host on those, and I followed back and LOVED the episode on Bad bisexuals where he was guest - Yes! These opinions on media, I agree with them!

    The interview with Jen Winston, which I listened to tonight: HEARTEYES. Winston is a nonbinary woman, and the way they talk about bisexuality and nonbinary gender being tied up for them? I actually hadn't seen anyone approach it like that before. Eisner talks about their genderqueer status as a given. A lot of other people talk about the connection between nonbinary-ness and bi/pan sexuality in a way that sort of... fronts the gender, making the sexuality a given.

    I've been trying to grapple my way to the flip side: that somehow my whole Gender Situation is emergent from my queerness, and specifically from bisexuality, and not really managing to articulate that. I've gravitated back towards pre-butler lesbian theory, like Monique Wittig, as outlined here by Theresa de Lauretis. The whole "lesbians are not women" thing, which I think de Lauretis is right, was misrepresented by Butler (but I haven't read Wittig in depth in the original French so I can't swear to that). And yet, I'm grappling with the fact that ... I still will not rule out dating men. I came so very very close to drawing that line in the sand, and then I met Shiny (trans man/genderqueer/etc), but also Metamour - who is frequently annoying in ways that I associate with straight men, but also in ways that I am annoying, and... yeah. Nah. Queer men can stay, even the annoying ones.

    -- for that, for remaining "available to men", Wittig would not be at all interested in me.

    But Jen Winston? It's not high theory. But they jokingly said they were "bi for bi" and like - oh. Yeah. That could be my operating framework (I'd been stick on how to articulate this! No one complains if a queer person doesn't want to date straight men, but my lack of interest in lesbians? Sounds prejudiced. I maintain I'm allowed to preference people closer to my experience, it's not like a vast swathe of lesbians don't do likewise when eliminating bi women from their dating pool; but look, a positively framed label!). And then they talked about how their experience with bisexuality and rethinking gender vis a vis attraction meant the paths were already forged for their gender reconsiderations - not CAUSAL, but assistive.

    Honestly I'd be willing to try out a causal logic. But I'd not even see anyone try out the 'well this thing made that thing easier' logic *in that direction*, before. I'M FEELING PRETTY VALIDATED.

    Also my life goal is now to do something cool enough to be on Two Bi Guys.
    highlyeccentric: (Sydney Bridge)
    It's been a month and a bit since my last reading update, in which you may recall I mentioned a great transphobic school text debacle. That, plus moving house, plus cat acquisition, plus the three schools I did grade for in the end, has chewed up about six weeks of my life on nigh-essentials-only mode.

    I have read quite a lot of things in that time. One of the best was Jules Gill-Petersen's essay When did we become cis. I found it very validating in terms of my understanding of how gender works at large, although, paradoxically, in that understanding I would be assuming that I am, functionally, a woman and not any flavour of trans, an assumption is that is seeming increasingly precarious.

    Gill-Petersen argues that the term 'cisgender' simply does not do 'what we want it to do'. It completely fails to adequately describe any individual's gender. It does what it was coined to do, namely, to describe a *social apparatus*, but it fails utterly at the individual level.

    Some good pull-quotes:

    I was born three decades later, one the eve of transvestite and transsexual giving way to a whole new word—transgender—and yet I, like Kathryn, never had that childhood moment of letting trans words get inside me. Actually, even once I did read a lot of them in college and graduate school, they didn’t tell me a single thing about myself. So, what gives? Why don’t powerful words mean what they say, and why doesn’t their meaning tell us who we are? Is this all bad news? I don’t think so.

    -

    John Money, a psychologist at the Johns Hopkins Hospital in Baltimore, knew that finding a biological basis for sex could never be the justification for enforcing a match between anatomy and identity. Instead, he changed the terms of engagement. From now on, the issue was not if humans were biologically binary, but rather “the life adjustments of patients in our series”—how normal they felt, or how well they adapted socially.[1] With that twist, a gender identity that did not conform to a binary body could be subject to medical control because it might lead to social stigma, not because there is anything unnatural or unhealthy about it.

    [...]

    With this tectonic shift, gender became cis. And what’s “cis” about gender from then on is the way that social norms can be coercively enforced to prevent the perceived stigma of being different. In other words, gender becomes cis when it demands a match between anatomy and identity not because that is natural, but because it’s how society functions. It’s a tautology, it’s we live in a society on steroids, but it’s worked quite effectively. To put it a little more precisely: gender, as a system for categorizing and governing our bodies, identities, and social recognition, is cisgender in this specific way. Cis isn’t an identity. It’s a diagnostic, a description of a system organized to subject people to the authority of institutions: the state, medicine, law—and the university, to go back to that meeting I was conjuring earlier.


    I don't know what to do with this, because I read it and a. it's RIGHT, it's accurate; b. i feel it gives me rather more breathing room as a gender-non-conforming, genderqueer, etc, person to just... eh, roll with it. Keep ticking f on boxes, recognise that doesn't really describe much about me. And yet, for all sorts of reasons, people want to know if one is cis. And what they want to know when they ask that, unless they're a doctor, is 'do my preconceived expectations of how people assigned f at birth and still calling themselves women experience gender, perhaps adjusted for race and class and sexual orientation'. And by and large, what people who know are engaged enough in trans-affirmative politics to ask that question expect of cis women isn't indicative of me. But of course saying 'woman but don't call me cis' is the domain of transphobes at the moment!




    Currently Reading:
    Fiction:
  • Anne... la maison aux pignons verts, Radio Canada e-book. Spending more time in Avonlea than in the real world in my head as a child gave me a very peculiar dialect, and massively skewed sense of social norms: let's see what Anne-immersion for French practice gets me as an adult!
  • Cleanness, Garth Greenwell on hiatus. I read the first two stories, including the one about the hookup-site-enabled bdsm scene gone wrong that I believe was republished in Kink. Whether or not it should have been in an anthology advertised as making bdsm fiction accessible to the general public, I am neutral (it certainly seems realistic, if not A Good Example, and it's too brutal to be erotica), but damn, it was incredibly well-written. The first story, in which Our Protagonist tries to give advice to a young queer kid in love, was also good.
  • The Bloody Chamber and Other Stories, Angela Carter: also on hiatus

  • Poetry: NOTHING FOR ONCE
    Lit Mag: None, they all pile up, including the TLS
    Non-fiction for personal interest:
  • Tomorrow Sex Will Be Good Again, Katherine Angel: swinging wildly between feeling Validated, and feeling alienated and frustrated at the relentlessly heterosexual and cisgendered perspective. There's, like, one footnote acknowledging this omission and her awareness that there is likely significant overlap between what she's writing about and the experience of trans women and other queer people, but that's not for her to explore. Okay. Except there's already work out there on desire, inhibition, and expectations by a whole range of queer people! Katherine Angel is writing as a white women, but she has obviously read, and frequently makes nods to, work specifically by and about Black (straight) women - why not queer and trans women?
  • Several other things on hiatus

  • For work:
  • Mostly I'm wading through multiple editions and translations of the Roman de la Rose.
  • Nicole Sidhu, Indecent Exposure

    Recently Finished: This will be an incomplete installment, I'm afraid.

    Canterbury Tales (Usborne Classics Retold)Canterbury Tales by Susanna Davidson

    My rating: 4 of 5 stars


    HUH. Fairly good for its target market; I have a few Questions (TM) about certain choices, which you can find here: https://twitter.com/ChaucerCommode/st...




    Trans Like Me: A Journey for All of UsTrans Like Me: A Journey for All of Us by C.N. Lester

    My rating: 5 of 5 stars


    Reading this was like being wrapped in a nice blanket and offered a cup of tea and a chat. Most of its content isn't new to me, but the way it's strung together is beautifully clear, and accessible, and Lester's historical research interests mean it speaks to me in a way that many 101-level books don't. I'm filing it under academic reading as well, because I suspect I'll be coming back to Lester's revision of Serano's "subconscious sex" as "prorioceptive sex", that makes a lot of sense to me. Including, perhaps, why my own relationship with my sexed body is a bit skew-whiff from that of many cis people while lacking the sense of dissonance that many trans people have: I literally have a disorder that impairs prorioception.

