Feb. 21st, 2011

highlyeccentric: Inception - Arthur in his badass waistcoat (Inception - badass waistcoat)
Anyone got any academic recommendations for the way race is constructed in high medieval romance, especially Wolfram von Eschenbach? Period surveys also good - I can talk a bit about the way race/religion binaries work in the Chanson de Roland, but it's a long time since I read anything structured on that, either.

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