    Snatched: Sex And Censorship In AustraliaSnatched: Sex And Censorship In Australia by Helen Vnuk

    My rating: 4 of 5 stars


    This was a fascinating read from the days of early-internet Australia. It's largely engaged with the ratings regime as it applies to movies and to hard copy magazines (did you know that there's content which Cosmo can legally print, but Playboy can't, because the "context" of the magazine as erotica means they can't give detailed descriptions - eg, how-to-guides -of cunnilingus or fellatio, and os on? WEIRD AND WRONG). It's a bit sad how few of Vnuk's optimistic hopes for the internet have held true, while so little has changed or indeed gotten worse in terms of distribution (the Australian pornographic movie industry collapsed, insofar as any dvds are available they're all illegal imports, etc, and now we have the Online Safety Bill, ugh).

    I could have wished for a little more engagement with radical queer anti-censorship politics, although of course Vnuk notes the biases in whose sexual media is most strictly monitored. Vnuk's own intense straightness, and that of her interviewees, shows up at times - at one point she's interviewing a woman who curates a 'porn for women' site, and the interviewee complains that all of the 'lesbian' porn she finds involves strap-ons. Vnuk finds this to be evidence of The Male Gaze. I. Uh. I don't know what was out there in video format 2003 (the Crash Pad series hadn't kicked off yet), but On Our Backs definitely existed and is not devoid of strap-ons. Even if the magazine itself didn't reach Australia, I'm willing to bed the erotica collection they put out did (as an illegal import, natch). Not to say the videos Vnuk and her interviewee had in mind weren't necessarily 'lesbian-for-male-gaze' but the strap-on isn't the thing that makes it so.

    The Reluctant FundamentalistThe Reluctant Fundamentalist by Mohsin Hamid

    My rating: 4 of 5 stars


    Read this one for high school exams, and enjoyed it more than I expected. The framing device, with the narrative to 'you', the American interlocutor, really makes it - the life story is fairly pedestrian aside from it's function in illustrating the failures of the American Dream and the process by which the protagonist came to empathise with anti-American, even extremist, politics. I was particularly irritated by the shallow and symbolic character of Erica, his white American love-object who never really loves him back.



    View all my reviews

    Online Fiction
  • No Man's Land, by Izumi Sizuki, trans. Daniel Joseph. Extract from a story called 'Women and Women', in the collection Terminal Boredom. I was both uncomfortable and sceptical with this at the start, and then as it began to reveal the unreliability of the narration I became curious if uncomfortable. I think I want to follow up the book.
  • Once and Future, by Dan Mickelthwaite, at Podcastle. Charming and a little heart-wringing.
  • Report of Dr Hollowmas on the Incident at Jackrabbit Five, by T. Kingfisher, at EscapePod. Being Ursula's work you know you're in for some good wry humour, and this is BRILLIANT. Amusing, down-in-the-grubby-details-of-life sci fi slice of life, made absolutely priceless by the format of the narrator, who is incredibly Done, futilely snarking at an archival AI. I strongly recommend this to everyone but especially [personal profile] kayloulee. Well. Everyone who hasn't had a traumatic labour experience, perhaps. The gory details are of an animal labour, per the content warning, but there are humans in Tense Delivery Situations as well.


  • Up Next: I'm really looking forward to getting back to work-related reading, but His Whiskers resents me reading books (he's okay with me reading the TLS, for some reason) or even my phone, which is... difficult.




    Some links, by no means a comprehensive accounting:

  • Sara Ahmed (TSQ 3.1-2, 2016), An Affinity of Hammers. I actually read this as a PDF from the 'transreads.org' wordpress site that's now disappeard. It's dense. It's good.
  • Laurie Penny (Longreads), Tea, Biscuits and Empire: the Long Con of Britishness. I don't normally find much in Penny's work but this is Good, Actually.
  • Justin Parkinson (BBC News Magazine 2015), Almost 300 years without a duvet. This article answered many of my doona questions, like: how come my family call doonas a 'quilt' when they are not quilted (answer: they were marketed as the 'continental quilt' in the UK and Aus in the mid-20th century), and why in the UK and Aus they at *least* go with a top sheet, and in my family - and everyone I knew growing up - they were a bed-topper, not your only blanket.
  • Robin Craig (Shado Magazine), Looking at porn: why I'm writing about taboo fetishes
  • Ashley Spencer (Insider.com), An oral history of Tom Holland's sensational 'Lip Sync Battle' performance.
  • Jill Richards (ModernsismModernity), Claude Cahun's pronouns. This isn't an essay about Cahun's life, but about the author's relationship with Cahun's life as a researcher, the author's changing gut feeling on which pronouns are best used for Cahun, and Cahun as a figure of reception, recognition and re-imagination.
  • Rachel Boddie (The Conversation Aus/NZ), Long before Billie Elish, women wore corsets for form, function and support. I've long wanted a handy go-to for 'no, corsets don't by default restrict movement' (because no one takes 'I used to wear a corset, quite a rigid one, and while restrictive it wasn't debilitating' as Valid), and here it is.
  • Carmen Maria Machado (NYT), Banning my book won't protect your child.
  • Charmaine Chua (The Disorder of Things), In non-places, no one can hear you cry. Another from that anthropological blog series on long-distance shipping. This time, through the concept of the 'non-place': : The idea of the non-place, often invoked in writing about infrastructures of transport, provides a helpful analytical framework. But it also betrays the texture of life on the container ship – a place of transit, to be sure, but unlike other spaces of transit, acts both as workplace and living quarters to sailors who spend up to seven months at a time on board.
  • Heidi S. Bond, aka Courtney Milan (Michigan Law Review, 119.6, 2021), Pride and Predators. MLR apparently has a running thing where it publishes legal appraisals of classic literature. Bond's take on Pride and Prejudice is... well, frankly, it made me appreciate P&P rather more!

    Pride and Prejudice is one of the most beloved romance novels1 of all time and needs very little introduction. For those who need a refresher on the plot, Pride and Prejudice details the community-wide damage that can be laid at the feet of serial sexual predators. It details the characteristics of predators, discusses the systemic social failures that allow predators to abuse others, and grapples with difficult questions of how communities should deal with those predators.

  • Anjali Enjeti (Electric Lit), 7 books about the partition of India and Pakistan. I've a long slow personal reading project for Partition-related fiction, and there's some interesting non-fiction here too.

    Hey, look, only 7 weeks behind in my pinboard saved links. \o/
  • highlyeccentric: ('Confidences' Harold)
    One of my preoccupations, as you may have noticed, is the question: why do we read? Why do we read fiction, or any kind of narrative? What are we finding there? I am also currently frustrated, from both fandom and the popular-fiction-sphere (literary fiction isn't quite subject to the same pressure, although marginalized authors very often are), with what seems to me to be a stifling call for 'good' representation, morally upright stories, heartwarming narratives at the expense of ones which challenge, ones which excavate pain and rage, ones which ask why and how human beings hurt each other and ourselves. These shouldn't be contradictory needs, but it often seems like few people can imagine a story-selling market where the two needs can be met.

    The best thing I read about fiction and fictionality in the past fortnight, and indeed for quite some time, was Meredith Talusan in conversation with Torrey Peters at Electric Lit. I did not have Detransition, Baby on my to-do list, because I thought I was going to be very uninterested in a 'queers settling down and having babies' story. I have rectified this erroneous assumption and ordered a copy.

    TP: I see Twitter encouraging a particular type of politics. An attack or defend mindset. Fiction is a space for a different kind of mindset. A slower more meditative mindset which may still be political, but in a different mode. When politics are slower and more personal and there is less need for rapidly deployable defenses, I sink into my own way of seeing the world.

    I say things in this novel that I would never air on Twitter, and then I get to watch how those statements land with different characters. So it becomes very personal, very open. It was less a deliberate thing or an unconscious thing, just that I think fiction as a mode allowed me to not be anticipating my attacks and defenses. I could write a sentence or joke and know that no one would read it for years. And that space and time allowed for watching and feeling. And because my vantage is a trans vantage, that became the natural vantage of the book—I didn’t choose it for political reasons, but because it was simply the vantage from which I see, although that has political implications, of course. But the emphasis on that vantage arose from a mode of fiction that encouraged an impulse to share and see what happens, rather than an impulse to attack or defend politically. Long-form fiction has been for me, in the age of Twitter, a refuge of honesty and openness and even a different kind of humor.





    Currently Reading:
    Fiction For Fun: Girl, Woman, Other, in fits and starts; the erotica collection 'Say, Please', edited by Sinclair Sexsmith, in a non-linear way.
    Poetry: Still puttering on with Paradise Lost
    Lit Mag: None, although I've caught up on my TLS subscriptions.
    Non-Fiction for interest: Actually picked up 'Feminist Theory from Margin to Centre' again.
    For work: The only active one is a book called 'Teaching Rape in the Medieval Literature Classroom', which is very good.

    Recently Finished:

    The Gentle Art of Fortune HuntingThe Gentle Art of Fortune Hunting by K.J. Charles

    My rating: 4 of 5 stars


    Good: engaging, sparking romance, I liked what happened to the secondary relationship plotline. Unfortunately, for a 'plots schemes and frauds' book, the actual scheme had some obvious flaws that surprised me, coming from KJC - and there wasn't a point where the characters were like 'ah... well, that wouldn't have worked, bugger' and revealed their wishful thinking, they just... were saved by Key Scheme Thing never happening so Problem Result never came up.

    The Color PurpleThe Color Purple by Alice Walker

    My rating: 4 of 5 stars


    I really enjoyed this! I keep thinking I've read it before, but no, I haven't. I think I've read the first page or two, in a critical context, but not the book itself.

    I liked that the secondary plotline characters' patronising attitude toward the Africans they were working with (they themselves African-American) unravelled, but what *didn't* seem to be challenged was the African-American characters' placing of blame for their ancestors' slavery on the current peoples of Africa. It really surprised me to see what I knew as a white supremacist apologia - well, AFRICANS traded in slaves too you know! - coming from Walker's characters, and it didn't seem to be unpicked. I rather thought a lot of the trans-Atlantic slave trade was captives of war, and individuals seized for assorted colonial enforcement purposes?


    Mock-Epic Poetry from Pope to HeineMock-Epic Poetry from Pope to Heine by Ritchie Robertson

    My rating: 3 of 5 stars


    Rather ponderous to read, and overly invested in strict genre boundaries, but useful.

    Online Fiction: It's actually been a while since I updated out of this bookmark tag.
  • Carribean Fragoza, Lumberjack Mom, Electric Lit: Enjoyed.
  • Ken Liu, An Advanced Readers Picture Book of Comparative Cognition. Link goes to Lightspeed Magazine; I read it as an Escape Pod podcast (and it's a re-read, from the Paper Menagerie onthology
  • Charlie J. Stevens, Black Arion. Electric Lit, where I read it because of the clickbait-title 'When I grow up I want to be a genderless mollusc'. That title does far less for it than the actual title, but did get me to read it.
  • Ursula Vernon (RedWombatStudio), Elegant and Fine. I feel like maybe I read this back on LJ, but it had slipped my mind. An indisputably better Problem of Susan story than Gaiman's (although I continue to like that far more than many people do).


  • Up Next: Any one of the umpty million books on my TBR cart, of course! I need to pick another Chaucerian adaptation and run with it...




    Some links:

  • Kathy Davis (Guernica), There's no simple way to make it okay: on grief and growing a meadow.
  • Lucia Osborne-Crowley (Meanjin blog), What if we never recover?
  • Anna Weerasinghe (Nursing Clio), Sister Mariana's spyglass: the unreliable ghost of female desire in a convent archive. Great read.
  • Namwali Serpell and Maria Turmarkin (Yale Review), Unethical Reading and the Limits of Empathy: on the problems of reading for identification, and many other things. Dense. Challenging.
  • Tom Woodhouse (MERL blog), The Horseman's Word: A Secret Society of Horse Wizards. I had heard of the Horseman's Word, before, but I didn't realise it didn't grow up around horse *riding*, but around ploughhorses!
  • Karen Weise (Bloomberg Businessweek), The CEO Paying Everyone $70,000 Salaries Has Something to Hide: Inside the viral story of Gravity CEO Dan Price.. TL;DR fishy legal dealings implied.
  • Meredith Talusan, interview with Torrey Peters (Electric Lit), Let us be negative role models for each other
  • James Cahill (TLS), The face of an angel: Beyond the myth of Francis Bacon. Very interesting, but the most important thing this article offers is enough information on Francis Bacon that I will stop getting utterly thrown by 'but what has a 17th century philospher to do with modern art?' (Never mind that whenever I hear about the philosopher Bacon I think of the 13th century Roger Bacon instead)
  • Irina Dumetrescu (TLS), Let us now tell stories: Why we might write about trauma.
  • Michael Saler (TLS), Making something of ourselves: the history of character and how we shape it.
  • Alice Wadworth (TLS), Review of Food 4 Thot and Wheels on Fire, both podcasts.
  • Desirée Baptise (TLS), Review of Bright Burning Things by Lisa Harding
  • Claire Lowden (TLS), review of Taking A Long Look, by Vivian Gornick.
  • Jonathan Egid (TLS), Work–life balance: Applying the ‘project view’ to the life of John Stuart Mill.
  • Porpentine Charity Heartscape (TNI), Hot Allostatic Load. On intra-community abuse in queer and kink/poly communities.
  • Amanda Mull (The Atlantic), Why Americans Love Giant Closets.
  • highlyeccentric: Sodomy Non Sapiens - what does that mean? - means I'm BUGGERED IF I KNOW (sodomy non sapiens)
    Something I'm thinking about a lot this year is an occasion when, in hindsight, I was actually sexually harrassed at work. I didn't notice at the time, because I was newly aware of myself as queer, and I registered it as *homophobic* hostility, albeit of a generalist masculine display sort rather than directed at me.

    Read more... )

    These days, I am researching intersections between disgust and humour: why is disgust fun? Why is it funny to disgust others? It turns out that still shot I was shown is part of the Internet Hall of Fame: it's known as 'Lemon Party', and like Goatse and Two Girls One Cup, it is one of the pornographic counterparts of the humble RickRoll and the NumaNuma song. One tricked one's internet peers (and sometimes ones real life peers) into viewing undesirable content: Lemon Party and Goatse because they are explicitly or implicitly homoerotic; Two Girls (and to an extent Goatse) because of the scatological humour / kink intersection. RickRoll is genuinely harmless, its joke resting on the overly earnest and unfashionable popsong, while the NumaNuma video's prank appeal rests on combined fatphobia and mockery of the chap in question's earnest enjoyment of the song. Somehow, as an odd badge of pride, I can tell you I've never been internet-pranked into any of these: I somehow became skilled at spotting and dodging them, and Lemon Party simply never crossed my radar. Consequently, it wasn't until I read mentions of it in academic literature that I realised it was a specific meme-based prank and not a random act of homophobia that I had encountered in late 2008 or early 2009.

    Now, when I think about that exchange in the restaurant, it seems glaringly obvious to me that I, and the other female staff, were subject to heterosexual sexual harrassment: pushing pornography into our working relationship was obviously an act of sexualised intimidation. Even the intent to disgust is wrapped up in ye olde hetero power dynamics: eliciting an affective response over us, in the domain of sexuality, without touching us or even implying sexual interest in us. But I do think there's something different here to, say, showing het porn that the aggressor might presumably enjoy - perhaps that's what lifts it into the realm of humour? There isn't a sense of unwanted intimacy, such as even something relatively tame like pin-up calendars elicits (now you know exactly what kind of big tits your colleagues like). I'm fairly sure my straight women colleagues would have reacted differently to straight porn, or lesbian porn (either true dyke porn or girl-on-girl-for-male-viewers); and the kitchen blokes would not have found conventionally attractive gay porn a site of riotous amusement.

    This past week I read NSFW: Sex, Humour and Risk in Social Media (well, read the intro and skimmed the rest for content specifically addressing gross-out pranks). What that book *doesn't* address sort of confirms that my first read on the situation might not have been so wrong: I think, at the time, the disgust > humour link was so strong, and the homophobic element so obvious, that many victims embraced the joke (and then passed it on). The authors of NSFW address Goatse and Lemon Party in the same context as 'Nimping' (of which I had never heard!), a prank that installed an app that played inescapable gay porn and shouted "hey everyone I'm watching gay porn!" across your workplace. They talk about how there's humour in disgust, in reasserting heteronorms via disgust-pranks; and about the humour of incongruity, as in the presence of porn in the workplace.

    They DON'T talk about the specific dynamics involved in victimising certain people for these pranks - perhaps because Goatse, like Rickroll, seemed so all-pervasive at one point. But something like Nimping? Don't tell me that wasn't deliberately sent to men who were somehow failing to win at workplace masculinity. Part of the TEST is that the victim had to both perform disgust *and* treat it as a successfully executed amusing prank - by failing to perform disgust I violated the Rules of the exchange, and if I were read as a man or possibly even as a dyke at the time I would have opened myself to further homophobic harassment in so doing; but if I treated it as sexual harassment directed at me as a woman, I have absolutely no idea what would have happened, the violation of the prank rules of engagement was so inconceivable at the time.

    I do think that even if it is the case that most people in the sphere of these pranks thought of them as pranks rather than harassment, an academic study ought to probe further. It is striking that the authors of NSFW quote studies which interviewed people about workplace humour, or about work/life boundaries and smutty jokes on social media (some one who was photographed holding some 'cock soup' - tinned soup with a cockerel on it - while on mental health leave, and the photo made it to facebook), they don't interview or cite any interviews with anyone who *disseminated* goatse, lemon party, two girls, or nimping; nor anyone on the receiving end. Even in the section entitled 'Harassment, Sex, and the Workplace', they focus on the fact that things which are harassment in one context may not be in another - without ever addressing the fact that these pranks *could be used to harass*, and who might be the most likely victims. Even when mentioning the homophobic nature of the joke, they don't address the probability that queer people would therefore be targeted. It's... disappointing, honestly.

    And yet, while failing to treat gross-out pranks as harassment, they *also* don't address consensual gross-out practices! I am aware of people who trawl the A03 for the grossest or most pathetic or worst written or preferably all three porn they can find; I assume this happens with video porn, too (how else did Lemon Party end up screencapped?). Some people think its fun to seek out gross content: they then either spring it on unconsenting people, or, I've been told, engage in group competitive gross-outs with similarly minded friends. I am fairly sure that some of *that* underlay the viral success of goatse, lemon party, two girls, etc.

    All up, useful but disappointing. I did get some interesting anthropological cites on disgust, however, and will keep forging ahead. I've been reading up on intentionally disgusting literature, too, but most of what I've found is writing about disgust as deliberately challenging / edgy, not deliberately FUNNY. But there are many genres of disgusting literature that are not that: Paul Jennings is no William S. Burroughs, and 18th-cent Mock-Epic has more in common with Captain Underpants than with Samuel L. Delaney.




    Currently Reading:
    Fiction For Fun: Bernadine Evaristo, Girl, Woman, Other - not much progress here.
    Poetry: Still plodding onward with Paradise Lost
    Non-Fiction for Personal Interest: Made some headway with Feminist Theory from Margin To Center, am enjoying it. Foucault and Bond Stockton remain on hiatus.
    Lit Mag: Some minor progress with the winter Meanjin, but not enough. Also, as if I didn't have enough of a backlog with Meanjin, i leveled up in bougieness and took out a TLS subscription. I keep picking up links to articles by medievalists and not being able to read them... so, I have three months electronic and hard copy, we'll see if I use it and if it's worth keeping up the hard copy.
    For Work: Mary Devlin's Murder on the Canterbury Pilgrimage, aka 'Esmerelda from Hunchback goes on pilgrimage with Chaucer, and also with a woman who has been married five times but is less mouthy than the Wife of Bath so makes a less threatening POV character'. Hines' The Fabliau in English. Annotating Feminist Theatrical Revisions of Classic Works, still.

    Recently Finished: Quite a lot, actually.

    The Canterbury TrailThe Canterbury Trail by Angie Abdou

    My rating: 2 of 5 stars


    This was going to get a 3 or even round up to a 4, but the ending was a complete cop-out AND not even plausibly excused as a 'retraction' à la Chaucer.

    The Canterbury TalesThe Canterbury Tales by Seymour Chwast

    My rating: 2 of 5 stars


    It's hard to feel like Chwast actually LIKES the CT's, except maybe the Knight's Tale? And totally baffling dedication to doing The Whole Thing, including the cook and Melibee. Interesting to have a Prioress' Tale from a Jewish adaptor, but he ... doesn't... actually do anything interesting with it.


    Feminist Theatrical Revisions of Classic Works: Critical EssaysFeminist Theatrical Revisions of Classic Works: Critical Essays by Sharon Friedman

    My rating: 5 of 5 stars


    Extremely useful and relevant to my interests.


    100 Demon Dialogues100 Demon Dialogues by Lucy Bellwood

    My rating: 5 of 5 stars


    Absolutely adorable: 100 slice of life comics featuring discussions between the artist and her own inner demons.

    Plus Karen Boyle, Media and Violence: Gendering the Debates, which is pretty good if out of date now. Neat format choices - it's a monograph but it's got textbook-like chapter blurbs and summaries, and discussion prompts. Also the intro to Alexandra Cuffel, Gendering Disgust in Medieval Religious Polemic, which gave me some good cites, but is bafflingly ONLY about inter-religious polemic (Xns on Jews and Muslims, Jews on Xns and Muslims, Muslims on both), and doesn't address any of the three's depictions of heretics and or schismatics, or the sort of polemic that demands reform within a religion.

    NSFW: Sex, Humor, and Risk in Social MediaNSFW: Sex, Humor, and Risk in Social Media by Susanna Paasonen

    My rating: 4 of 5 stars


    Both really interesting, and oddly gappy - f'r ex, despite sections entitled 'sex, harassment and the workplace', and despite addressing gross-out pranks, fails to actually grapple with gross-out pranks as either heterosexual harassment or homophobic harassment in the workplace. Weird.

    And finally, I revisited the entire 'Circle of Magic' series by Tamora Pierce. Unlike the Song of the Lioness books, which I adored as a kid and still love, but which I see more and more holes in every time I read them, my respect for these ones only grows. Although this time I did have some side-eying about the depiction of the Traders (a mix of traits associated with Judaism and with the Roma, the latter mostly stereotypes; early on I thought Tammy Pierce took good and careful care to distinguish between antisemitic/racialised tropes believed about the Traders and what is actually truth of them, BUT. Their attitudes to outgroups were very heavy-handedly done: they seemed to genuinely believe non-traders were 'not real people', a belief which, afaik, is really only found to be *seriously* held in imperialist societies toward subordinate groups; if professed by a minority moving through a larger community it has a completely different valence). Nevertheless, as expected I was particularly struck by the epidemic in the fourth book: Briar resenting masks. Logistics people unprepared! Quarantine-dodging! Yeowch. The third book with its setting of a bad wildfire season was also tough to read after 2019 in Aus: I could feel the smoke scratch every time the text described Tris coughing.

    Online fiction
  • Keerthik Sadisdharan (Mint Lounge), Krishna Speaks to Jara on his last night on earth. I did not understand this as well as I would like, but am filing it to return to later.
  • Maria Dhavana Headly (Tor.com), The Girlfriend's Guide To Gods. Not as impressed with this as I might have been a decade ago. It is, however, interesting in that I think it belongs in that genre of 'Heterosexual Disappointment Literature' I posited last week, but because it's so much less realistic than Cat Person it won't get put together like that.


  • Up Next:

    Despite the long list of things finished, I have acquired EVEN MORE THINGS. A guide to mock-epic as a genre is probably next up.




    Some links:

  • Laura Dzubay (Electric Lit), Everyone else is in love and I'm just listening to Taylor Swift. There is a lot of good stuff here, but I particularly liked its perspective on the function of songs as giving shape to what love and desire ought to feel like. I remember being fascinated by certain songs because they grasped something that no amount of reading - not fantasy lit, not my Guide to Puberty book, not Margaret Clark's 'Secret Girls Stuff' and not the teen novels that were YA-before-YA in Australia - articulated for me.
  • Captain Awkward (Own Blog), I put my emotions in the fridge and went away for a few years and now I'm afraid of what's growing in there. The Captain is on a good streak lately - the one about the Gasp! Bisexual! Friend was good, too.
  • Greg Mania, interview with Brontez Purnell, 100 Boyfriends is Scripture for Gay Dysfunction. Another for my growing list of not-saccharinely-wholesome-rep queer lit.
  • Liz Janssen (LARB, 2015), Uses of Displeasure: Literary Value and Affective Disgust. Reviewing Delaney's 'Hogg' (Content warning: everything), considers the way that disgust scrambles our normal habits of evaluating literature. I hated it but it's good. It's terrible but impressive. Brilliant but one star.
  • Macquarie Dictionary Blog (2015), Do you skull a beer?. I read something referencing the scandinavian toast 'skol', and hoped it might be linked to the Australian ritual of 'skull, skull, skull', because I have never been satisfied with the explanation that you skull a beer in one long sweep like you row a boat (why skull, and not just 'row' then?). That sounded like a backformation based on the popularity of 'boat race' drinking games.
  • R.O. Kwon (The Cut), The willful misunderstanding of kink. I wasn't happy with this: very simplistic 'kink is not abuse; if it's abuse it's not kink' stuff. I hoped for better from the Kwon & Greenwell collaboration. Alas, I then found this scathing negative review by Daemonium X of their anthology Kink, which was enough to convince me not to bother reading it at all.
  • Mya Byrne (Country Queer), Trans country artists you need to know, and Rachel Choist (Country Queer), Your guide to the butches of queer country.
  • Liat Kaplan (NYT), I was your fave is problematic. The person behind YFIP, then a teenager, regrets her life choices. Although as the person I got the link from (Waverly SM on twitter) pointed out, there are some ways in which this piece doesn't seem to accept accountability for what she actually did (as opposed to the role she may have played in Cancel Culture At Large, which I think she overstates): there's a glancing reference to 'a feud with a YA author over his inclusion', which probably refers to the part where the blog turned accusations of pedophilia and/or general sexual harassment against John Green into a fact Everyone Knew, on the basis not even of a first-hand submission but someone reporting that their friend said that he hugged her without permission. I... don't know what's the correct point at which to move stories like that from whisper network to exposé, but YFIP's interests were never with the victims, or even with warning people *for their safety*, but with hurting the named people and shaming those who like them (thus the 'your fave' framing). In this article she talks about wanting to make people hurt, but not so much about the shaming of her peers aspect, which I always thought was stronger.
  • Robin Dembroff (pre-print of an article for TSQ), Cisgender Commonsense & Philosophy’s Transgender Trouble. This is a really good read on the topic of 'why are so many philosophers transphobic as fuck'. I would like to get further confirmation about certain basic methods of analytic philosophy - Dembroff cites a professor who, when he was a student, responded to his promise to 'read more on the topic of X' with 'don't read, THINK', and links that with the broader unwillingess of mainstream philosophers to read trans philosophy, feminist philosophy, or philosophers of colour. The assumption is, apparently, that one should start from commonly agreed facts and build up; the idea that one might need to research, or that commonly agreed facts might be wrong, is, per Dembroff, anathema. This is... certainly an explanation for Philosophy Bros in lit classes, but so wildly different from how philosophy is approached by lit scholars (Dembroff does note he's talking about analytic philosophy; and lit scholars love continental philosophy, perhaps that's the difference) that, I, er, want to read more on the topic.
  • highlyeccentric: (Sydney Bridge)
    Courtesy of, well, the inevitable result of reading 8-10 things at once, and also of spending a week cat-sitting in Fribourg. Why working in someone else's house should get more reading done than working in my own, I do not know, but that's how it is.

    Meanwhile, the most striking thing I read this fortnight, I think, is the essay Fucking Like A Housewife, by Jamie Hood, in The New Enquiry. It's a personal essay, with an artful mix of abstraction, self-exposure, and ironic reflexive comments, by a trans woman on desire and disappointment. I picked up the link from the substack/blog 'It's David', on the basis of this incredibly striking line: "A fantasy is at its heart a survivalist lie."

    Cast your minds back to July 2019, when The Crane Wife came out. I posited that The Crane Wife is just one in a recurring genre of women's writing (although I wouldn't be surprised if there were also similar from gay men, or nonbinary people; I would be very surprised and FASCINATED to find its like from cis straight men). I can't exactly define it: the Disappointment Memoir, perhaps? The short story 'Cat Person' belongs here, too, although personally I didn't find it that engaging. But just as important as disappointment is desire, thwarted potential, hunger. Jess Zimmerman's Hunger Makes Me is another example. I'd put Lucia Osborne-Crowley's Meanjin Papers essay from Winter 2020, Depreciated: The Price of Love in there, too, although it was far too niche and Australian to go viral.

    When these essays go viral, they seem to spark cathartic identification. And they do in me, too (to varying degrees; Cat Person was a particular low). And yet I find myself frustrated, over and over, at how... straight they are. The disappointment and despair that pervades them is, on the one hand, familiar: I, too, have dated Men (TM), but the sense of compulsion, that this must work because this is all there is? It's... odd, to read, as a queer woman. I could say yes, this is the double bind of the heteropatriarchy: how lucky for me, that this is not all there is for me. And I'm not arguing that it *isn't* structural. But I don't think it's actually limited to heterosexuality, the gaping void of desiring and needing and loving and somehow never being enough to get your own needs met or even, it feels, acknowledged. You can find its threads in all kinds of queer memoirs, and complicated tangled versions: of giving and loving and yet not being able to provide what the other party needs, and so on. Never surfaces in viral essay form, though, which is a shame: my gut instincts tell me that for queer women, especially, the ways in which this story grows in us aren't so far off from the ways - especially the ways outside of primary partnership - that the same story grows in straight women.

    Let me know when someone writes a queer woman Disappointment Memoir Piece.

    Hood's essay isn't the one I'm looking for; for one thing, nowhere does it suggest that Hood would identify as queer (perhaps she does, perhaps she doesn't; this essay is exclusively about her as a trans woman dating men). But it IS a version of the Desire/Disappointment memoir that won't go viral on account of not being "relatable" to enough people - in fact it's probably actively off-putting to most people who identified with 'The Crane Wife'. The desire in which Hood is repeatedly thwarted is the desire to be "a Housewife": to be allowed, invited, cherished in that most protected of feminine roles; to be able to offer love-as-service; all the things that her straight cis counterparts find constraining. She interrogates this desire, it's playing out as kink, it's function as a "survivalist lie", and the ways in which that fantasy might be a vehicle for desires more basic and more terrifying not to receive. I recommend it, both as a piece that deserves to be alongside the viral Desire/Disappointment genre, and as a fine example of personal essay craft in its own right.




    Currently Reading: Oh so many things, as usual
    Fiction for Fun: Bernadine Evaristo's 'Girl, Woman, Other', and Tamora Pierce's The Magic in the Weaving. I've been craving the Circle books since March, for obvious Pandemic reasons; bought them for Xmas and only got around to them now. I'm finding them so soothing. The Evaristo.. hmm. It's mostly portraits of people, so far, through the perspectives of first Amma, a middle-aged dramatist, and then her daughter Yazz. I was enjoying it until the switch to Yazz, and then... Evaristo is gentle with Amma's foibles and failings, but Yazz feels like a sharper satire, in places. Her apparently unassailable confidence in her own rightness and the wrongness of adults may yet be modulated, but the bit about her faking anxiety to get a larger room in halls gives me pause. She's starting to feel like a straw-gen-z, I suppose.
    Poetry: puttering onward with Paradise Lost
    Lit Mag: Not quite halfway through Winter 2020 Meanjin
    Non-fiction for personal interest: I haven't picked up the hooks or the Foucault since l last did a Reading Post, oops.
    For work: Got to get back to 'The Fabliau in English' now, I guess.

    Recently Finished: 'The Lotus Palace' should've gone in last update, actually, as opposed to 'ABSOLUTELY NOTHING', which is what I claimed.

    The Lotus Palace (The Pingkang Li Mysteries, #1)The Lotus Palace by Jeannie Lin

    My rating: 4 of 5 stars


    I really enjoyed this and will definitely be following up on the series. It's a combo historical mystery and historical romance, set in the pleasure quarter of Tang Dynasty Chang'an. The worldbuilding / historical research is rich and rewarding without ever overwhelming the plot. Protags fascinating, Our Heroine's occasional bits of unreliable (or withholding) narration deftly deployed. My quibble with it is the pacing / twining of the mystery and romance plots and their respective generic demands. The fortuitous mechanics to allow the Happily Ever After come too quickly and with too little detail in comparison to the mystery plot, which might be okay if they were a rapid fade-out, but then we stick around for the last odds and ends of the mystery plot to be likewise deus-ex-machina'd.

    Winter's OrbitWinter's Orbit by Everina Maxwell

    My rating: 4 of 5 stars


    I devoured this and enjoyed it, and yet. I read it and loved it in its prior online existence, and wasn't sure how it could be improved. For the most part it IS significantly improved: the worldbuilding and political plot are much strengthened. Oddly, though, some things were lost in the shift that make the mystery plot - and the villain of the final crisis- less compelling. And I am not happy with the logics of how gender and sexuality work in this expanded universe: long story not for covering here, I feel. (DW note: that's a post under lock if you have access but missed it.)

    A Companion to Literature and FilmA Companion to Literature and Film by Robert Stam

    My rating: 3 of 5 stars


    I think I had this out by mistake (instead of A Companion to Film and Adaptation). Couple of useful essays though.



    SpinningSpinning by Tillie Walden

    My rating: 4 of 5 stars


    This was beautifully executed, but oddly difficult to read: the art style and minimalist text somehow really effectively conveys a sense of trapped combination drive and despair that's a Lot.


    Pending next update: a couple of weird Canterbury Tales adaptations, and 'Feminist Theatrical Revisions of Classic Works'

    Online Fiction:
  • Adam Ouston (Meanjin Winter 2020), The Velvet Plain. This is... as close to sci-fi as Meanjin gets. Surrealist. Maybe it's enviro-fiction? Maybe it's not. Warning for some brutality.
  • Rebecca Slater (Meanjin Winter 2020) Scales. This one definitely is climate fiction, and the surreal elements more easily interpretable as metaphor. Not one that will stick with me for a long time.
  • Pauline Melville (Electric Lit), Anna Karenina and Madame Bovary discuss their suicides. I definitely want to read the collection from which this draws, and am slightly annoyed it has no online footprint beyond this so I can't file it in goodreads.
  • Phoebe Barton (Lightspeed Magazine), The Mathematics of Fairyland. This is sweet (cn: suicidality), but not as mathematical as I had hoped.


  • Up Next: I need to prioritise for work: stuff on fabliau as genre, stuff on violence and humour. Everything else as whim takes me.




    Some links:
  • Garth Greenwell and R.O. Kwon (LitHub), Taking Kink Seriously: A Reading List.
  • Cara Giamo (Atlas Obscura Feb 2019), The celebrity tortoise breakup that rocked the world
  • Franki Cookney (The Overthinkers Guide to Sex, blog), The best bad sex I ever had. At the time I couldn’t quite articulate it. It felt like having sex with someone who didn’t actually like sex, I remember saying to a friend. Cookney connects that to Peggy Ornstein's reseach on (straight) young men and sexuality in a way that is, shall we say, Not Wrong.
  • Atlas Obscura place entry, Méret Oppenheim fountain. Saw this unexpectly this past week in Bern. It is WEIRD.
  • Douglas Dowland (The Rambling), Flirting with Foucault. Dowland uses Eric Wade's memoir of Foucault's time in California, during which Wade (and his partner) "flirted" (per Dowland) with Foucault, to put forward an argument about flirting as generative of thought, friendship, philosophy. I would like to be on board with this argument, I really would, but I am thrown by the fact that from Dowland's description what happened here is Foucault turned down a speaking invitation, Wade ambushed him at a different event and wangled his way into his graces by offering to drive him to a site he wanted to see, plied him with substances and asked him wildly personal questions about his sex life. Nice to know even Foucault gets sexually harassed on the job??
  • Lizzie O'Shea (Overland), Facebook vs the media code: whoever wins, we lose. I read this trying to figure out what the rationale for the 'make google and facebook >>pay for news<<' thing is. I have gone from baffled to impressed at the gall. It's not a copyright based argument at all, it's a sheer power grab. And one that will profit Murdoch more than most.
  • Amanda Meade (Guardian), Google and Facebook: the landmark Australian law that will make them pay for news content. I had to read this one to check I wasn't misunderstanding.
  • Ketan Joshi (RenewEconomy), Google's Sky News Australia team-up will make it a climate misinformation powerhouse. This is Not Good, folks.
  • Sonja Blignaut (Own blog), On depletion - as different to fatigue.
  • Julia Ftatek (The Rambling), Jonathan and Taylor: the two Swifts. I really enjoyed this one, do recommend.
  • David (own blog/substack), David Davis XVIII: Part 3, 'good for you'. Cautions against 'therapeutic' justifications for kink. I don’t care if it’s good for me. It doesn’t need to be good for me for me to be allowed to do it.
  • Robin Craig (Looking At Porn blog/substack), Tickling. I love humans, humans are so great and come up with so many niche things.
  • Neelanjana Banjeree, interview with Randa Jarrar (Harpers Bazaar), There is a bigger world: Randa Jarrar on her memoir 'Love is an Ex-Country'.
  • highlyeccentric: I've been searching for a sexual identity, and now you've named it for me: I'm a what. (Sexual what)
    That's two fortnights now I've resumed my average of 3 books/2 weeks. At this rate I won't make my goodreads goal, or have read nearly all I Ought to have read for work, but it's something.

    This past fortnight, a lot of reading and feels have circled around Gender. In Bowden's anthology of 18th c Chaucer modernisations, I found a 1715 Reeve's Tale in the style of a mock epic, which does some really odd stuff around the daughter: calls her the miller's 'female son', and a 'filiaster', and stresses her towering height and girth, in a way that if it was a text from 1915 I'd be happy calling transmisogyny - not that the daughter has ever been anything but assigned female, but in that by that time I'd be confident the joke was "she looks like a man in a dress". Here, I'm less sure. I talked about it a bit on the COMMode project twitter account. In part I'm hesitant to call it transmisogyny because the mockery relies on *person assigned female fails to grow up physically feminine OR act feminine* (elsewhere the poem stresses her failures in cooking, and her clumsiness), in a way is more reminiscent of the combo gender-policing and transphobia that trans men get, in being seen as defective women. Or, for that matter, the gendered mockery directed at cis women who just happen to fail at feminine tasks and tropes - I'm a pretty clumsy gal myself, clumsiness as unfeminine is *absolutely a thing*. Anyway, I settled on calling it 'oppositional-sexism based misogyny' (I'm not quite sure there's any other kind of misogyny, but so as to distinguish it from, say, oppositional-sexism based toxic masculinity).

    At the same time, I was reading Kate Bornstein's 'Gender Outlaw' (updated edition) - I know Bornstein's been something of a contentious figure, and can see why from the book, certainly. What really struck me was the part where, under definitions of gender, she breaks down a list of bodily, behavioural and social codes that make up 'feminine' and therefore 'woman'- things a trans woman has to do in order to override automatic gendering based on facial structure, for instance. She talked about not meeting people's eyes as you walk around in public; flirting by looking at-and-back; various spoken language codes; ways of holding your body; ways of relating to others. Some of them had never occurred to me at all (not looking directly at people on the street? I mean, of course I do, especially if they're coming toward me and we have to non-verbally negotiate who's going to dodge). Bornstein describes them all as, in essence, signals of submission, which: huh. (I think that's not entirely true of some of 'feminine' conversational patterns - asking more questions than you give opinions isn't necessarily submissive.)

    I knew I had never fully internalised the norms of young women's behaviour, because everything ever written about how girls (especially co-ed educated girls) behave in classrooms is entirely inaccurate if applied to me. And I knew that when I was put through actual workplace communication training, in a govt job, I was punished for offering constructive critique ("okay, but what about x?") without padding it with praise in a way that both the men in the room and the woman with an MBA were not. I put it down to neuroatypicality: I just missed the memo on a lot, which was mostly productive in terms of my self-esteem and confidence, but increasingly likely to backfire as an adult. But that those codes, combined with certain codes of body language and eye contact, are codes of submission - well I assume I don't have those mastered either (idek, everyone agrees I Make Good Eye Contact, but if women are supposed to make less of it, perhaps I am OVERdoing it). Which probably explains why in sex-positive spaces I get read as Dominant with a capital D even when I'm not trying to be (and/or why men who think of themselves as Dominant with a capital D saw me, when I was younger and more impressionable, as secretly craving submission).

    Ugh. Genders. Why. And you're about to say 'that's not gender that's gender roles / misogyny / etc', but it -is- gender in the sense that it's used to either gender you (determine what gender you are) or to react to you based on a system of gendered norms (aggressive for a woman is assertive for a man - variable by race, mind - intense intellectual engagement in a same-gender context reads as intimate in an opposed-gender one, and so on).




    Currently Reading:
    Fiction for Fun: I'm a little way into Balli Kaur Jaswal's 'Erotic Stories for Punjabi Widows' and am currently annoyed with the protagonist and the premise (specifically that she gets a job teaching writing classes with no writing CV. C'mon. This is 21st c London, even if you limit to the Sikh community there should be a small handful of experienced writers desperate for that job). Three Daughters of Eve on hiatus again - I'm still enjoying it but you know how you avoid the Inevitable Embarrassment in romcoms? I'm avoiding the Inevitable Seduction By Teacher part even though I expect it to be done interestingly and well.
    Non-fiction for Personal Interest: Only The Queer Child, still on hiatus.
    Poetry: I haven't listened to Paradise Lost for quite a while, I should fix that.
    Lit Mag: Still very slowly working through Autumn Meanjin...
    For work: I'm partway through The House of Fame on audiobook, and still puttering through The New Companion to Chaucer at times. Main focus at the moment is Forni's Chaucer's Afterlife, which is giving me even more things for the TBR. I've ordered a personal hard copy, as this one is due back soon.

    Recently Finished:

    Eighteenth-Century Modernizations from the Canterbury TalesEighteenth-Century Modernizations from the Canterbury Tales by Betsy Bowden

    My rating: 4 of 5 stars


    Actually WAY more interesting than I expected. I now need to know a lot more about mock-epic, stat.


    The Invention of Race in the European Middle AgesThe Invention of Race in the European Middle Ages by Geraldine Heng

    My rating: 4 of 5 stars


    Ooof. Big. Wide-ranging. Incredibly useful. I'm aware of the trenchant critique esp of her treatment of Islam, but as that hinges on 'too reliant on the literary imaginary' it's not a huge barrier for me. I *am* rather more skeptical of the last two chapters, on the Mongols and the Romani respectively - the former, for about half of it, doesn't seem to as carefully distinguish between 'to European observers Mongols SEEMED animalistic because of...' and giving an emotive paraphrase of 'they were x and y'... Heng is much more careful with this re: Islam, and, hmm. Ditto the Romani chapter: I don't know enough to critique the historical claims but it seemed very obvious to me that a lot of the authoritative secondary sources she quotes are deeply prejudiced, and she doesn't really get into that (eg: why assume that the Romani devised the story about wandering in exile due to ancestors having abandoned Christianity as a _cunning plot_, at all? Given many Romani are *now* usually Catholic, could not the same influences identified as giving them the info on Christianity needed to devise such a story actually have resulted in conversions and the creation of such a narrative within some groups?).


    Gender Outlaw: On Men, Women, and the Rest of UsGender Outlaw: On Men, Women, and the Rest of Us by Kate Bornstein

    My rating: 4 of 5 stars


    This is... a bit patchy, variable, I think? I haven't read the first edition, so I don't know how much of that comes from the updating process. There are certainly things in here that I stared at and thought "... if a trans woman said that on Twitter she would be excoriated by other trans people at the speed of retweet". In particular Bornstein seems comfortable attributing some women's discomfort with her 'male energy' early in transition to her own 'vestigal male privilege' and to her having not fully adopted the less explicit codes of feminine body language and communication at that stage, which... is not something most trans women would endorse as an explanation, let's say. Anyway. Bornstein has been thoroughly cancelled at least once in the internet age, and survived it, so, let's not hash that out.

    Without necessarily ENDORSING that, I did really appreciate how much Bornstein talked about gender's implicit codes of body language and communication - somewhere she describes femininity's signals as all 'signals of submission', and, uh. Oh. Right. Yeah. That would explain a LOT of gendered social problems I encounter, both in very everyday spaces and in queer / sex-positive spaces.

    I don't feel like I can give a coherent review because the book itself isn't trying for coherence. I can say that what REALLY stood out to me was the playscript at the end - I want a production, at once. I want to LIGHT a production, there's so much scope for storytelling through lighting there.

    Online fiction: Patrick Dacey (Guernica), Counter Waves.

    Up Next: More work stuff, at as quick a clip as I can manage.




    Links of note, assorted:

  • Guy Rundle (Crickey), The Uniquely Australian Violence of the Brereton War Crimes Report, and
  • Boubuq Sayed (Meanjin), A New Generation of Australian War Criminals. These two make very similar points, with the exception that Sayed also notes that the major outlets, by providing links to veterans' counselling services but nothing for or about Afghan Australians, are continuing to centre soldiers over victims. Guess which of the two got splashed over the Murdoch press and hounded on social media and had his follow-up essay rejected by the Guardian? No prizes for guessing.
  • Damon (own blog), The uncanny valley of culture: on making english-language media while not being American.
  • James Wright (Triskele Heritage), Medieval Mythbusting blog 2: the man who invented the spiral staircase myth.
  • Naaman Zhou (Guardian Au), Australia's delivery deaths: the riders who never made it and the families left behind. Naaman Zhou (the man who brought you 'Australian scientist gets magnet stuck up nose while inventing coronavirus device) is honestly one of the best culture/society-side economics reporters out there at the moment. Which is to say he's not reporting from parliament or on business forecasts, but on the practical realities: delivery drivers, university enrolments, underpayment scandals, and so on.
  • Michelle Toole, Brendan Crabb and Suman Majumdar (The Age), Blaming and shaming breaks a cardinal rule of public health.
  • Jamey Jesperson (History Workshop), Honouring trans lives, historicising trans death.
  • Shookofeh Rajabzadeh (ACMRS Arizona), Is your bread white enough? King Arthur baking company's racist marketing history.
  • Dan Charles (NPR, 2019), From cullinary dud to stud: how dutch plant breeders built our brussels sprouts boom. TL,DR, unlike most things, mass-market brussel sprouts have got rapidly BETTER in the last twenty years.
  • highlyeccentric: Literature: words that think they are too clever by half. Mostly written by men. (literature (too clever by half))
    I read 'Fun Home' this week. I haven't seen the musical: if you have, does it do anything different with the part where her father is *sleeping with his (male) high school students*? I'm... I'm not objecting to the book, but I AM surprised no one ELSE is. Like. This is the same decade in which I saw both 25+ adults and younger queers getting righteously incensed about Call Me By Your Name being Bad Representation, but we're okay with Bechdel's narrativising of her father's crimes (yes, they are crimes! She specified at least one of the students was 17, and unless there's something I've missed about Pennsylvania state law that's underage? Also, homosexuality was probably illegal through some of the time she recounts(?)). The story she tells herself about her father is one of thwarted homosexuality, thwarted growing-up ending in relationships with teens.
    I have thoughts: more discussion of teacher-student and other adult-adolescent abusive situations; History Boys and At Swim Two Boys; also some mentions of clerical abuse )

    But between Fun Home, History Boys, and At Swim, I'm wondering if this is... some kind of thread through early 2000s queer content? And if so, why on earth have I never seen anyone decrying it, given how much of contemporary queer discourse (especially online) is devoted to decrying queer cultures past?




    Currently Reading:
    Fiction For Fun: Elif Shafak's 'Three Daughters of Eve', back in rotation again. I've also just started 'Erotic Stories for Punjabi Widows', which promises to be fun brain candy.
    Poetry: Still slowly working through Paradise Lost
    Non-Fiction for personal interest: I made some further progress with Meanjin (autumn) but have recently misplaced it.
    For work: I'm really enjoying the 18th c modernisations in Bowden's anthology, slightly to my surprise; I'm still puttering through 'The Invention of Race', having more qualms about the final three chapters than the earlier ones; and I'm listening to The House of Fame as an audio recording.

    Recently Finished: Both 'Miroirs Arthuriens' and Jost's collection 'Chaucer's Humour'. The former I've filed a proper review of with Arthuriana; the latter doesn't deserve a goodreads review, as it's useful but tedious.

    The World's WifeThe World's Wife by Carol Ann Duffy

    My rating: 4 of 5 stars


    This was in many ways better than I expected, and yet. Nothing quite exceeds 'Mrs Icarus' for excellence; and the whole thing is rather ruined by the redolent transphobia of 'Mrs Tiresias'.


    Fun Home: A Family TragicomicFun Home: A Family Tragicomic by Alison Bechdel

    My rating: 4 of 5 stars


    Huh. I ... have many questions, there are many great things about this and some troubling ones, and... HUH. (see above).


    Mrs. Martin’s Incomparable Adventure (The Worth Saga, #2.75)Mrs. Martin’s Incomparable Adventure by Courtney Milan

    My rating: 3 of 5 stars


    I did enjoy this - it's rare to find f/f historicals, let alone ones that have both humour and sexual tension. As ever, though, I just don't quite gel with Milan's writing style.


    Online Fiction:
  • Sayaka Murata, trans. Ginna Tapley Takemori: I married a stranger to be left alone (extract from the novel Earthlings, which I shall be reading I think...)


  • Up Next: As usual, I'm not sure, because I should be reading EVERYTHING.




    Some links:

  • Beth Plutchak (own blog), We aren't dragons: on the dsyfunctional ways that US society (and many others similarly structured) is set up so that the only route to security in old age is through wealth accumulation; and what alternatives could be considered
  • Patricia Morrisroe (NYT), The Woman Who Built Beethoven's Pianos. Fascinating!
  • Nicholas Thompson (Wired), A nameless hiker and the case the internet couldn't crack. This is also fascinating in a different way!
  • Harriet Sherwood (Guardian UK), Blue plaque to honour yorkshirewoman who was locked in asylum for calling vicar a liar
  • Autistic Science Person (Neuroclastic blog), Austistic people care too much, science says. On a bullshit research study that found autistic people are "morally inflexible" because they were unlikely to pick an option that involved an immoral action but personal benefit.
  • Vicky Spratt (Refinery29), Why do I think all my friends don't like me right now? I saw this being shared by autistic people on twitter as 'pandemic means neurotypicals experience problems we have all the time, but actually it kind of gave me a good explantion for why I seem to get this particular problem less often than most people.
  • Jennifer Romolini (Catapault), I lost my voice before I found it
  • Steve Kornacki (Slate, 2011), The coming out story I never thought I'd write. This is the elections numbers guy everyone was going mad for on twitter. Not a particularly astonishing story, but an interesting one - written AFTER he'd lost a relationship due to his unwilligness to come out, so it doesn't end on 'and now i have my fiancé and we're Just Like You'.
  • The Hatching Cat, Hafiz, the literary cat who lived in Manhattan's first apartment building.
  • Pamela Petro (Guernica), Shedding Light. In which the artist writes about a series of photographs taken around the globe in which she photographed light effects at dusk.
  • highlyeccentric: Sign on Little Queen St - One Way both directions (Default)

    I am overwhelmed with incoming content. I still use an RSS reader, but I’ve come to accept that it’s primary function is to aggregate things I /might/ read, or used to read and don’t want to let go. I keep an unread list in pinboard and open tabs in my phone browser. And then there’s the Saturday Paper subscription and the Meanjin one. Too many things!

    I know too many books not enough time is hardly new, and that the intelligentsia classes of a century ago kept up a brisk flow of letters where we have social media, but still. Were I a lady of letters in 1920 I’d have a couple of academic journal subscriptions, a couple of literary magazines (Meanjin not yet founded, but the Bulletin still going strong) and probably an actual daily paper. Maybe a pull list with a bookseller, like comics readers have still. And I’d be living in the lap of luxury (and consequent blind privilege- which, lol, my best off ancestors were farming chickens and tomatoes in 1920, not reading literary magazines).

    I’m currently ensconced in a hotel in Geneva, wanting the security of being near L while I try out new meds. Thus the email post.

    Currently Reading: Fiction: I think only the Shafak, which slipped into hiatus again.
    Poetry: Still forging ahead with Paradise Lost. I’m about halfway through Carol Ann Duffy’s ‘The World’s Wife’, which... the combined power of wit is spoiled rather by the transphobic weight of ‘Mrs Tiresias’. And I’m conscious of how few of them characterise their female protags as actually /desiring/ their husbands... which isn’t surprising, the unsatisfactory nature of heterosexual marriage is a longstanding feminist talking point. And yet. It strikes me that very often /neither/ lesbian feminists like Duffy not straight feminists seem to actually want to grapple with the fact that many women genuinely desire men: sometimes even the same men they’re married to!
    Non-Fiction for fun: all on furlough
    Lit Mag: autumn Meanjin, still
    For work: Still working through Heng’s The Invention of Race; Jost’s collection of essays on Chaucer’s humour (mostly terribly stuffy)

    Recently finished:

    No books, but I recommend these two pieces of fiction:

  • T. Kingfisher, aka Ursula Vernon (Uncanny Magazine): Metal Like Blood In The Dark
  • Ladee Hubbard (Guernica, 2018): False Cognates (1991). The ending to this is skillfull and unsettling.
  • I don’t often put poetry in these posts (poetry comes up over at [personal profile] speculumannorum, currently dubiously formatted as I work out the limits of email posting), but I strongly recommend Julia Rios (Strange Horizons), Where To Find Strange Horizons, and how to get there, both as a generous hearted commentary of The State Of SFF and because it contains the line ‘Space is made of trains’.

    Up Next: I’ve got Marcia Williams’ reportedly very weird comic form Canterbury Tales with me this weekend.


    Some links, although my patience for hand-coding them in email wanes:

  • Joe Van Malachowski, interview with Lady Kitt (Unicorn Mag), Sappho, Sculpture and Social Practice.
  • Chris R Morgan (Lapham’s Quarterly), The Art of Upsetting People. On Jonathan Swift and the Marquis de Sade.
  • Eba (a Good Dog) as ‘told to’ Amy Sutherland (Hakai Magazine): Coastal Job: Whale Dog. Part of a series interviewing people (and dogs) who work on the Salish Sea.
  • Eleanor Parker (History Today), The Lives of Others. Learning about the past frequently means trying to understand people who are fundamentally unlike us in countless ways, formed by cultural values, social expectations and life experiences that no one today can entirely share. A bit short and maybe rather shallow in its brush over ‘distasteful’ aspects of history, admittedly.
  • Regan Penaluna, interview with Briana Toole (Guernica): How To Corrupt The Youth. Toole founded a non-profit that runs intro to philosophy courses in predominantly Black schools.
  • Daemonum X (Dead But Delicious, own blog): Leatherdyke Gender Technology. Stepping into leatherdyke community, it’s a totally normal thing to reimagine gender in ways that might make people’s heads spin—a woman daddy fucks his creature boy in both of it’s cunts at once. This is the perspective with which I engage with the world and I have no time for modern queerness or feminisms that severely lack gender imagination or project notions of respectability onto bodies..I... this essay! Made things go whirr in my brain!!!
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